MENU   

Signs and Meaning in the Cinema

de

Type
Essays
Sujet
Mots Clés
semiotics, theory, aesthetics, Peter Wollen
Année d'édition
Editeur
BFI Publishing
Collection
BFI Silver
5th edition
1ere édition
1973
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback288 pages
5 ½ x 8 inches (14 x 20 cm)
ISBN
978-1-84457-360-8
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
First published in 1969, Signs and Meaning in the Cinema transformed the emerging discipline of film studies. Remarkably eclectic and informed, Peter Wollen's higly influential and groundbreaking work remains a brilliant and accessible theorization of film as an art form and as a sign system. This fifth edition brings together material from the four previous editions, inviting the reader to trace the development of Wollen's thinking, and the unfolding of the discourse of cinema.

À propos de l'auteur :
PETER WOLLEN taught film at UCLA. He wrote a number of books, including the BFIFilm Classic on Singin' in the Rain, published in 1992 and reprinted in a new edition in2012. He is the co-writer (with Mark Peploe) of Michelangelo Antonioni's The Passenger(Professione: Reporter) (1974). D. N. RODOWICK is William R. Kenan, Jr. Professor of Visual and EnvironmentalStudies, and Director, Carpenter Center for the Visual Arts, at Harvard University.

Voir le

> Du même auteur :

> Sur un thème proche :

Endless Intervals:Cinema, Psychology, and Semiotechnics Around 1900

(2022)

Cinema, Psychology, and Semiotechnics Around 1900

de

Sujet :

Spaces of Communication:Elements of Semio-Pragmatics

(2021)

Elements of Semio-Pragmatics

de

Sujet :

Title Sequences as Paratexts:Narrative Anticipation and Recapitulation

(2019)

Narrative Anticipation and Recapitulation

de

Sujet :

Semiotics and Title Sequences:Text-Image Composites in Motion Graphics

(2019)

Text-Image Composites in Motion Graphics

de

Sujet :

The Supermarket of the Visible:Toward a General Economy of Images

(2019)

Toward a General Economy of Images

de

Sujet :

Temporality in American Filmic Autobiography:Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'

(2018)

Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'

de

Sujet :

Conversations with Christian Metz:Selected Interviews on Film Theory

(2017)

Selected Interviews on Film Theory

Dir. et

Sujet :

17205 livres recensés   •   (c)2024-2026 cinemabooks.info   •     •   Politique de confidentialité
Les livres en français sont sur www.livres-cinema.info