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Keyword: Theory (511 books)

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•  Encyclopedias (2)    •  Dictionaries (2)    •  Essays (245)    •  Film Reviews (1)    •  Studies (231)    •  Interviews (2)    •  Didactic (19)    •  Filmmakers' writings (7)    •  Writings (2)

•  Encyclopedias (0)    •  Dictionaries (0)    •  Essays (0)    •  Film Reviews (0)    •  Studies (0)    •  Interviews (0)    •  Didactic (0)    •  Filmmakers' writings (0)    •  Writings (0)

•  Encyclopedias (2 books)(0 book)

Film Theory:Critical Concepts in Media and Cultural Studies

(2003)

Critical Concepts in Media and Cultural Studies

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•  Dictionaries (2 books)(0 book)

•  Essays (245 books)(0 book)

Radical Embodiment on Film:Time and the Cinematic Body

(2026)

Time and the Cinematic Body

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The Monomyth Reboot:A Transmodern Update for Mythopoeia

(2026)

A Transmodern Update for Mythopoeia

by

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Sound and Space in Film:Craft, Aesthetics, Theory

(2025)

Craft, Aesthetics, Theory

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Subject: Technique >

Celluloid Babel:Pursuing a Universal Language in Cinema

(2025)

Pursuing a Universal Language in Cinema

by

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Taking Fiction Film Seriously:A Philosophical Approach to Cinema Studies

(2025)

A Philosophical Approach to Cinema Studies

by

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Mediatic Handology:Shaping Images, Interacting, Magicking

(2025)

Shaping Images, Interacting, Magicking

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Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

(2025)

Developing Philosophy through Audiovisual Media

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Elemental World Cinema:Cinematic Entanglements of Earth, Fire, Water and Air

(2025)

Cinematic Entanglements of Earth, Fire, Water and Air

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Haunting the World:Essays on Film After Perkins and Cavell

(2025)

Essays on Film After Perkins and Cavell

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Film, Negation and Freedom:Capitalism and Romantic Critique

(2025)

Capitalism and Romantic Critique

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Haunted Soundtracks:Audiovisual Cultures of Memory, Landscape, and Sound

(2025)

Audiovisual Cultures of Memory, Landscape, and Sound

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Subject: Technique >

A Chronology of Film:A Cultural Timeline from the Magic Lantern to the Digital Screen

(2025)

A Cultural Timeline from the Magic Lantern to the Digital Screen

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Taking Back Desire:A Psychoanalytic Approach to Queerness and Neoliberalism on Screen

(2025)

A Psychoanalytic Approach to Queerness and Neoliberalism on Screen

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Second Takes:A Fresh Look at Classic World Cinema: Essays

(2025)

A Fresh Look at Classic World Cinema: Essays

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The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

(2025)

Essays on History, Theory, and the Avant-Garde

by

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Hearing Eyes, Seeing Ears:Collected Writings on Music in Audiovisual Culture

(2025)

Collected Writings on Music in Audiovisual Culture

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Subject: Technique >

Film Phenomenologies:Temporality, Embodiment, Transformation

(2024)

Temporality, Embodiment, Transformation

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The Morph-Image:The Subjunctive Synthesis of Time

(2024)

The Subjunctive Synthesis of Time

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CineWorlding:Scenes of Cinematic Research-Creation

(2024)

Scenes of Cinematic Research-Creation

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Cinematic Cartography:Scale, Analysis, Topography

(2024)

Scale, Analysis, Topography

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Gilles Deleuze and Film Criticism:Philosophy, Theory, and the Individual Film

(2024)

Philosophy, Theory, and the Individual Film

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Cinema and Machine Vision:Artificial Intelligence, Aesthetics and Spectatorship

(2024)

Artificial Intelligence, Aesthetics and Spectatorship

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Cinematic Modernism and Contemporary Film:Aesthetics and Narrative in the International Art Film

(2024)

Aesthetics and Narrative in the International Art Film

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Stardust:Cinematic Archives at the End of the World

(2024)

Cinematic Archives at the End of the World

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The Elephant of Silence:Essays on Poetics and Cinema

(2024)

Essays on Poetics and Cinema

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Film Music

(2023)

by

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Subject: Technique >

Depth Effects:Dimensionality from Camera to Computation

(2023)

Dimensionality from Camera to Computation

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Acoustic Profiles:A Sound Ecology of the Cinema

(2023)

A Sound Ecology of the Cinema

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Truth in Visual Media:Aesthetics, Ethics and Politics

(2023)

Aesthetics, Ethics and Politics

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The Reenactment in Contemporary Screen Culture:Performance, Mediation, Repetition

(2022)

Performance, Mediation, Repetition

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Cinematic Poetics of Guilt:Audiovisual Accusation as a Mode of Commonality

(2022)

Audiovisual Accusation as a Mode of Commonality

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Durational Cinema:A Short History of Long Films

(2022)

A Short History of Long Films

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Lessons in Perception:The Avant-Garde Filmmaker as Practical Psychologist

(2022)

The Avant-Garde Filmmaker as Practical Psychologist

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Writ on Water:The Sources and Reach of Film Imagination

(2022)

The Sources and Reach of Film Imagination

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Cinema as a Worldbuilding Machine in the Digital Era:Essay on Multiverse Films and TV Series

(2022)

Essay on Multiverse Films and TV Series

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Cinema of Exploration:Essays on an Adventurous Film Practice

(2022)

Essays on an Adventurous Film Practice

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What Is Non-fiction Cinema?:On the Very Idea of Motion Picture Communication

(2022)

On the Very Idea of Motion Picture Communication

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Subject: Genre >

Deleuze and the Gynesis of Horror:From Monstrous Births to the Birth of the Monster

(2022)

