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The 'I' of the Camera
Essays in Film Criticism, History, and Aesthetics
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Book Presentation:
Originally published in 1988, The "I" of the Camera has become a classic in the literature of film. This second edition includes fourteen new essays, as well as a new foreword. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to our experience of movies. In explaining the "American" quality of American film, Rothman argues compellingly that movies have inherited the philosophical perspective of American transcendentalism. First Edition Hb (1988): 0-521-36048-X First Edition Pb (1988): 0-521-36828-6.
See the publisher website: Cambridge University Press
> From the same author:
Tuitions and Intuitions (2019)
Essays at the Intersection of Film Criticism and Philosophy
Subject: Film Analysis
Looking with Robert Gardner (2016)
Dir. Rebecca Meyers, William Rothman and Charles Warren
Subject: Director > Robert Gardner
Must We Kill the Thing We Love? (2014)
Emersonian Perfectionism and the Films of Alfred Hitchcock
Subject: Director > Alfred Hitchcock
Three Documentary Filmmakers (2009)
Errol Morris, Ross McElwee, Jean Rouch
Dir. William Rothman
Subject: Genre > Documentary
Reading Cavell's the World Viewed (2000)
A Philosophical Perspective on Film
by Marian Keane and William Rothman
Subject: Theory
Russian Critics on the Cinema of Glasnost (1994)
Dir. Michael Brashinsky, Andrew Horton and William Rothman
Subject: Countries > Russia / USSR
The Gorgon's Gaze (1991)
German Cinema, Expressionism, and the Image of Horror
by Paul Coates, William Rothman and Dudley Andrew
> On a related topic:
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance and R. Barton Palmer
Subject: Theory
Jung and Film II (2011)
The Return: Further Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke and Luke Hockley
Subject: Film Analysis
Jung and Film (2001)
Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke and Ian Alister
Subject: Film Analysis
Contemporary Screen Ethics (2025)
Absences, Identities, Belonging, Looking Anew
Dir. Lucy Bolton, David Martin-Jones and Robert Sinnerbrink
Subject: Theory
Cinecepts, Deleuze, and Godard-Miéville (2025)
Developing Philosophy through Audiovisual Media
Subject: Theory
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