New Vocabularies in Film Semiotics
Structuralism, post-structuralism and beyond
Edited by Robert Stam

Average rating: ![]()
| 0 | rating | |
| 0 | rating | |
| 0 | rating | |
| 0 | rating |
Your rating: -
Book Presentation:
First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.
About the Author:
Robert Stam is Professor of Cinema Studies at New York University. Robert Burgoyne is Associate Professor of English at Wayne State University. Sandy Flitterman-Lewis is Associate Professor of English and Cinema Studies at Rutgers University.
See the publisher website: Routledge
> From the same author:
World Literature, Transnational Cinema, and Global Media (2019)
Towards a Transartistic Commons
by Robert Stam
François Truffaut and Friends (2006)
Modernism, Sexuality, and Film Adaptation
by Robert Stam
Subject: One Film > Jules and Jim
Tropical Multiculturalism (1997)
A Comparative History of Race in Brazilian Cinema and Culture
by Robert Stam
Reflexivity in Film and Culture (1992)
From Don Quixote to Jean-Luc Godard
by Robert Stam
Subject: Theory
> On a related topic:
Cinema And Semiotic (2005)
Peirce And Film Aesthetics, Narration, And Representation
Subject: Film Analysis
The Supermarket of the Visible (2019)
Toward a General Economy of Images
by Peter Szendy
Subject: Theory
Christian Metz and the Codes of Cinema (2018)
Film Semiology and Beyond
Dir. Margrit Tröhler and Guido Kirsten
Subject: Theory
Temporality in American Filmic Autobiography (2018)
Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'
Subject: Theory