From Monstrous Births to the Birth of the Monster

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Cinema Illuminating Reality:Media Philosophy Through Buddhism

(2022)

Media Philosophy Through Buddhism

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Affect Poetics of the New Hollywood:Suspense, Paranoia, and Melancholy

(2022)

Suspense, Paranoia, and Melancholy

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Subject: Countries >

Spaces of Communication:Elements of Semio-Pragmatics

(2021)

Elements of Semio-Pragmatics

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Metacinema:The Form and Content of Filmic Reference and Reflexivity

(2021)

The Form and Content of Filmic Reference and Reflexivity

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Film Ecology:Defending the Biosphere - Doughnut Economics and Film Theory and Practice

(2021)

Defending the Biosphere - Doughnut Economics and Film Theory and Practice

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Artificial Generation:Photogenic French Literature and the Prehistory of Cinematic Modernity

(2021)

Photogenic French Literature and the Prehistory of Cinematic Modernity

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Subject: Technique >

Explorations in Cinema through Classical Indian Theories:New Interpretations of Meaning, Aesthetics, and Art

(2021)

New Interpretations of Meaning, Aesthetics, and Art

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Expanded Visions:A New Anthropology of the Moving Image

(2021)

A New Anthropology of the Moving Image

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Cinematic Histospheres:On the Theory and Practice of Historical Films

(2021)

On the Theory and Practice of Historical Films

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Subject: Genre >

Roland Barthes and Film:Myth, Eroticism and Poetics

(2021)

Myth, Eroticism and Poetics

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Visual Alterity:Seeing Difference in Cinema

(2021)

Seeing Difference in Cinema

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Forms of the Cinematic:Architecture, Science and the Arts

(2021)

Architecture, Science and the Arts

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Fields of View:Film, Art and Spectatorship

(2020)

Film, Art and Spectatorship

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Noël Carroll and Film:A Philosophy of Art and Popular Culture

(2020)

A Philosophy of Art and Popular Culture

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Cinematic Metaphor in Perspective:Reflections on a Transdisciplinary Framework

(2020)

Reflections on a Transdisciplinary Framework

Collective

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Cinematic Metaphor:Experience - Affectivity - Temporality

(2020)

Experience - Affectivity - Temporality

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Cinematic Corpographies:Re-Mapping the War Film Through the Body

(2020)

Re-Mapping the War Film Through the Body

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Cinematic Skepticism:Across Digital and Global Turns

(2020)

Across Digital and Global Turns

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Cinemachines:An Essay on Media and Method

(2020)

An Essay on Media and Method

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Postcinematic Vision:The Coevolution of Moving-Image Media and the Spectator

(2020)

The Coevolution of Moving-Image Media and the Spectator

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New Nonfiction Film:Art, Poetics, and Documentary Theory

(2020)

Art, Poetics, and Documentary Theory

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Subject: Genre >

The Object of Comedy:Philosophies and Performances

(2020)

Philosophies and Performances

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Subject: Genre >

Actor-Network Theory at the Movies:Reassembling the Contemporary American Teen Film With Latour

(2020)

Reassembling the Contemporary American Teen Film With Latour

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Interpreting Cinema:Adaptations, Intertextualities, Art Movements

(2020)

Adaptations, Intertextualities, Art Movements

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The Cinematic Political:Film Composition as Political Theory

(2019)

Film Composition as Political Theory

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Sensations of History:Animation and New Media Art

(2019)

Animation and New Media Art

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Documentary Across Platforms:Reverse Engineering Media, Place, and Politics

(2019)

Reverse Engineering Media, Place, and Politics

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Subject: Genre >

The Digital Image and Reality:Affect, Metaphysics and Post-Cinema

(2019)

Affect, Metaphysics and Post-Cinema

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Secular Magic and the Moving Image:Mediated Forms and Modes of Reception

(2019)

Mediated Forms and Modes of Reception

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Animal Worlds:Film, Philosophy and Time

(2019)

Film, Philosophy and Time

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Concentrationary Art:Jean Cayrol, the Lazarean and the Everyday in Post-war Film, Literature, Music and the Visual Arts

(2019)

Jean Cayrol, the Lazarean and the Everyday in Post-war Film, Literature, Music and the Visual Arts

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The Supermarket of the Visible:Toward a General Economy of Images

(2019)

Toward a General Economy of Images

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Arnheim, Gestalt and Media:An Ontological Theory

(2019)

An Ontological Theory

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Film, Philosophy, and Reality:Ancient Greece to Godard

(2019)

Ancient Greece to Godard

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Temporality in American Filmic Autobiography:Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'

(2018)

Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'

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Cinema Against Doublethink:Ethical Encounters with the Lost Pasts of World History

(2018)

Ethical Encounters with the Lost Pasts of World History

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Time, Existential Presence and the Cinematic Image:Ethics and Emergence to Being in Film

(2018)

Ethics and Emergence to Being in Film

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Spectatorship and Film Theory:The Wayward Spectator

(2018)

The Wayward Spectator

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Cultivating Extreme Art Cinema:Text, Paratext and Home Video Culture

(2018)

Text, Paratext and Home Video Culture

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Moving Pictures, Still Lives:Film, New Media, and the Late Twentieth Century

(2018)

Film, New Media, and the Late Twentieth Century

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Mysteries of Cinema:Reflections on Film Theory, History and Culture 1982-2016

(2018)

Reflections on Film Theory, History and Culture 1982-2016

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Cinematic Vitalism:Film Theory and the Question of Life

(2018)

Film Theory and the Question of Life

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Political Theory and Film:From Adorno to Žižek

(2018)

From Adorno to Žižek

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Comedies of Nihilism:The Representation of Tragedy Onscreen

(2018)

The Representation of Tragedy Onscreen

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Subject: Genre >

The Cinema of Things:Globalization and the Posthuman Object

(2017)

