Towards a Film Theory from Below (2025)
Archival Film and the Aesthetics of the Crack-Up
by Jiri Anger
Publisher: Bloomsbury Academic
Subject: Theory
Cinematic Intermediality (2025)
Theory and Practice
Dir. Kim Knowles and Marion Schmid
Publisher: Edinburgh University Press
Subject: Theory
Cinecepts, Deleuze, and Godard-Miéville (2025)
Developing Philosophy through Audiovisual Media
Publisher: Edinburgh University Press
Subject: Theory
The Intensive-Image in Deleuze's Film-Philosophy (2025)
Publisher: Edinburgh University Press
Subject: Theory
Haunting the World (2025)
Essays on Film After Perkins and Cavell
by Dominic Lash
Publisher: State University of New York Press
Subject: Theory
Film, Negation and Freedom (2025)
Capitalism and Romantic Critique
by Will Kitchen
Publisher: Bloomsbury Academic
Subject: Theory
A Chronology of Film (2025)
A Cultural Timeline from the Magic Lantern to the Digital Screen
Publisher: Thames & Hudson
Subject: Theory
The Cinema of the Real (2025)
by Hyon Joo Yoo
Publisher: State University of New York Press
Subject: Theory
Downtime (2025)
The Twentieth Century in Slow Motion
by Mark Goble
Publisher: Columbia University Press
Subject: Theory
The Attractions of the Moving Image (2025)
Essays on History, Theory, and the Avant-Garde
by Tom Gunning
Publisher: University of Chicago Press
Subject: Theory
Cavell on Film (2025)
by Stanley Cavell and William Rothman
Publisher: State University of New York Press
Subject: Theory
Contemporary Screen Ethics (2025)
Absences, Identities, Belonging, Looking Anew
Dir. Lucy Bolton, David Martin-Jones and Robert Sinnerbrink
Publisher: Edinburgh University Press
Subject: Theory
Cinema of/for the Anthropocene (2025)
Affect, Ecology, and More-Than-Human Kinship
Dir. Katarzyna Paszkiewicz and Andrea Ruthven
Publisher: Routledge
Subject: Theory
Lived Moments (2025)
Phenomenology, Neorealism, and the New Wave
Publisher: McGill-Queen's University Press
Subject: Theory
Screens and Illusionism (2024)
Alternative Teleologies of Mediation
Dir. Peter Bloom and Dominique Jullien
Publisher: Edinburgh University Press
Subject: Theory
Con Artists in Cinema (2024)
Self-Knowledge, Female Power, and Love
Publisher: Routledge
Subject: Theory
The Eye of the Cinematograph (2024)
Lévinas and Realisms of the Body
Publisher: Edinburgh University Press
Subject: Theory
Ageing, Dementia and Time in Film (2024)
Temporal Performances
by Maohui Deng
Publisher: Edinburgh University Press
Subject: Theory
Deleuze and Time (2024)
Dir. Robert W. Luzecky and Daniel W. Smith
Publisher: Edinburgh University Press
Subject: Theory
Metaphysics and the Moving Image (2024)
"Paradise Exposed"
Publisher: Edinburgh University Press
Subject: Theory
Black Screens, White Frames (2024)
Gilles Deleuze and the Filmmaking Machine
Publisher: Oxford University Press
Subject: Theory
Film Phenomenologies (2024)
Temporality, Embodiment, Transformation
Dir. Kelli Fuery
Publisher: Edinburgh University Press
Subject: Theory
The Sense of Place in Contemporary Cinema (2024)
Publisher: Edinburgh University Press
Subject: Theory
Meta in Film and Television Series (2024)
by David Roche
Publisher: Edinburgh University Press
Subject: Theory
Digital Space and Embodiment in Contemporary Cinema (2024)
Screening Composite Spaces
Publisher: Routledge
Subject: Theory
Gilles Deleuze and Film Criticism (2024)
Philosophy, Theory, and the Individual Film
Dir. Dominic Lash and Hoi Lun Law
Publisher: Palgrave MacMillan
Subject: Theory
Interactive Cinema (2024)
The Ambiguous Ethics of Media Participation
Publisher: University of Minnesota Press
Subject: Theory
Cinema and Machine Vision (2024)
Artificial Intelligence, Aesthetics and Spectatorship
Publisher: Edinburgh University Press
Subject: Theory
Cinematic Modernism and Contemporary Film (2024)
Aesthetics and Narrative in the International Art Film
by Howard Finn
Publisher: Bloomsbury Academic
Subject: Theory
Stardust (2024)
Cinematic Archives at the End of the World
Publisher: University of Minnesota Press
Subject: Theory
The Flesh of Animation (2024)
Bodily Sensations in Film and Digital Media
Publisher: University of Minnesota Press
Subject: Theory
Beyond Realism (2024)
Naturalist Film in Theory and Practice
Publisher: Edinburgh University Press
Subject: Theory
Puzzling Stories (2024)
The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature
Dir. Steven Willemsen and Miklós Kiss
Publisher: Berghahn Books
Subject: Theory
The Prison of Time (2024)
Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino
Publisher: Bloomsbury Academic
Subject: Theory
Cinema, Black Suffering, and Theodicy (2024)
Modern God
by Shayne Lee
Publisher: Lexington Books
Subject: Theory
Making History Move (2024)
Five Principles of the Historical Film
by Kim Nelson
Publisher: Rutgers University Press
Subject: Theory
Spaces (2024)
Exploring Spatial Experiences of Representation and Reception in Screen Media
Dir. Ian Christie
Publisher: Amsterdam University Press
Subject: Theory
Faces on Screen (2024)
New Approaches
Dir. Alice Maurice
Publisher: Edinburgh University Press
Subject: Theory
Depth Effects (2023)
Dimensionality from Camera to Computation
Publisher: University of California Press
Subject: Theory
The Routledge Companion to History and the Moving Image (2023)
Dir. Marnie Hughes-Warrington, Kim Nelson and Mia E.M. Treacey
Publisher: Routledge
Subject: Theory
Screen Stories and Moral Understanding (2023)
Interdisciplinary Perspectives
