Screening the Tortured Body
The Cinema as Scaffold
Edited by Mark de Valk

Average rating: ![]()
| 0 | rating | |
| 0 | rating | |
| 0 | rating | |
| 0 | rating |
Your rating: -
Book Presentation:
Inspired by Michel Foucault’s examination of state subjugation and control, this book considers post-structuralist notions of the ‘political technology of the body’ and 'the spectacle of the scaffold' as a means to analyse cinematic representations of politically-motivated persecution and bodily repression. Through a critique of sovereign power and its application of punishment ‘for transgressions against the state’, the collected works, herein, assess the polticised-body via a range of cinematic perspectives. Imagery, character construction and narrative devices are examined in their account of hegemonic-sanctioned torture and suppression as a means to a political outcome. Screening The Tortured Body: The Cinema as Scaffold elicits philosophical and cultural accounts of the ‘restrained’ body to deliberate on a range of politicised films and filmmakers whose narratives and mise-en-scène techniques critique corporeal subjugation by authoritarian factions.
About the Author:
Mark de Valk is the Programme Leader and a Senior Lecturer in Film Production at The University of Winchester. His personal filmmaking includes working with essay film practices and experimental techniques across documentary and drama forms.
> From the same author:
> On a related topic:
Mediatic Handology (2025)
Shaping Images, Interacting, Magicking
Dir. Ada Ackerman, Barbara Grespi and Andrea Pinotti
Subject: Theory
Contemporary Screen Ethics (2025)
Absences, Identities, Belonging, Looking Anew
Dir. Lucy Bolton, David Martin-Jones and Robert Sinnerbrink
Subject: Theory
Cinecepts, Deleuze, and Godard-Miéville (2025)
Developing Philosophy through Audiovisual Media
Subject: Theory
Cinema of/for the Anthropocene (2025)
Affect, Ecology, and More-Than-Human Kinship
Dir. Katarzyna Paszkiewicz and Andrea Ruthven
Subject: Theory