Globalization and the Posthuman Object

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Making Sense of Cinema:Empirical Studies into Film Spectators and Spectatorship

(2017)

Empirical Studies into Film Spectators and Spectatorship

Dir. and

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Why theory?:Cultural critique in film and television

(2017)

Cultural critique in film and television

by

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The Off-Screen:An Investigation of the Cinematic Frame

(2017)

An Investigation of the Cinematic Frame

by

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Perpetual Carnival:Essays on Film and Literature

(2017)

Essays on Film and Literature

by

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Jacques Lacan and Cinema:Imaginary, Gaze, Formalisation

(2017)

Imaginary, Gaze, Formalisation

by

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Doing Time:Temporality, Hermeneutics, and Contemporary Cinema

(2017)

Temporality, Hermeneutics, and Contemporary Cinema

by

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The Philosophy of Documentary Film:Image, Sound, Fiction, Truth

(2016)

Image, Sound, Fiction, Truth

Dir.

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Subject: Genre >

The State of Post-Cinema:Tracing the Moving Image in the Age of Digital Dissemination

(2016)

Tracing the Moving Image in the Age of Digital Dissemination

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Bion in Film Theory and Analysis:The Retreat in Film

(2016)

The Retreat in Film

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Screening the Tortured Body:The Cinema as Scaffold

(2016)

The Cinema as Scaffold

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The Politics of Perfection:Technology and Creation in Literature and Film

(2016)

Technology and Creation in Literature and Film

by

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Fast Forward:The Future(s) of the Cinematic Arts

(2016)

The Future(s) of the Cinematic Arts

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What Is Film?

(2016)

by

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Cinema Without Reflection:Jacques Derrida's Echopoiesis and Narcissim Adrift

(2016)

Jacques Derrida's Echopoiesis and Narcissim Adrift

by

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Towards a Feminist Cinematic Ethics:Claire Denis, Emmanuel Levinas and Jean-Luc Nancy

(2015)

Claire Denis, Emmanuel Levinas and Jean-Luc Nancy

by

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Reel World:An Anthropology of Creation

(2015)

An Anthropology of Creation

by

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Cinema against Spectacle:

(2015)

"Technique and Ideology" Revisited

by and

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Drive in Cinema:Essays on Film, Theory and Politics

(2015)

Essays on Film, Theory and Politics

by

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Philosophy of the Film:Epistemology, Ontology, Aesthetics

(2015)

Epistemology, Ontology, Aesthetics

by

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Film Theory:An Introduction through the Senses

(2015)

An Introduction through the Senses

by and

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Fractal Narrative:About the Relationship Between Geometries and Technology and Its Impact on Narrative Spaces

(2014)

About the Relationship Between Geometries and Technology and Its Impact on Narrative Spaces

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Dreaming of Cinema:Spectatorship, Surrealism, and the Age of Digital Media

(2014)

Spectatorship, Surrealism, and the Age of Digital Media

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Film Theory:Creating a Cinematic Grammar

(2014)

Creating a Cinematic Grammar

by

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Cinematic Interfaces:Film Theory After New Media

(2014)

Film Theory After New Media

by

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Real Objects in Unreal Situations:Modern Art in Fiction Films

(2014)

Modern Art in Fiction Films

by

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Screen/Play:Derrida and Film Theory

(2014)

Derrida and Film Theory

by and

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Incorporating Images:Film and the Rival Arts

(2014)

Film and the Rival Arts

by

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Omnibus Films:Theorizing Transauthorial Cinema

(2014)

Theorizing Transauthorial Cinema

by

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Post-Westerns:Cinema, Region, West

(2013)

Cinema, Region, West

by

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Subject: Genre >

History in Motion:Time in the Age of the Moving Image

(2013)

Time in the Age of the Moving Image

by

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Impure Cinema:Intermedial and Intercultural Approaches to Film

(2013)

Intermedial and Intercultural Approaches to Film

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Cinematic Reveries:Gestures, Stillness, Water

(2013)

Gestures, Stillness, Water

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Film Dialogue

(2013)

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The Memory Effect:The Remediation of Memory in Literature and Film

(2013)

The Remediation of Memory in Literature and Film

Dir. and

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The Heretical Archive:Digital Memory at the End of Film

(2013)

Digital Memory at the End of Film

by

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Filmspeak:How to Understand Literary Theory by Watching Movies

(2012)

How to Understand Literary Theory by Watching Movies

by

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Cinema and Experience:Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno

(2011)

Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno

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Hitchcock and the Cinema of Sensations:Embodied Film Theory and Cinematic Reception

(2011)

Embodied Film Theory and Cinematic Reception

by

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Subject: Director >

The Lacanian Thing:Psychoanalysis, Postmodern Culture, and Cinema

(2011)

Psychoanalysis, Postmodern Culture, and Cinema

by

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The Illusion of Life II:More Essays on Animation

(2011)

More Essays on Animation

Dir.