Publisher: Oxford University Press
Subject: Theory
Ecological Film Theory and Psychoanalysis (2023)
Surviving the Environmental Apocalypse in Cinema
by Robert Geal
Publisher: Routledge
Subject: Theory
Film Art (2023)
An Introduction
by David Bordwell, Kristin Thompson and Jeff Smith
Publisher: McGraw Hill
Subject: Theory
Robert Pippin and Film (2023)
Politics, Ethics, and Psychology after Modernism
by Dominic Lash
Publisher: Bloomsbury Academic
Subject: Theory
Thinking Film (2023)
Philosophy at the Movies
Dir. Richard Kearney and M. E. Littlejohn
Publisher: Bloomsbury Academic
Subject: Theory
Chaoid Cinema (2023)
Deleuze & Guattari and the Topological Vector of Silence
Publisher: Edinburgh University Press
Subject: Theory
Truth in Visual Media (2023)
Aesthetics, Ethics and Politics
Dir. Marguerite La Caze and Ted Nannicelli
Publisher: Edinburgh University Press
Subject: Theory
On the Figure in General and the Body in Particular (2023)
Figurative Invention in Cinema
Publisher: Anthem Press
Subject: Theory
The Moving Form of Film (2023)
Historicising the Medium through Other Media
Dir. Lúcia Nagib and Stefan Solomon
Publisher: Oxford University Press
Subject: Theory
Transcendence and Film (2023)
Cinematic Encounters with the Real
Dir. David P. Nichols
Publisher: Lexington Books
Subject: Theory
Nietzsche in Hollywood (2023)
Images of the Übermensch in Early American Cinema
Publisher: State University of New York Press
Subject: Theory
Limit Cinema (2023)
Transgression and the Nonhuman in Contemporary Global Film
Publisher: Bloomsbury Academic
Subject: Theory
Movies with Stanley Cavell in Mind (2023)
Dir. David LaRocca
Publisher: Bloomsbury Academic
Subject: Theory
Epistolary Entanglements in Film, Media and the Visual Arts (2023)
Dir. Teri Higgins and Catherine Fowler
Publisher: Amsterdam University Press
Subject: Theory
Dreams and Atrocity (2023)
The Oneiric in Representations of Trauma
Dir. Emily-Rose Baker and Diane Otosaka
Publisher: Manchester University Press
Subject: Theory
So What, or How to Make Films with Words (2023)
Publisher: Northwestern University Press
Subject: Theory
The Reenactment in Contemporary Screen Culture (2022)
Performance, Mediation, Repetition
Publisher: Bloomsbury Academic
Subject: Theory
Mapping the Sensible (2022)
Distribution, Inscription, Cinematic Thinking
by Erica Carter, Bettina Malcomess and Eileen Rositzka
Publisher: De Gruyter
Subject: Theory
Cinematic Poetics of Guilt (2022)
Audiovisual Accusation as a Mode of Commonality
Publisher: De Gruyter
Subject: Theory
Haunting the Left Bank (2022)
Mortality and Intersubjectivity in Varda, Resnais and Marker
Publisher: Peter Lang
Subject: Theory
The Oxford Handbook of Film Theory (2022)
Dir. Kyle Stevens
Publisher: Oxford University Press
Subject: Theory
Endless Intervals (2022)
Cinema, Psychology, and Semiotechnics Around 1900
Publisher: University of Minnesota Press
Subject: Theory
Lessons in Perception (2022)
The Avant-Garde Filmmaker as Practical Psychologist
Publisher: Berghahn Books
Subject: Theory
Writ on Water (2022)
The Sources and Reach of Film Imagination
Publisher: State University of New York Press
Subject: Theory
Engaging Characters (2022)
Fiction, Emotion, and the Cinema
by Murray Smith
Publisher: Oxford University Press
Subject: Theory
New Philosophies of Film (2022)
An Introduction to Cinema as a Way of Thinking
Publisher: Bloomsbury Academic
Subject: Theory
Rewatching on the Point of the Cinematic Index (2022)
Publisher: University Press of Mississippi
Subject: Theory
Cinema as a Worldbuilding Machine in the Digital Era (2022)
Essay on Multiverse Films and TV Series
Publisher: John Libbey Publishing
Subject: Theory
Exploring Seriality on Screen (2022)
Audiovisual Narratives in Film and Television
Dir. Ariane Hudelet and Anne Crémieux
Publisher: Routledge
Subject: Theory
The Holiday in His Eye (2022)
Stanley Cavell's Vision of Film and Philosophy
Publisher: State University of New York Press
Subject: Theory
Georges Didi-Huberman and Film (2022)
The Politics of the Image
by Alison Smith
Publisher: Bloomsbury Academic
Subject: Theory
Comparative Cinema (2022)
Late and Last Things in Literature and Film
by Paul Coates
Publisher: Palgrave MacMillan
Subject: Theory
Enacting the Worlds of Cinema (2022)
by Steffen Hven
Publisher: Oxford University Press
Subject: Theory
The Oxford Handbook of Film and Media Studies (2022)
Dir. Robert P. Kolker
Publisher: Oxford University Press
Subject: Theory
Deleuze and the Gynesis of Horror (2022)
From Monstrous Births to the Birth of the Monster
Publisher: Bloomsbury Academic
Subject: Theory
Cinema Illuminating Reality (2022)
Media Philosophy Through Buddhism
by Victor Fan
Publisher: University of Minnesota Press
Subject: Theory
Video Theories (2022)
A Transdisciplinary Reader
Dir. Dieter Daniels and Jan Thoben
Publisher: Bloomsbury Academic
Subject: Theory
The Thought of Stanley Cavell and Cinema (2022)
Turning Anew to the Ontology of Film a Half-Century after The World Viewed
Dir. David LaRocca
Publisher: Bloomsbury Academic
Subject: Theory
Fredric Jameson and Film Theory (2022)
Marxism, Allegory, and Geopolitics in World Cinema
Dir. Keith B. Wagner, Jeremi Szaniawski and Michael Cramer
Publisher: Rutgers University Press
Subject: Theory
Curtains of Light (2022)
Theatrical Space in Film
by George Toles
Publisher: State University of New York Press
Subject: Theory
Premises and Problems (2022)
Essays on World Literature and Cinema
