MENU   

Filmspeak

How to Understand Literary Theory by Watching Movies

by

Type
Essays
Subject
Keywords
theory
Publishing date
Publisher
Bloomsbury Academic
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback208 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-0-8264-2893-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Filmspeak is an accessible, innovative book which uses specific examples to show how once arcane literary and cultural theory has infiltrated popular culture.

Theory reaches us in ways we do not even realize. Issues such as the nature of knowledge or truth, the function of personal response in interpretation, the nature of the forces of politics, the female alternative to the male view of the world, are fundamental for all of us. And intelligent analysis of the relationship between literary theory and popular culture can help us to understand our fast-changing world.

Here, experienced literary scholar and teacher Edward L. Tomarken explains how it is possible to study the rudiments of literary theory by watching and analyzing contemporary mainstream movies - from The Dark Knight to Kill Bill, and from The Social Network to The Devil Wears Prada. Theorists discussed include Foucault, Jameson, Iser, and Cixous. Tomarken brilliantly demonstrates that anyone can grasp modern literary theory by way of mainstream movies without having to wade through stacks of impenetrable jargon.

About the Author:
Edward Tomarken is the author of five books including Genre and Ethics: The Education of an Eighteenth-century Literary Critic and Johnson, "Rasselas," and the Choice of Criticism. He is a professor of English at Miami University, Ohio.

See the

> From the same author:

Theory Now:Films, Television, and Ralph Cohen's Method

(2020)

Films, Television, and Ralph Cohen's Method

by

Subject:

Why theory?:Cultural critique in film and television

(2017)

Cultural critique in film and television

by

Subject:

> On a related topic:

Radical Embodiment on Film:Time and the Cinematic Body

(2026)

Time and the Cinematic Body

Dir. and

Subject:

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

(2025)

Essays on History, Theory, and the Avant-Garde

by

Subject:

Cinematic Intermediality:Theory and Practice

(2025)

Theory and Practice

Dir. and

Subject:

Contemporary Screen Ethics:Absences, Identities, Belonging, Looking Anew

(2025)

Absences, Identities, Belonging, Looking Anew

Dir. , and

Subject:

Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

(2025)

Developing Philosophy through Audiovisual Media

by

Subject:

Cinema of/for the Anthropocene:Affect, Ecology, and More-Than-Human Kinship

(2025)

Affect, Ecology, and More-Than-Human Kinship

Dir. and

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info