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Subject: Genre >

The Reality of Film:Theories of Filmic Reality

(2010)

Theories of Filmic Reality

by

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Sync:Stylistics of Hieroglyphic Time

(2010)

Stylistics of Hieroglyphic Time

by

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Subject: Technique >

Animating Space:From Mickey to Wall-E

(2010)

From Mickey to Wall-E

by

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Subject: Genre >

History and Film:Moving Pictures and the Study of the Past

(2010)

Moving Pictures and the Study of the Past

by

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Film After Jung:Post-Jungian Approaches to Film Theory

(2009)

Post-Jungian Approaches to Film Theory

by

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The Tactile Eye:Touch and the Cinematic Experience

(2009)

Touch and the Cinematic Experience

by

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The Horse Who Drank the Sky:Film Experience Beyond Narrative and Theory

(2008)

Film Experience Beyond Narrative and Theory

by

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The Witch's Flight:The Cinematic, the Black Femme, and the Image of Common Sense

(2007)

The Cinematic, the Black Femme, and the Image of Common Sense

by

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The Cinematic Mode of Production:Attention Economy and the Society of the Spectacle

(2006)

Attention Economy and the Society of the Spectacle

by

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Death 24x a Second:Stillness and the Moving Image

(2006)

Stillness and the Moving Image

by

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Film as Art:50th Anniversary Printing

(2006)

50th Anniversary Printing

by

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Thinking in Images:Film Theory, Feminist Philosophy and Marlene Dietrich

(2006)

Film Theory, Feminist Philosophy and Marlene Dietrich

by

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Projecting a Camera:Language-Games in Film Theory

(2006)

Language-Games in Film Theory

by

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Image and Identity:Reflections on Canadian Film and Culture

(2006)

Reflections on Canadian Film and Culture

by

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Subject: Countries >

Derrida:Screenplay and Essays on the Film

(2005)

Screenplay and Essays on the Film

Dir. and

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Essential Cinema:On the Necessity of Film Canons

(2004)

On the Necessity of Film Canons

by

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The 'I' of the Camera:Essays in Film Criticism, History, and Aesthetics

(2003)

Essays in Film Criticism, History, and Aesthetics

by

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Organs without Bodies:Deleuze and Consequences

(2003)

Deleuze and Consequences

by

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Screening the Text:Intertextuality in New Wave French Cinema

(2003)

Intertextuality in New Wave French Cinema

by

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Vanishing Women:Magic, Film, and Feminism

(2003)

Magic, Film, and Feminism

by

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Film and Knowledge:Essays on the Integration of Images and Ideas

(2002)

Essays on the Integration of Images and Ideas

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Hugo Munsterberg on Film:The Photoplay:  A Psychological Study and Other Writings

(2001)

The Photoplay: A Psychological Study and Other Writings

by and

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Toward Cinema and Its Double:Cross-Cultural Mimesis

(2001)

Cross-Cultural Mimesis

by

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The Material Ghost:Films and Their Medium

(2000)

Films and Their Medium

by

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Deleuze and Cinema:The Aesthetics of Sensation

(2000)

The Aesthetics of Sensation

by

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British Cinema in the Fifties:Gender, Genre and the 'New Look'

(2000)

Gender, Genre and the 'New Look'

by

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Subject: Countries >

The Skin of the Film:Intercultural Cinema, Embodiment, and the Senses

(2000)

Intercultural Cinema, Embodiment, and the Senses

by

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Out Takes:Essays on Queer Theory and Film

(1999)

Essays on Queer Theory and Film

by

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Moving Pictures:A New Theory of Film Genres, Feelings, and Cognition

(1999)

A New Theory of Film Genres, Feelings, and Cognition

by

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Camera Obscura:An Archeological Survey from the Paleolithic to the Iron Age

(1998)

An Archeological Survey from the Paleolithic to the Iron Age

by

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The Memory of Tiresias:Intertextuality and Film

(1998)

Intertextuality and Film

by

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Theory of Film:The Redemption of Physical Reality

(1997)

The Redemption of Physical Reality

by

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Post-Theory:Reconstructing Film Studies

(1996)

Reconstructing Film Studies

Dir.

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A Certain Realism:Making Use of Pasolini's Film Theory and Practice

(1993)

Making Use of Pasolini's Film Theory and Practice

by

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Subject: Director >

Modernist Montage:The Obscurity of Vision in Cinema and Literature

(1992)

The Obscurity of Vision in Cinema and Literature

by

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Interpreting Films:Studies in the Historical Reception of American Cinema

(1992)

Studies in the Historical Reception of American Cinema

by

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The Address of the Eye:A Phenomenology of Film Experience

(1991)

A Phenomenology of Film Experience

by

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The Illusion of life:Essays on animation

(1991)

Essays on animation

by

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Subject: Genre >

Transcendental Style In Film:Ozu, Bresson, Dreyer

(1988)

Ozu, Bresson, Dreyer

by

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(previous edition)

Subject:

Narrative, Apparatus, Ideology:A Film Theory Reader

(1986)

A Film Theory Reader

Dir.

Publisher:

Subject:

The Imaginary Signifier:Psychoanalysis and the Cinema

(1977)

Psychoanalysis and the Cinema

by

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Subject:

•  Film Reviews (1 book)(0 book)

•  Studies (231 books)(0 book)

Robert Bresson:Cinematic Style as Philosophy

(2026)

Cinematic Style as Philosophy

by

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Subject: Director >

Towards a Film Theory from Below:Archival Film and the Aesthetics of the Crack-Up

(2025)

Archival Film and the Aesthetics of the Crack-Up

by

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Cinematic Intermediality:Theory and Practice

(2025)

Theory and Practice

Dir. and

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Film Figures:An Organological Approach

(2025)

An Organological Approach

by

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Contemporary Screen Ethics:Absences, Identities, Belonging, Looking Anew

(2025)

Absences, Identities, Belonging, Looking Anew

Dir. , and

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Subject:

Cinema of/for the Anthropocene:Affect, Ecology, and More-Than-Human Kinship

(2025)

Affect, Ecology, and More-Than-Human Kinship

Dir. and

Publisher:

Subject:

Screens and Illusionism:Alternative Teleologies of Mediation

(2024)

Alternative Teleologies of Mediation

Dir. and

Publisher:

Subject:

Comedy in Literature and Popular Culture:From Aristophanes to Saturday Night Live

(2024)

From Aristophanes to Saturday Night Live

by

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Subject: Genre >

Perspective as Logic:Positioning Film in Architecture

(2024)

Positioning Film in Architecture

by

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Subject: Technique >

Black Screens, White Frames:Gilles Deleuze and the Filmmaking Machine

(2024)

Gilles Deleuze and the Filmmaking Machine

by

Publisher:

Subject:

Digital Space and Embodiment in Contemporary Cinema:Screening Composite Spaces

(2024)

Screening Composite Spaces

by

Publisher:

Subject:

Ingmar Bergman at the Crossroads:Between Theory and Practice

(2024)

Between Theory and Practice

Dir.