Dir. Luiza Franco Moreira
Publisher: State University of New York Press
Subject: Theory
The Afterimage Reader (2022)
by Mark Webber and Simon Field
Publisher: The Visible Press
Subject: Theory
Spaces of Communication (2021)
Elements of Semio-Pragmatics
by Roger Odin
Publisher: Amsterdam University Press
Subject: Theory
Metacinema (2021)
The Form and Content of Filmic Reference and Reflexivity
Dir. David LaRocca
Publisher: Oxford University Press
Subject: Theory
Film Ecology (2021)
Defending the Biosphere - Doughnut Economics and Film Theory and Practice
Publisher: Routledge
Subject: Theory
Still Modernism (2021)
Photography, Literature, Film
Publisher: Oxford University Press
Subject: Theory
The Oxford Handbook of Cinematic Listening (2021)
Dir. Carlo Cenciarelli
Publisher: Oxford University Press
Subject: Theory
Traversing the Fantasy (2021)
The Dialectic of Desire/Fantasy and the Ethics of Narrative Cinema
by Sandra Meiri and Odeya Kohen-Raz
Publisher: Bloomsbury Academic
Subject: Theory
The Lure of the Image (2021)
Epistemic Fantasies of the Moving Camera
Publisher: University of California Press
Subject: Theory
The Real of Reality (2021)
The Realist Turn in Contemporary Film Theory
Dir. Christine Reeh-Peters, Stefan W. Schmidt and Peter Weibel
Publisher: Brill
Subject: Theory
Philosophy and the Moving Image (2021)
by Noel Carroll
Publisher: Oxford University Press
Subject: Theory
Philosophy and Film (2021)
Dir. Christina Rawls, Diana Neiva and Steven S. Gouveia
Publisher: Routledge
Subject: Theory
The Rhythm of Images (2021)
Cinema Beyond Measure
Publisher: University of Minnesota Press
Subject: Theory
Transformational Ethics of Film (2021)
Thinking the Cinemakeover in the Film-Philosophy Debate
Publisher: Brill
Subject: Theory
Architecture, Philosophy, and the Pedagogy of Cinema (2021)
From Benjamin to Badiou
by Nadir Lahiji
Publisher: Routledge
Subject: Theory
Film Phenomenology and Adaptation (2021)
Sensuous Elaboration
Publisher: Amsterdam University Press
Subject: Theory
The Stuff of Spectatorship (2021)
Material Cultures of Film and Television
Publisher: University of California Press
Subject: Theory
Visual Alterity (2021)
Seeing Difference in Cinema
Publisher: University of Illinois Press
Subject: Theory
Deep Mediations (2021)
Thinking Space in Cinema and Digital Cultures
Dir. Karen Redrobe and Jeff Scheible
Publisher: University of Minnesota Press
Subject: Theory
Stanley Cavell and Film (2021)
Scepticism and Self-Reliance at the Cinema
Publisher: Bloomsbury Academic
Subject: Theory
Forms of the Cinematic (2021)
Architecture, Science and the Arts
Dir. Mark Breeze Format: Kindle Edition
Publisher: Bloomsbury Academic
Subject: Theory
Moving Pictures, Living Machines (2020)
Automation, Animation and the Imitation of Life in Cinema and Media
Collective
Publisher: Mimesis International
Subject: Theory
Cinematic Realism (2020)
Lukács, Kracauer and Theories of the Filmic Real
by Ian Aitken
Publisher: Edinburgh University Press
Subject: Theory
New Takes on Film and Imagination (2020)
Paragraph, Volume 43, Issue 3
Dir. Sarah Cooper
Publisher: Edinburgh University Press
Subject: Theory
V. F. Perkins on Movies (2020)
Collected Shorter Film Criticism
Dir. V. F. Perkins and Douglas Pye
Publisher: Wayne State University Press
Subject: Theory
The Film Cheat (2020)
Screen Artifice and Viewing Pleasure
Publisher: Bloomsbury Academic
Subject: Theory
Theorizing Film Through Contemporary Art (2020)
Expanding Cinema
Dir. Jill Murphy and Laura Rascaroli
Publisher: Amsterdam University Press
Subject: Theory
A Film-Philosophy of Ecology and Enlightenment (2020)
by Rupert Read
Publisher: Routledge
Subject: Theory
Towards a Political Aesthetics of Cinema (2020)
The Outside of Film
by Sulgi Lie
Publisher: Amsterdam University Press
Subject: Theory
Dialectics without Synthesis (2020)
Japanese Film Theory and Realism in a Global Frame
Publisher: University of California Press
Subject: Theory
The Anthem Handbook of Screen Theory (2020)
Dir. Hunter Vaughan and Tom Conley
Publisher: Anthem Press
Subject: Theory
Noël Carroll and Film (2020)
A Philosophy of Art and Popular Culture
by Mario Slugan
Publisher: Bloomsbury Academic
Subject: Theory
Beyond the Essay Film (2020)
Subjectivity, Textuality and Technology
Dir. Julia Vassilieva and Deane Williams
Publisher: Amsterdam University Press
Subject: Theory
Cinematic Metaphor in Perspective (2020)
Reflections on a Transdisciplinary Framework
Collective
Publisher: De Gruyter
Subject: Theory
Cinematic Metaphor (2020)
Experience - Affectivity - Temporality
by Cornelia Müller and Hermann Kappelhoff
Publisher: De Gruyter
Subject: Theory
Cinematic Skepticism (2020)
Across Digital and Global Turns
Publisher: State University of New York Press
Subject: Theory
Gesture and Film (2020)
Signalling New Critical Perspectives
Dir. Nicholas Chare and Liz Watkins
Publisher: Routledge
Subject: Theory
The Squid Cinema From Hell (2020)
Kinoteuthis Infernalis and the Emergence of Chthulumedia
by William Brown and David H. Fleming
Publisher: Edinburgh University Press
Subject: Theory
Of Trees and Clouds (2020)
Software-Mediated Visions in Documentary and Ethnographic Filmmaking Practices
Publisher: V&R Unipress
Subject: Theory
Film, Art, and the Third Culture (2020)
A Naturalized Aesthetics of Film
by Murray Smith
Publisher: Oxford University Press
Subject: Theory
Cinemachines (2020)
An Essay on Media and Method
Publisher: University of Chicago Press
Subject: Theory
