Cinematic Journeys
Film and Movement
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Cinematic Journeys explores the interconnected histories, theories and aesthetics of mobile vision and cinematic movement. It traces the links between certain types of movement of/in the frame and broader cultural trends that have historically informed Western sensibilities. It contextualises that genealogy with detailed analysis of contemporary and recent 'travel films' as well as older works.
The book investigates how movements of exploration, discovery and revelation are activated in specific cinematic narratives of travelling and displacement. Such narratives are analysed with attention to the mass population movements and displacements that form their referential background.
Cinematic Journeys also examines the ways in which travelling affects film itself. Case studies focus on films as travelling commodities (with the popularity of Indian films in Greece in the 1950s and 60s as case study); and, through a study of subtitles, on the category of the 'foreign spectator' (who in the encounter with 'foreign' films moves across cultural borders).
Films considered in the book include Sunrise, Slow Motion, Hukkle, Death in Venice, Voyage to Italy, The Motorcycle Diaries, Koktebel, Japón, Blackboards, Ulysses' Gaze, and the work of directors Tony Gatliff and Fatih Akin.
About the Author:
Dimitris Eleftheriotis is Reader in Film & Television Studies at the University of Glasgow.
See the publisher website: Edinburgh University Press
> From the same author:
> On a related topic:
Gesture and Film (2020)
Signalling New Critical Perspectives
Dir. Nicholas Chare and Liz Watkins
Subject: Theory
The Oxford Handbook of Dance and the Popular Screen (2017)
Subject: Theory
Deleuze's Cinema Books (2016)
Three Introductions to the Taxonomy of Images
by David Deamer
Subject: Theory
A Chronology of Film (2025)
A Cultural Timeline from the Magic Lantern to the Digital Screen
Subject: Theory
The Attractions of the Moving Image (2025)
Essays on History, Theory, and the Avant-Garde
by Tom Gunning
Subject: Theory
Towards a Film Theory from Below (2025)
Archival Film and the Aesthetics of the Crack-Up
by Jiri Anger
Subject: Theory