Publisher:

Subject: Director >

Beyond Realism:Naturalist Film in Theory and Practice

(2024)

Naturalist Film in Theory and Practice

by

Publisher:

Subject:

Rene Girard, Law, Literature, and Cinema:The Legal Drama of the Scapegoat

(2024)

The Legal Drama of the Scapegoat

by

Publisher:

Subject:

Puzzling Stories:The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature

(2024)

The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature

Dir. and

Publisher:

Subject:

The Prison of Time:Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino

(2024)

Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino

by

Publisher:

Subject:

Making History Move:Five Principles of the Historical Film

(2024)

Five Principles of the Historical Film

by

Publisher:

Subject:

Film as a Medium of Seduction:Introduction to the Seduction-Theory of Film

(2024)

Introduction to the Seduction-Theory of Film

by

Publisher:

Subject:

Art and Entertainment:A Philosophical Exploration

(2024)

A Philosophical Exploration

by

Publisher:

Subject:

Spaces:Exploring Spatial Experiences of Representation and Reception in Screen Media

(2024)

Exploring Spatial Experiences of Representation and Reception in Screen Media

Dir.

Publisher:

Subject:

Ambiguous Cinema:From Simone de Beauvoir to Feminist Film-Phenomenology

(2024)

From Simone de Beauvoir to Feminist Film-Phenomenology

by

Publisher:

Subject:

The Synergy of Music and Image in Audiovisual Culture:Half-Heard Sounds and Peripheral Visions

(2023)

Half-Heard Sounds and Peripheral Visions

by

Publisher:

Subject: Technique >

Uncanny Cinema:Agonies of the Viewing Experience

(2023)

Agonies of the Viewing Experience

by

Publisher:

Subject:

Between Images:Montage and the Problem of Relation

(2023)

Montage and the Problem of Relation

by

Publisher:

Subject: Technique >

Listening Deafly and the Rhetoric of Sound:Voice, Silence, and Listening in Hollywood Films

(2023)

Voice, Silence, and Listening in Hollywood Films

by

Publisher:

Subject: Technique >

Ecological Film Theory and Psychoanalysis:Surviving the Environmental Apocalypse in Cinema

(2023)

Surviving the Environmental Apocalypse in Cinema

by

Publisher:

Subject:

Chaoid Cinema:Deleuze & Guattari and the Topological Vector of Silence

(2023)

Deleuze & Guattari and the Topological Vector of Silence

by

Publisher:

Subject:

The Moving Form of Film:Historicising the Medium through Other Media

(2023)

Historicising the Medium through Other Media

Dir. and

Publisher:

Subject:

Constructions of the Real:Intersections of Documentary-based Film Practice and Theory

(2023)

Intersections of Documentary-based Film Practice and Theory

Dir. , and

Publisher:

Subject: Genre >

Dreams and Atrocity:The Oneiric in Representations of Trauma

(2023)

The Oneiric in Representations of Trauma

Dir. and

Publisher:

Subject:

The Practical Critic:André Bazin on Film, 1945-1958

(2023)

André Bazin on Film, 1945-1958

by

Publisher:

Subject:

Endless Intervals:Cinema, Psychology, and Semiotechnics Around 1900

(2022)

Cinema, Psychology, and Semiotechnics Around 1900

by

Publisher:

Subject:

Cinema Studies:The Key Concepts

(2022)

The Key Concepts

by

Publisher:

Subject:

New Philosophies of Film:An Introduction to Cinema as a Way of Thinking

(2022)

An Introduction to Cinema as a Way of Thinking

by

Publisher:

Subject:

Video Theories:A Transdisciplinary Reader

(2022)

A Transdisciplinary Reader

Dir. and

Publisher:

Subject:

Fredric Jameson and Film Theory:Marxism, Allegory, and Geopolitics in World Cinema

(2022)

Marxism, Allegory, and Geopolitics in World Cinema

Dir. , and

Publisher:

Subject:

The Real of Reality:The Realist Turn in Contemporary Film Theory

(2021)

The Realist Turn in Contemporary Film Theory

Dir. , and

Publisher:

Subject:

Emotions, Ethics, and Cinematic Experience:New Phenomenological and Cognitivist Perspectives

(2021)

New Phenomenological and Cognitivist Perspectives

Dir.

Publisher:

Subject:

The Rhythm of Images:Cinema Beyond Measure

(2021)

Cinema Beyond Measure

by

Publisher:

Subject:

The Stuff of Spectatorship:Material Cultures of Film and Television

(2021)

Material Cultures of Film and Television

by

Publisher:

Subject:

Deep Mediations:Thinking Space in Cinema and Digital Cultures

(2021)

Thinking Space in Cinema and Digital Cultures

Dir. and

Publisher:

Subject:

Organic Cinema:Film, Architecture, and the Work of Béla Tarr

(2021)

Film, Architecture, and the Work of Béla Tarr

by

Publisher:

Subject: Director >

Cinematic Realism:Lukács, Kracauer and Theories of the Filmic Real

(2020)

Lukács, Kracauer and Theories of the Filmic Real

by

Publisher:

Subject:

New Takes on Film and Imagination:Paragraph, Volume 43, Issue 3

(2020)

Paragraph, Volume 43, Issue 3

Dir.