Postcinematic Vision (2020)
The Coevolution of Moving-Image Media and the Spectator
Publisher: University of Minnesota Press
Subject: Theory
After Authority (2020)
Global Art Cinema and Political Transition
by Kalling Heck
Publisher: Rutgers University Press
Subject: Theory
Non-Cinema (2020)
Global Digital Film-making and the Multitude
Publisher: Bloomsbury Academic
Subject: Theory
André Bazin's Film Theory (2020)
Art, Science, Religion
Publisher: Oxford University Press
Subject: Theory
Philosophy-Screens (2020)
From Cinema to the Digital Revolution
Publisher: State University of New York Press
Subject: Theory
Title Sequences as Paratexts (2019)
Narrative Anticipation and Recapitulation
Publisher: Routledge
Subject: Theory
Synchronization and Title Sequences (2019)
Audio-Visual Semiosis in Motion Graphics
Publisher: Routledge
Subject: Theory
Semiotics and Title Sequences (2019)
Text-Image Composites in Motion Graphics
Publisher: Routledge
Subject: Theory
The Peripatetic Frame (2019)
Images of Walking in Film
Publisher: Edinburgh University Press
Subject: Theory
Hermeneutic Humility and the Political Theology of Cinema (2019)
Blind Paul
Publisher: Routledge
Subject: Theory
Performing Ethics Through Film Style (2019)
Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader
Publisher: Edinburgh University Press
Subject: Theory
The Cinematic Political (2019)
Film Composition as Political Theory
Publisher: Routledge
Subject: Theory
Cinema and Ontology (2019)
by Maurizio Ferraris and Enrico Terrone
Publisher: Mimesis International
Subject: Theory
Philosophers on Film from Bergson to Badiou (2019)
A Critical Reader
Dir. Christopher Kul-Want
Publisher: Columbia University Press
Subject: Theory
Sensations of History (2019)
Animation and New Media Art
Publisher: University of Minnesota Press
Subject: Theory
The Digital Image and Reality (2019)
Affect, Metaphysics and Post-Cinema
Publisher: Amsterdam University Press
Subject: Theory
Ideologies of the Real in Title Sequences, Motion Graphics and Cinema (2019)
Publisher: Routledge
Subject: Theory
Stanley Cavell and the Magic of Hollywood Films (2019)
by Daniel Shaw
Publisher: Edinburgh University Press
Subject: Theory
Plato and the Moving Image (2019)
Dir. Shai Biderman and Michael Weinman
Publisher: Brill
Subject: Theory
Contemporary Cinema and the Philosophy of Iris Murdoch (2019)
by Lucy Bolton
Publisher: Edinburgh University Press
Subject: Theory
Concentrationary Art (2019)
Jean Cayrol, the Lazarean and the Everyday in Post-war Film, Literature, Music and the Visual Arts
Dir. Griselda Pollock and Max Silverman
Publisher: Berghahn Books
Subject: Theory
The Supermarket of the Visible (2019)
Toward a General Economy of Images
by Peter Szendy
Publisher: Fordham University Press
Subject: Theory
Mimetic Theory and Film (2019)
Dir. Paolo Diego Bubbio and Chris Fleming
Publisher: Bloomsbury Academic
Subject: Theory
Temporality in American Filmic Autobiography (2018)
Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'
Publisher: Universitatsverlag Winter
Subject: Theory
Cinema Against Doublethink (2018)
Ethical Encounters with the Lost Pasts of World History
Publisher: Routledge
Subject: Theory
Time, Existential Presence and the Cinematic Image (2018)
Ethics and Emergence to Being in Film
Publisher: Edinburgh University Press
Subject: Theory
Foucault at the Movies (2018)
by Michel Foucault, Patrice Maniglier and Dork Zabunyan
Publisher: Columbia University Press
Subject: Theory
Cultivating Extreme Art Cinema (2018)
Text, Paratext and Home Video Culture
by Simon Hobbs
Publisher: Edinburgh University Press
Subject: Theory
Moving Pictures, Still Lives (2018)
Film, New Media, and the Late Twentieth Century
Publisher: Oxford University Press
Subject: Theory
Cinematic Vitalism (2018)
Film Theory and the Question of Life
Publisher: Amsterdam University Press
Subject: Theory
Metafilm (2018)
Materialist Rhetoric and Reflexive Cinema
Publisher: Ohio State University Press
Subject: Theory
Gestures of Seeing in Film, Video and Drawing (2018)
Dir. Asbjørn Grønstad, Henrik Gustafsson and Øyvind Vågnes
Publisher: Routledge
Subject: Theory
Christian Metz and the Codes of Cinema (2018)
Film Semiology and Beyond
Dir. Margrit Tröhler and Guido Kirsten
Publisher: Amsterdam University Press
Subject: Theory
Transcendental Style in Film (2018)
Ozu, Bresson, Dreyer
Publisher: University of California Press
Subject: Theory
The Emotional Life of Postmodern Film (2018)
Affect Theory's Other
by Pansy Duncan
Publisher: Routledge
Subject: Theory
Archiveology (2018)
Walter Benjamin and Archival Film Practices
Publisher: Duke University Press
Subject: Theory
Deleuze, Cinema and the Thought of the World (2018)
Publisher: Edinburgh University Press
Subject: Theory
New Uses of Bourdieu in Film and Media Studies (2018)
Dir. Guy Austin
Publisher: Berghahn Books
Subject: Theory
Technology and Film Scholarship (2018)
Experience, Study, Theory
Dir. Santiago Hidalgo
Publisher: Amsterdam University Press
Subject: Theory
Raymond Bellour (2018)
Cinema and the Moving Image
by Hilary Radner and Alistair Fox
Publisher: Edinburgh University Press
Subject: Theory
The Continental Philosophy of Film Reader (2018)
Dir. Joseph Westfall
Publisher: Bloomsbury Academic
Subject: Theory
Embodied Metaphors in Film, Television, and Video Games (2018)
Cognitive Approaches
Dir. Kathrin Fahlenbrach
Publisher: Routledge
Subject: Theory
The Long Take (2017)
Art Cinema and the Wondrous
