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The Image in Early Cinema
Form and Material
by Scott Curtis, Tom Gunning, Philippe Gauthier and Joshua Yumibe
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Book Presentation:
In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.
See the publisher website: Indiana University Press
> From the same authors:
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Color in Motion (2024)
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Global Film Color (2024)
The Monopack Revolution at Midcentury
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Provenance and Early Cinema (2021)
by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams and Joshua Yumibe
Subject: Silent Cinema
Chromatic Modernity (2019)
Color, Cinema, and Media of the 1920s
by Sarah Street and Joshua Yumibe
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Fantasia of Color in Early Cinema (2015)
by Tom Gunning, Giovanna Fossati, Joshua Yumibe and Jonathan Rosen
Subject: Silent Cinema
The Films of Fritz Lang (2000)
Allegories of vision and modernity
by Tom Gunning
Subject: Director > Fritz Lang
D.W. Griffith and the Origins of American Narrative Film (1993)
The Early Years at Biograph
by Tom Gunning
Subject: Director > David W. Griffith
> On a related topic:
A History of Early Film Volume 2 (2023)
An Established Industry
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Menus for Movieland (2015)
Newspapers and the Emergence of American Film Culture 1913-1916
by Richard Abel
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Studios Before the System (2015)
Architecture, Technology, and the Emergence of Cinematic Space
Subject: Silent Cinema
Early Cinema Today (2012)
The Art of Programming and Live Performance
Dir. Martin Loiperdinger
Subject: Silent Cinema
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