Publisher:

Subject:

The Film Cheat:Screen Artifice and Viewing Pleasure

(2020)

Screen Artifice and Viewing Pleasure

by

Publisher:

Subject:

Screening Characters:Theories of Character in Film, Television, and Interactive Media

(2020)

Theories of Character in Film, Television, and Interactive Media

Dir. and

Publisher:

Subject: On Films >

Isn't that Clever:A Philosophical Account of Humor and Comedy

(2020)

A Philosophical Account of Humor and Comedy

by

Publisher:

Subject: Genre >

Dialectics without Synthesis:Japanese Film Theory and Realism in a Global Frame

(2020)

Japanese Film Theory and Realism in a Global Frame

by

Publisher:

Subject:

Gesture and Film:Signalling New Critical Perspectives

(2020)

Signalling New Critical Perspectives

Dir. and

Publisher:

Subject:

Film, Art, and the Third Culture:A Naturalized Aesthetics of Film

(2020)

A Naturalized Aesthetics of Film

by

Publisher:

Subject:

Expanded Cinema:Fiftieth Anniversary Edition

(2020)

Fiftieth Anniversary Edition

by

Publisher:

Subject:

André Bazin's Film Theory:Art, Science, Religion

(2020)

Art, Science, Religion

by

Publisher:

Subject:

Philosophy-Screens:From Cinema to the Digital Revolution

(2020)

From Cinema to the Digital Revolution

by

Publisher:

Subject:

Title Sequences as Paratexts:Narrative Anticipation and Recapitulation

(2019)

Narrative Anticipation and Recapitulation

by

Publisher:

Subject:

Semiotics and Title Sequences:Text-Image Composites in Motion Graphics

(2019)

Text-Image Composites in Motion Graphics

by

Publisher:

Subject:

Cinema Pessimism:A Political Theory of Representation and Reciprocity

(2019)

A Political Theory of Representation and Reciprocity

by

Publisher:

Subject:

Sound Design is the New Score:Theory, Aesthetics, and Erotics of the Integrated Soundtrack

(2019)

Theory, Aesthetics, and Erotics of the Integrated Soundtrack

by

Publisher:

Subject: Technique >

Performing Ethics Through Film Style:Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader

(2019)

Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader

by

Publisher:

Subject:

The Structures of the Film Experience by Jean-Pierre Meunier:Historical Assessments and Phenomenological Expansions

(2019)

Historical Assessments and Phenomenological Expansions

Dir. and

Publisher:

Subject:

The Eloquent Screen:A Rhetoric of Film

(2019)

A Rhetoric of Film

by

Publisher:

Subject:

Static in the System:Noise and the Soundscape of American Cinema Culture

(2019)

Noise and the Soundscape of American Cinema Culture

by

Publisher:

Subject: Technique >

Metafilm:Materialist Rhetoric and Reflexive Cinema

(2018)

Materialist Rhetoric and Reflexive Cinema

by

Publisher:

Subject:

Cinema Between Media:An Intermediality Approach

(2018)

An Intermediality Approach

by and

Publisher:

Subject:

Technology and Film Scholarship:Experience, Study, Theory

(2018)

Experience, Study, Theory

Dir.

Publisher:

Subject:

Raymond Bellour:Cinema and the Moving Image

(2018)

Cinema and the Moving Image

by and

Publisher:

Subject:

Between Film, Video, and the Digital:Hybrid Moving Images in the Post-Media Age

(2018)

Hybrid Moving Images in the Post-Media Age

by

Publisher:

Subject: Genre >

The Screenwriters Taxonomy:A Roadmap to Collaborative Storytelling

(2017)

A Roadmap to Collaborative Storytelling

by

Publisher:

Subject:

Acinemas:Lyotard's Philosophy of Film

(2017)

Lyotard's Philosophy of Film

Dir. and

Publisher:

Subject:

Speaking in Subtitles:Revaluing Screen Translation

(2017)

Revaluing Screen Translation

by

Publisher:

Subject:

Bodies in Suspense:Time and Affect in Cinema

(2017)

Time and Affect in Cinema

by

Publisher:

Subject:

Locating the Voice in Film:Critical Approaches and Global Practices

(2017)

Critical Approaches and Global Practices

Dir. and

Publisher:

Subject:

Pixar and the Aesthetic Imagination:Animation, Storytelling, and Digital Culture

(2017)

Animation, Storytelling, and Digital Culture

by

Publisher:

Subject: Studio >

Politics, Theory, and Film:Critical Encounters with Lars von Trier

(2016)

Critical Encounters with Lars von Trier

Dir. and

Publisher:

Subject:

Deleuze's Cinema Books:Three Introductions to the Taxonomy of Images

(2016)

Three Introductions to the Taxonomy of Images

by

Publisher:

Subject:

Projections of Memory:Romanticism, Modernism, and the Aesthetics of Film

(2016)

Romanticism, Modernism, and the Aesthetics of Film

by

Publisher:

Subject:

Melodrama:An Aesthetics of Impossibility

(2016)

An Aesthetics of Impossibility

by

Publisher:

Subject: Genre >

The Major Realist Film Theorists:A Critical Anthology

(2016)

A Critical Anthology

Dir.

Publisher:

Subject:

The Documentary Film Reader:History, Theory, Criticism

(2016)

History, Theory, Criticism

Dir.