Publisher: University of Minnesota Press
Subject: Theory
Conversations with Christian Metz (2017)
Selected Interviews on Film Theory
Dir. Warren Buckland and Daniel Fairfax
Publisher: Amsterdam University Press
Subject: Theory
Plotinus and the Moving Image (2017)
by Thorsten Botz-Bornstein and Giannis Stamatellos
Publisher: Brill
Subject: Theory
The Screenwriters Taxonomy (2017)
A Roadmap to Collaborative Storytelling
Publisher: Routledge
Subject: Theory
Acinemas (2017)
Lyotard's Philosophy of Film
Dir. Graham Jones and Ashley Woodward
Publisher: Edinburgh University Press
Subject: Theory
Unbecoming Cinema (2017)
Unsettling Encounters with Ethical Event Films
Publisher: Intellect Books
Subject: Theory
Indefinite Visions (2017)
Cinema and the Attractions of Uncertainty
Dir. Martine Beugnet, Allan Cameron and Arild Fetveit
Publisher: Edinburgh University Press
Subject: Theory
Cinematic Cuts (2017)
Theorizing Film Endings
Dir. Sheila Kunkle
Publisher: State University of New York Press
Subject: Theory
Cinema and Narrative Complexity (2017)
Embodying the Fabula
by Steffen Hven
Publisher: Amsterdam University Press
Subject: Theory
Early Film Theories in Italy 1896-1922 (2017)
The Little Magic Machine
Dir. Francesco Casetti, Silvio Alovisio and Luca Mazzei
Publisher: Amsterdam University Press
Subject: Theory
Speaking in Subtitles (2017)
Revaluing Screen Translation
by Tessa Dwyer
Publisher: Edinburgh University Press
Subject: Theory
The Oxford Handbook of Dance and the Popular Screen (2017)
Publisher: Oxford University Press
Subject: Theory
Bodies in Suspense (2017)
Time and Affect in Cinema
by Alanna Thain
Publisher: University of Minnesota Press
Subject: Theory
Film as Philosophy (2017)
Dir. Bernd Herzogenrath
Publisher: University of Minnesota Press
Subject: Theory
The Off-Screen (2017)
An Investigation of the Cinematic Frame
by Eyal Peretz
Publisher: Stanford University Press
Subject: Theory
Essays on the Essay Film (2017)
Dir. Nora M. Alter and Timothy Corrigan
Publisher: Columbia University Press
Subject: Theory
Doing Text (2017)
Media After the Subject
Dir. Pete Bennett and Julian McDougall
Publisher: Liverpool University Press
Subject: Theory
Perpetual Carnival (2017)
Essays on Film and Literature
Publisher: Oxford University Press
Subject: Theory
Locating the Voice in Film (2017)
Critical Approaches and Global Practices
Dir. Tom Whittaker and Sarah Wright
Publisher: Oxford University Press
Subject: Theory
The Techne of Giving (2017)
Cinema and the Generous Form of Life
Publisher: Fordham University Press
Subject: Theory
Doing Time (2017)
Temporality, Hermeneutics, and Contemporary Cinema
Publisher: State University of New York Press
Subject: Theory
Jungian Film Studies (2016)
The essential guide
by Helena Bassil-Morozow and Luke Hockley
Publisher: Routledge
Subject: Theory
Politics, Theory, and Film (2016)
Critical Encounters with Lars von Trier
Dir. Bonnie Honig and Lori J. Marso
Publisher: Oxford University Press
Subject: Theory
The Essay Film (2016)
Dialogue, Politics, Utopia
Dir. Elizabeth Papazian and Caroline Eades
Publisher: Wallflower Press
Subject: Theory
Ex-centric Cinema (2016)
Giorgio Agamben and Film Archaeology
Publisher: Bloomsbury Academic
Subject: Theory
Cinema's Bodily Illusions (2016)
Flying, Floating, and Hallucinating
Publisher: University of Minnesota Press
Subject: Theory
Cine-Ethics (2016)
Ethical Dimensions of Film Theory, Practice, and Spectatorship
Dir. Jinhee Choi and Mattias Frey
Publisher: Routledge
Subject: Theory
The Politics of Perfection (2016)
Technology and Creation in Literature and Film
Publisher: Lexington Books
Subject: Theory
Deleuze's Cinema Books (2016)
Three Introductions to the Taxonomy of Images
by David Deamer
Publisher: Edinburgh University Press
Subject: Theory
Projections of Memory (2016)
Romanticism, Modernism, and the Aesthetics of Film
Publisher: Oxford University Press
Subject: Theory
Fast Forward (2016)
The Future(s) of the Cinematic Arts
by Holly Willis
Publisher: Wallflower Press
Subject: Theory
The Major Realist Film Theorists (2016)
A Critical Anthology
Dir. Ian Aitken
Publisher: Edinburgh University Press
Subject: Theory
Nancy and Visual Culture (2016)
Dir. Carrie Giunta and Adrienne Janus
Publisher: Edinburgh University Press
Subject: Theory
Cinema Without Reflection (2016)
Jacques Derrida's Echopoiesis and Narcissim Adrift
Publisher: University of Minnesota Press
Subject: Theory
Real to Reel (2016)
A New Approach to Understanding Realism in Film and TV Fiction
Publisher: Liverpool University Press
Subject: Theory
The Promise of Cinema (2016)
German Film Theory, 1907–1933
Dir. Anton Kaes, Nicholas Baer and Michael Cowan
Publisher: University of California Press
Subject: Theory
Impersonal Enunciation, or the Place of Film (2016)
Publisher: Columbia University Press
Subject: Theory
The Self and its Shadows (2016)
A Book of Essays on Individuality as Negation in Philosophy and the Arts
Publisher: Oxford University Press
Subject: Theory
Towards a Feminist Cinematic Ethics (2015)
Claire Denis, Emmanuel Levinas and Jean-Luc Nancy
Publisher: Edinburgh University Press
Subject: Theory
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance and R. Barton Palmer
Publisher: Rutgers University Press
Subject: Theory
Cinema against Spectacle (2015)
"Technique and Ideology" Revisited
by Jean-Louis Comolli and Daniel Fairfax
Publisher: Amsterdam University Press
Subject: Theory
Philosophy of the Film (2015)
