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Celluloid Babel

Pursuing a Universal Language in Cinema

by Ori Levin

Type
Essays
Subject
Sociology
Keywords
globalization, spoken language, theory
Publishing date
2025 (November 01, 2025) (Upcoming)
Publisher
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 256 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
979-8-8558-0442-3
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Book Presentation:
Traces the intellectual history of cinema's aspiration to create a universal language, examining how this vision has been articulated in both writings and films.

Celluloid Babel offers a transnational intellectual history of cinema's quest for universal language, unfolding through both writings and films. Today, algorithms and data-collection systems play a significant role in predicting the viewer's preferences and suggesting content specifically tailored to their particular interests. However, this promise of on-demand personalized media is markedly different from the promise outlined in cinema's initial promotional discourse, which celebrated the medium’s ability to appeal to a universal audience. Instead of targeting fragmented audiences, cinema was supposed to captivate and engage everyone all at once, regardless of social station, educational level, or national affiliation. The aspiration for a universal language left an indelible mark on film history, yet despite its significance, the history and theory behind it remain largely unexplored. Celluloid Babel illuminates a pivotal chapter in early film theory and establishes it as the inaugural paradigm of thought on cinema’s nature. By exploring this pursuit, the book reveals the forgotten utopian potential of mass media and uncovers complex correlations among political ideals, aesthetic preferences, material conditions, modes of spectatorship, and governance.

About the Author:
Both a film scholar and a video artist, Ori Levin is Assistant Professor in the Steve Tisch School of Film and Television at Tel Aviv University. Her work focuses on early film and its relation to digital media, slapstick, and video art.

Press Reviews:
"Alert to both the ideas and the filmmaking it treats, this is a highly original work that addresses a key concept in the history of silent film, its claim to create new universal language. The vitality and wit of the author's voice is refreshing as well--although clearly a scholarly work, it is never dry or pedantic." -- Tom Gunning, University of Chicago

See the publisher website: State University of New York Press

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