Publisher:

Subject: Genre >

Beyond Spatial Montage:Windowing, or the Cinematic Displacement of Time, Motion, and Space

(2016)

Windowing, or the Cinematic Displacement of Time, Motion, and Space

by

Publisher:

Subject: Technique >

The Promise of Cinema:German Film Theory, 1907–1933

(2016)

German Film Theory, 1907–1933

Dir. , and

Publisher:

Subject:

The Self and its Shadows:A Book of Essays on Individuality as Negation in Philosophy and the Arts

(2016)

A Book of Essays on Individuality as Negation in Philosophy and the Arts

by

Publisher:

Subject:

Thinking in the Dark:Cinema, Theory, Practice

(2015)

Cinema, Theory, Practice

Dir. and

Publisher:

Subject:

All Thoughts Are Equal:Laruelle and Nonhuman Philosophy

(2015)

Laruelle and Nonhuman Philosophy

by

Publisher:

Subject: Genre >

Special Affects:Cinema, Animation and the Translation of Consumer Culture

(2014)

Cinema, Animation and the Translation of Consumer Culture

by

Publisher:

Subject:

Between the Eye and the World:The Emergence of the Point-View Shot

(2014)

The Emergence of the Point-View Shot

by

Publisher:

Subject:

Occult Aesthetics:Synchronization in Sound Film

(2014)

Synchronization in Sound Film

by

Publisher:

Subject: Technique >

The Besieged Ego:Doppelgangers and Split Identity Onscreen

(2013)

Doppelgangers and Split Identity Onscreen

by

Publisher:

Subject:

Music and Levels of Narration in Film:Steps across the Border

(2013)

Steps across the Border

by

Publisher:

Subject: Technique >

Seeing Fictions in Film:The Epistemology of Movies

(2013)

The Epistemology of Movies

by

Publisher:

Subject:

Untimely Affects:Gilles Deleuze and an Ethics of Cinema

(2013)

Gilles Deleuze and an Ethics of Cinema

by

Publisher:

Subject:

The Utopia of Film:Cinema and Its Futures in Godard, Kluge, and Tahimik

(2013)

Cinema and Its Futures in Godard, Kluge, and Tahimik

by

Publisher:

Subject:

Body Double:The Author Incarnate in the Cinema

(2013)

The Author Incarnate in the Cinema

by

Publisher:

Subject:

Acting and Performance in Moving Image Culture:Bodies, Screens, Renderings. With a Foreword by Lesley Stern

(2012)

Bodies, Screens, Renderings. With a Foreword by Lesley Stern

Dir. , and

Publisher:

Subject: Technique >

Polanski and Perception:The Psychology of Seeing and the Cinema of Roman Polanski

(2012)

The Psychology of Seeing and the Cinema of Roman Polanski

by

Publisher:

Subject: Director >

Breaking the Fourth Wall:Direct Address in the Cinema

(2012)

Direct Address in the Cinema

by

Publisher:

Subject:

Cinema, Philosophy, Bergman:On Film as Philosophy

(2012)

On Film as Philosophy

by

Publisher:

Subject:

Culture in the Anteroom:The Legacies of Siegfried Kracauer

(2012)

The Legacies of Siegfried Kracauer

Dir. and

Publisher:

Subject:

When Stories Travel:Cross-Cultural Encounters Between Fiction and Film

(2012)

Cross-Cultural Encounters Between Fiction and Film

by

Publisher:

Subject: Technique >

Film Theory:Rational Reconstructions

(2012)

Rational Reconstructions

by

Publisher:

Subject:

Eye for Music:Popular Music and the Audiovisual Surreal

(2011)

Popular Music and the Audiovisual Surreal

by

Publisher:

Subject: Technique >

Taking Place:Location and the Moving Image

(2011)

Location and the Moving Image

Dir. and

Publisher:

Subject:

Béla Balázs:Early Film Theory: Visible Man and The Spirit of Film

(2011)

Early Film Theory: Visible Man and The Spirit of Film

by and

Publisher:

Subject:

Seeing Things:From Shakespeare to Pixar

(2011)

From Shakespeare to Pixar

by

Publisher:

Subject:

Jung and Film II:The Return: Further Post-Jungian Takes on the Moving Image

(2011)

The Return: Further Post-Jungian Takes on the Moving Image

Dir. and

Publisher:

Subject:

Framing Pictures:Film and the Visual Arts

(2011)

Film and the Visual Arts

by

Publisher:

Subject:

Opening Bazin:Postwar Film Theory and Its Afterlife

(2011)

Postwar Film Theory and Its Afterlife

Dir. and

Publisher:

Subject:

Out of Time:Desire in Atemporal Cinema

(2011)

Desire in Atemporal Cinema

by

Publisher:

Subject:

Dancefilm:Choreography and the Moving Image

(2011)

Choreography and the Moving Image

by

Publisher:

Subject: Genre >

Cinema Beyond Film:Media Epistemology in the Modern Era

(2010)

Media Epistemology in the Modern Era

Dir. and

Publisher:

Subject:

The Film Theory Reader:Debates and Arguments

(2010)

Debates and Arguments

Dir.

Publisher:

Subject:

Memory and the Moving Image:French Film in the Digital Era

(2010)

French Film in the Digital Era

by

Publisher:

Subject:

The Anime Machine:A Media Theory of Animation

(2009)

A Media Theory of Animation

by

Publisher:

Subject:

Adapting Philosophy:Jean Baudrillard and *The Matrix Trilogy*

(2009)

Jean Baudrillard and *The Matrix Trilogy*

by

Publisher:

Subject: One Film >

Refractions of Reality:Philosophy and the Moving Image

(2008)

Philosophy and the Moving Image

by

Publisher:

Subject:

Visconti:Insights into Flesh and Blood

(2008)

Insights into Flesh and Blood

by

Publisher:

Subject: Director >

Still Moving:Between Cinema and Photography

(2008)

Between Cinema and Photography

Dir. and

Publisher:

Subject:

Framed Time:Toward a Postfilmic Cinema

(2008)

Toward a Postfilmic Cinema

by

Publisher:

Subject:

Doubting Vision:Film and the Revelationist Tradition

(2008)

Film and the Revelationist Tradition

by

Publisher:

Subject:

Eye of the Century:Film, Experience, Modernity

(2008)

Film, Experience, Modernity

by

Publisher:

Subject:

Documentary Time:Film and Phenomenology

(2008)

Film and Phenomenology

by

Publisher:

Subject:

Cinema Babel:Translating Global Cinema

(2007)

Translating Global Cinema

by

Publisher:

Subject:

Looking Past the Screen:Case Studies in American Film History and Method

(2007)

Case Studies in American Film History and Method

Dir. and

Publisher:

Subject: Countries >

The Terministic Screen:Rhetorical Perspectives on Film

(2007)

Rhetorical Perspectives on Film

by

Publisher:

Subject:

Film Hieroglyphs:Ruptures in Classical Cinema

(2006)

Ruptures in Classical Cinema

by

Publisher:

Subject:

Realist Film Theory and Cinema:The Nineteenth-Century Lukácsian and Intuitionist Realist Traditions

(2006)

The Nineteenth-Century Lukácsian and Intuitionist Realist Traditions

by

Publisher:

Subject:

Screen Methods:Comparative Readings in Film Studies

(2006)

Comparative Readings in Film Studies

Dir. and

Publisher:

Subject:

Cinema And Semiotic:Peirce And Film Aesthetics, Narration, And Representation

(2005)

Peirce And Film Aesthetics, Narration, And Representation

by

Publisher:

Subject:

Cinema's Conversion to Sound:Technology and Film Style in France and the U.S.

(2005)

Technology and Film Style in France and the U.S.

by

Publisher:

Subject:

Narrated Films:Storytelling Situations in Cinema History

(2004)

Storytelling Situations in Cinema History

by

Publisher:

Subject:

The Face on the Screen:Death, Recognition & Spectatorship

(2003)

Death, Recognition & Spectatorship

by

Publisher:

Subject:

Rites of Realism:Essays on Corporeal Cinema

(2003)

Essays on Corporeal Cinema

Dir.

Publisher:

Subject:

Change Mummified:Cinema, Historicity, Theory

(2001)

Cinema, Historicity, Theory

by

Publisher:

Subject:

European Film Theory and Cinema:A Critical Introduction

(2001)

A Critical Introduction

by

Publisher:

Subject: Countries >

Jung and Film:Post-Jungian Takes on the Moving Image

(2001)

Post-Jungian Takes on the Moving Image

Dir. and

Publisher:

Subject:

European Film Theory and Cinema:A Critical Introduction

(2001)

A Critical Introduction

by

Publisher:
(previous edition)

Subject: Countries >

Endless Night:Cinema and Psychoanalysis, Parallel Histories

(1999)

Cinema and Psychoanalysis, Parallel Histories

Dir.

Publisher:

Subject:

The Reality of Illusion:An Ecological Approach to Cognitive Film Theory

(1998)

An Ecological Approach to Cognitive Film Theory

by

Publisher:

Subject:

Fields of Vision:Essays in Film Studies, Visual Anthropology, and Photography

(1995)

Essays in Film Studies, Visual Anthropology, and Photography

by and

Publisher:

Subject:

The Crisis of Political Modernism:Criticism and Ideology in Contemporary Film Criticism

(1995)

Criticism and Ideology in Contemporary Film Criticism

by

Publisher:

Subject:

Mists of Regret:Culture and Sensibility in Classic French Film

(1995)

Culture and Sensibility in Classic French Film

by

Publisher:

Subject: Countries >

Terminal identity:the virtual subject in postmodern science fiction

(1993)

the virtual subject in postmodern science fiction

by

Publisher:

Subject: Genre >

Reflexivity in Film and Culture:From Don Quixote to Jean-Luc Godard

(1992)

From Don Quixote to Jean-Luc Godard

by

Publisher:

Subject:

Beyond the Stars 2:Plot Conventions in American Popular Film

(1991)

Plot Conventions in American Popular Film

Dir. and

Publisher:

Subject: Technique >

Film Language:A Semiotics of the Cinema

(1990)

A Semiotics of the Cinema

by

Publisher:

Subject:

Early Cinema:Space, Frame, Narrative

(1990)

Space, Frame, Narrative

Dir.

Publisher:

Subject:

•  Interviews (2 books)(0 book)

Conversations with Christian Metz:Selected Interviews on Film Theory

(2017)

Selected Interviews on Film Theory

Dir. and

Publisher:

Subject:

•  Didactic (19 books)(0 book)

Film, In Theory:The BFI Education Department and Film Culture

(2026)

The BFI Education Department and Film Culture

by

Publisher:

Subject:

Film Art:An Introduction

(2023)

An Introduction

by , and

Publisher:

Subject:

Film Theory:The Basics

(2022)

The Basics

by

Publisher:

Subject:

Film Studies:An Introduction

(2020)

An Introduction

by

Publisher:

Subject:

Sound Design Theory and Practice:Working with Sound

(2019)

Working with Sound

by

Publisher:

Subject: Technique >

Film Studies:An Introduction

(2016)

An Introduction

by

Publisher:

Subject:

Critical Cinema:Beyond the Theory of Practice

(2012)

Beyond the Theory of Practice

Dir.

Publisher:

Subject:

Film:A Very Short Introduction

(2012)

A Very Short Introduction

by

Publisher:

Subject:

Film and Philosophy:Taking Movies Seriously

(2008)

Taking Movies Seriously

by

Publisher:

Subject:

•  Filmmakers' writings (7 books)(0 book)

•  Writings (2 books)(0 book)

V. F. Perkins on Movies:Collected Shorter Film Criticism

(2020)

Collected Shorter Film Criticism

Dir. and

Publisher:

Subject:


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