Epistemology, Ontology, Aesthetics
by Ian Jarvie
Publisher: Routledge
Subject: Theory
The Politics and Poetics of Cinematic Realism (2015)
Publisher: Columbia University Press
Subject: Theory
The Oxford Handbook of New Audiovisual Aesthetics (2015)
Dir. John Richardson, Claudia Gorbman and Carol Vernallis
Publisher: Oxford University Press
Subject: Theory
Film Theory (2015)
An Introduction through the Senses
by Thomas Elsaesser and Malte Hagener
Publisher: Routledge
Subject: Theory
Existentialism and Contemporary Cinema (2015)
A Beauvoirian Perspective
Dir. Jean-Pierre Boulé and Ursula Tidd
Publisher: Berghahn Books
Subject: Theory
The Routledge Encyclopedia of Film Theory (2015)
Dir. Edward Branigan and Warren Buckland
Publisher: Routledge
Subject: Theory
Film Worlds (2014)
A Philosophical Aesthetics of Cinema
Publisher: Columbia University Press
Subject: Theory
Postnaturalism (2014)
Frankenstein, Film, and the Anthropotechnical Interface
by Shane Denson
Publisher: transcript publishing
Subject: Theory
Fractal Narrative (2014)
About the Relationship Between Geometries and Technology and Its Impact on Narrative Spaces
Publisher: transcript publishing
Subject: Theory
Dreaming of Cinema (2014)
Spectatorship, Surrealism, and the Age of Digital Media
Publisher: Columbia University Press
Subject: Theory
On Slowness (2014)
Toward an Aesthetic of the Contemporary
Publisher: Columbia University Press
Subject: Theory
Andre Bazin's New Media (2014)
by André Bazin and Dudley Andrew
Publisher: University of California Press
Subject: Theory
Real Objects in Unreal Situations (2014)
Modern Art in Fiction Films
Publisher: Intellect Books
Subject: Theory
Philosophy Goes to the Movies (2014)
An Introduction to Philosophy
Publisher: Routledge
Subject: Theory
Screen/Play (2014)
Derrida and Film Theory
by Peter Brunette and David Wills
Publisher: Princeton University Press
Subject: Theory
Incorporating Images (2014)
Film and the Rival Arts
Publisher: Princeton University Press
Subject: Theory
Special Affects (2014)
Cinema, Animation and the Translation of Consumer Culture
by Eric Jenkins
Publisher: Edinburgh University Press
Subject: Theory
Between the Eye and the World (2014)
The Emergence of the Point-View Shot
Publisher: Peter Lang
Subject: Theory
Omnibus Films (2014)
Theorizing Transauthorial Cinema
Publisher: Edinburgh University Press
Subject: Theory
Cognitive Media Theory (2014)
Dir. Ted Nannicelli and Paul Taberham
Publisher: Routledge
Subject: Theory
Existentialism and Contemporary Cinema (2014)
A Sartrean Perspective
Dir. Jean-Pierre Boulé and Enda McCaffrey
Publisher: Berghahn Books
Subject: Theory
Reframing Reality (2014)
The Aesthetics of the Surrealist Object in French and Czech Cinema
by Alison Frank
Publisher: Intellect Books
Subject: Theory
The Besieged Ego (2013)
Doppelgangers and Split Identity Onscreen
Publisher: Edinburgh University Press
Subject: Theory
Cinematicity in Media History (2013)
Dir. Jeffrey A. Geiger and Karin Littau
Publisher: Edinburgh University Press
Subject: Theory
Seeing Fictions in Film (2013)
The Epistemology of Movies
Publisher: Oxford University Press
Subject: Theory
Bergson and the Art of Immanence (2013)
Painting, Photography, Film
Dir. John Ó Maoilearca and Charlotte de Mille
Publisher: Edinburgh University Press
Subject: Theory
History in Motion (2013)
Time in the Age of the Moving Image
Publisher: Sternberg Press
Subject: Theory
Impure Cinema (2013)
Intermedial and Intercultural Approaches to Film
Dir. Lúcia Nagib and Anne Jerslev
Publisher: I.B.Tauris
Subject: Theory
Ecologies of the Moving Image (2013)
Cinema, Affect, Nature
Publisher: Wilfrid Laurier University Press
Subject: Theory
The Desiring-Image (2013)
Gilles Deleuze and Contemporary Queer Cinema
by Nick Davis
Publisher: Oxford University Press
Subject: Theory
Untimely Affects (2013)
Gilles Deleuze and an Ethics of Cinema
Publisher: Edinburgh University Press
Subject: Theory
The Memory Effect (2013)
The Remediation of Memory in Literature and Film
Dir. Russell J. A. Kilbourn and Eleanor Ty
Publisher: Wilfrid Laurier University Press
Subject: Theory
The Heretical Archive (2013)
Digital Memory at the End of Film
Publisher: University of Minnesota Press
Subject: Theory
Dynamics and Performativity of Imagination (2013)
The Image between the Visible and the Invisible
Dir. Bernd Huppauf and Christoph Wulf
Publisher: Routledge
Subject: Theory
The Utopia of Film (2013)
Cinema and Its Futures in Godard, Kluge, and Tahimik
Publisher: Columbia University Press
Subject: Theory
Body Double (2013)
The Author Incarnate in the Cinema
by Lucy Fischer
Publisher: Rutgers University Press
Subject: Theory
From Light to Byte (2012)
Toward an Ethics of Digital Cinema
Publisher: University of Minnesota Press
Subject: Theory
Black and Blue (2012)
The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour
by Carol Mavor
Publisher: Duke University Press
Subject: Theory
Temporality and Film Analysis (2012)
by Matilda Mroz
Publisher: Edinburgh University Press
Subject: Theory
Siegfried Kracauer's American Writings (2012)
Essays on Film and Popular Culture
by Siegfried Kracauer, Johannes von Moltke and Kristy Rawson
Publisher: University of California Press
Subject: Theory
Breaking the Fourth Wall (2012)
Direct Address in the Cinema
by Tom Brown
Publisher: Edinburgh University Press
Subject: Theory
Cinema, Philosophy, Bergman (2012)
On Film as Philosophy
Publisher: Oxford University Press
