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Breaking the Fourth Wall

Direct Address in the Cinema

de

Type
Studies
Sujet
Mots Clés
theory, actor, camera
Année d'édition
Editeur
Edinburgh University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover188 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-7486-4425-4
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Description de l'ouvrage:
What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other.

À propos de l'auteur :
Tom Brown is Lecturer in Film Studies at King's College London.

Revue de Presse:
BREAKING THE FOURTH WALL is a probing study of the ways in which an actor or a character in a movie sometimes looks at the camera and addresses us in the audience. This is often taken simply to dispel the illusion, but in his book Tom Brown sensitively examines different forms of direct address and explicates how various and complex its effect can be.– Gilberto Perez, Sarah Lawrence College

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