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Signs and Meaning in the Cinema

by

Type
Essays
Subject
Keywords
semiotics, theory, aesthetics
Publishing date
Publisher
BFI Publishing
Collection
BFI Silver
5th edition
1st publishing
1973
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback288 pages
5 ½ x 8 inches (14 x 20 cm)
ISBN
978-1-84457-360-8
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Book Presentation:
First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's higly influential and groundbreaking work remains a brilliant and accessible theorization of film as an art form and as a sign system. This fifth edition brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema.

About the Author:
PETER WOLLEN taught film at UCLA. He wrote a number of books, including the BFIFilm Classic on Singin' in the Rain, published in 1992 and reprinted in a new edition in2012. He is the co-writer (with Mark Peploe) of Michelangelo Antonioni's The Passenger(Professione: Reporter) (1974). D. N. RODOWICK is William R. Kenan, Jr. Professor of Visual and EnvironmentalStudies, and Director, Carpenter Center for the Visual Arts, at Harvard University.

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