Subject: Theory
Culture in the Anteroom (2012)
The Legacies of Siegfried Kracauer
Dir. Gerd Gemünden and Johannes von Moltke
Publisher: University of Michigan Press
Subject: Theory
Screen Dynamics (2012)
Mapping the Borders of Cinema
Dir. Gertrud Koch, Volker Pantenburg and Simon Rothöhler
Publisher: Austrian Film Museum
Subject: Theory
Deleuze and Film (2012)
Dir. David Martin-Jones and William Brown
Publisher: Edinburgh University Press
Subject: Theory
Film (2012)
A Very Short Introduction
by Michael Wood
Publisher: Oxford University Press
Subject: Theory
Theorizing World Cinema (2011)
Dir. Lúcia Nagib, Chris Perriam and Rajinder Dudrah
Publisher: I.B.Tauris
Subject: Theory
Cinema and Experience (2011)
Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
Dir. Miriam Bratu Hansen
Publisher: University of California Press
Subject: Theory
Taking Place (2011)
Location and the Moving Image
Dir. John David Rhodes and Elena Gorfinkel
Publisher: University of Minnesota Press
Subject: Theory
Thinking Through Film (2011)
Doing Philosophy, Watching Movies
by Damian Cox and Michael Levine
Publisher: Wiley-Blackwell
Subject: Theory
Béla Balázs (2011)
Early Film Theory: Visible Man and The Spirit of Film
by Béla Balázs and Erica Carter
Publisher: Berghahn Books
Subject: Theory
The Lacanian Thing (2011)
Psychoanalysis, Postmodern Culture, and Cinema
Publisher: Cambria Press
Subject: Theory
Schizoanalysis and Visual Cultures (2011)
Dir. Phillip Roberts and Richard Rushton
Publisher: Edinburgh University Press
Subject: Theory
Opening Bazin (2011)
Postwar Film Theory and Its Afterlife
Dir. Dudley Andrew and Herve Joubert-Laurencin
Publisher: Oxford University Press
Subject: Theory
The Routledge Companion to Philosophy and Film (2011)
Dir. Paisley Livingston and Carl Plantinga
Publisher: Routledge
Subject: Theory
Gilles Deleuze's Philosophy of Time (2011)
A Critical Introduction and Guide
Publisher: Edinburgh University Press
Subject: Theory
Out of Time (2011)
Desire in Atemporal Cinema
by Todd McGowan
Publisher: University of Minnesota Press
Subject: Theory
Ethics at the Cinema (2011)
Dir. Ward E. Jones and Samantha Vice
Publisher: Oxford University Press
Subject: Theory
Afterimages of Gilles Deleuze's Film Philosophy (2010)
Dir. D. N. Rodowick
Publisher: University of Minnesota Press
Subject: Theory
The Reality of Film (2010)
Theories of Filmic Reality
Publisher: Manchester University Press
Subject: Theory
The Deleuze Dictionary Revised Edition (2010)
Dir. Adrian Parr
Publisher: Edinburgh University Press
Subject: Theory
The Baudrillard Dictionary (2010)
Dir. Richard G. Smith
Publisher: Edinburgh University Press
Subject: Theory
The Film Theory Reader (2010)
Debates and Arguments
Dir. Marc Furstenau
Publisher: Routledge
Subject: Theory
Levinas and the Cinema of Redemption (2010)
Time, Ethics, and the Feminine
Publisher: Columbia University Press
Subject: Theory
Memory and the Moving Image (2010)
French Film in the Digital Era
Publisher: Edinburgh University Press
Subject: Theory
Understanding Media Studies (2010)
by Tony Schirato, Angi Buettner, Thierry Jutel and Geoff Stahl
Publisher: Oxford University Press
Subject: Theory
Film, Theory, and Philosophy (2009)
The Key Thinkers
Publisher: McGill-Queen's University Press
Subject: Theory
The Anime Machine (2009)
A Media Theory of Animation
Publisher: University of Minnesota Press
Subject: Theory
The Personal Camera (2009)
Subjective Cinema and the Essay Film
Publisher: Wallflower Press
Subject: Theory
Film and Ethics (2009)
Foreclosed Encounters
by Lisa Downing and Libby Saxton
Publisher: Routledge
Subject: Theory
Photography, Cinema, Memory (2009)
The Crystal Image of Time
Publisher: University of Minnesota Press
Subject: Theory
Film After Jung (2009)
Post-Jungian Approaches to Film Theory
by Greg Singh
Publisher: Routledge
Subject: Theory
Film Theory and Contemporary Hollywood Movies (2009)
Dir. Warren Buckland
Publisher: Routledge
Subject: Theory
The Tactile Eye (2009)
Touch and the Cinematic Experience
Publisher: University of California Press
Subject: Theory
Refractions of Reality (2008)
Philosophy and the Moving Image
Publisher: Palgrave MacMillan
Subject: Theory
Inventing Film Studies (2008)
Dir. Lee Grieveson and Haidee Wasson
Publisher: Duke University Press
Subject: Theory
Still Moving (2008)
Between Cinema and Photography
Dir. Karen Redrobe and Jean Ma
Publisher: Duke University Press
Subject: Theory
Deleuze and the Cinemas of Performance (2008)
Powers of Affection
Publisher: Edinburgh University Press
Subject: Theory
Reframing Screen Performance (2008)
by Cynthia L. Baron and Sharon Marie Carnicke
Publisher: University of Michigan Press
Subject: Theory
The Horse Who Drank the Sky (2008)
Film Experience Beyond Narrative and Theory
Publisher: Rutgers University Press
Subject: Theory
Cinematic Thinking (2008)
Philosophical Approaches to the New Cinema
Dir. James Phillips
Publisher: Stanford University Press
Subject: Theory
Film Consciousness (2008)
From Phenomenology to Deleuze
by Spencer Shaw
Publisher: McFarland & Co
Subject: Theory
Documentary Time (2008)
Film and Phenomenology
Publisher: University of Minnesota Press
Subject: Theory
Frames of Mind (2008)
A Post-Jungian Look at Cinema, Television and Technology
by Luke Hockley
Publisher: Intellect Books
Subject: Theory
The Image and the Witness (2007)
Trauma, Memory, and Visual Culture
Dir. Frances Guerin and Roger Hallas
Publisher: Wallflower Press
Subject: Theory
