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A Philosophical History of Documentary

1895-1959

by

Type
Studies
Subject
Genre
Keywords
documentary, theory, history of cinema
Publishing date
Publisher
Palgrave MacMillan
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover393 pages
6 x 8 ¼ inches (15 x 21 cm)
ISBN
978-3-030-79465-1
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Book Presentation:
This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of “documentary” between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.

About the Author:
Dan Geva is an associate professor at Beit-Berl college, a research fellow at the University of Haifa, an award winning documentarian, and founder of “The Ethics Lab” (CILECT, 2017).

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