The Witch's Flight (2007)
The Cinematic, the Black Femme, and the Image of Common Sense
by Kara Keeling
Publisher: Duke University Press
Subject: Theory
Cinema and Sensation (2007)
French Film and the Art of Transgression
Publisher: Edinburgh University Press
Subject: Theory
The Terministic Screen (2007)
Rhetorical Perspectives on Film
Publisher: Southern Illinois University Press
Subject: Theory
Deleuze, Altered States and Film (2007)
by Anna Powell
Publisher: Edinburgh University Press
Subject: Theory
The Politics of Imagination (2007)
Benjamin, Kracauer, Kluge
by Tara Forrest
Publisher: transcript publishing
Subject: Theory
The Cinema of Attractions Reloaded (2007)
Dir. Wanda Strauven
Publisher: Amsterdam University Press
Subject: Theory
Film Hieroglyphs (2006)
Ruptures in Classical Cinema
by Tom Conley
Publisher: University of Minnesota Press
Subject: Theory
The Cinematic Mode of Production (2006)
Attention Economy and the Society of the Spectacle
Publisher: University Press of New England
Subject: Theory
The Material Image (2006)
Art and the Real in Film
Publisher: Stanford University Press
Subject: Theory
The Solaris Effect (2006)
Art And Artifice in Contemporary American Film
Publisher: University of Texas Press
Subject: Theory
Realist Film Theory and Cinema (2006)
The Nineteenth-Century Lukácsian and Intuitionist Realist Traditions
by Ian Aitken
Publisher: Manchester University Press
Subject: Theory
Nihilism in Film and Television (2006)
A Critical Overview from Citizen Kane to The Sopranos
Publisher: McFarland & Co
Subject: Theory
Amorous Acts (2006)
Lacanian Ethics in Modernism, Film, and Queer Theory
Publisher: Stanford University Press
Subject: Theory
Stanley Cavell's American Dream (2006)
Shakespeare, Philosophy, and Hollywood Movies
Publisher: Fordham University Press
Subject: Theory
Deleuze, Cinema and National Identity (2006)
Narrative Time in National Contexts
Publisher: Edinburgh University Press
Subject: Theory
Death 24x a Second (2006)
Stillness and the Moving Image
by Laura Mulvey
Publisher: Reaktion Books
Subject: Theory
Film Theory (2006)
An Introduction
by Robert Lapsley and Michael Westlake
Publisher: Manchester University Press
Subject: Theory
Thinking in Images (2006)
Film Theory, Feminist Philosophy and Marlene Dietrich
Publisher: BFI Publishing
Subject: Theory
Crowds, Power, and Transformation in Cinema (2006)
by Lesley Brill
Publisher: Wayne State University Press
Subject: Theory
Cinephilia and History, or the Wind in the Trees (2005)
Publisher: Indiana University Press
Subject: Theory
Cavell on Film (2005)
by Stanley Cavell and William Rothman
Publisher: State University of New York Press
(previous edition)
Subject: Theory
Derrida (2005)
Screenplay and Essays on the Film
Dir. Kirby Dick and Amy Ziering Kofman
Publisher: Routledge
Subject: Theory
Figures Traced in Light (2005)
On Cinematic Staging
Publisher: University of California Press
Subject: Theory
Moving Image Theory (2005)
Ecological Considerations
Dir. Joseph D. Anderson and Barbara Fisher Anderson
Publisher: Southern Illinois University Press
Subject: Theory
What Is Cinema? Volume II (2004)
by André Bazin
Publisher: University of California Press
Subject: Theory
What Is Cinema? Volume I (2004)
by André Bazin
Publisher: University of California Press
Subject: Theory
Narrated Films (2004)
Storytelling Situations in Cinema History
Publisher: Johns Hopkins University Press
Subject: Theory
The Face on the Screen (2003)
Death, Recognition & Spectatorship
Publisher: Intellect Books
Subject: Theory
Film Theory (2003)
Critical Concepts in Media and Cultural Studies
Dir. Philip Simpson, Andrew Utterson and K. J. Shepherdson
Publisher: Routledge
Subject: Theory
The 'I' of the Camera (2003)
Essays in Film Criticism, History, and Aesthetics
Publisher: Cambridge University Press
Subject: Theory
Organs without Bodies (2003)
Deleuze and Consequences
by Slavoj Zizek
Publisher: Routledge
Subject: Theory
The Matrix of Visual Culture (2003)
Working with Deleuze in Film Theory
Publisher: Stanford University Press
Subject: Theory
Screening the Text (2003)
Intertextuality in New Wave French Cinema
Publisher: Johns Hopkins University Press
Subject: Theory
Memory and Popular Film (2003)
Dir. Paul Grainge
Publisher: Manchester University Press
Subject: Theory
Rites of Realism (2003)
Essays on Corporeal Cinema
Dir. Ivone Margulies
Publisher: Duke University Press
Subject: Theory
Dreams on Film (2003)
The Cinematic Struggle Between Art and Science
Publisher: McFarland & Co
Subject: Theory
Film and Knowledge (2002)
Essays on the Integration of Images and Ideas
Dir. Kevin L. Stoehr
Publisher: McFarland & Co
Subject: Theory
Hugo Munsterberg on Film (2001)
The Photoplay: A Psychological Study and Other Writings
by Hugo Münsterberg and Allan Langdale
Publisher: Routledge
Subject: Theory
Change Mummified (2001)
Cinema, Historicity, Theory
by Philip Rosen
Publisher: University of Minnesota Press
Subject: Theory
Toward Cinema and Its Double (2001)
Cross-Cultural Mimesis
Publisher: Indiana University Press
Subject: Theory
Reading Hollywood (2001)
Spaces and Meanings in American Film
Publisher: Wallflower Press
Subject: Theory
Light Readings (2001)
Film Criticism and Screen Arts
by Chris Darke
Publisher: Wallflower Press
Subject: Theory
How a Film Theory Got Lost (2001)
and Other Mysteries in Cultural Studies
Publisher: Indiana University Press
Subject: Theory
Deleuze and Cinema (2000)
The Aesthetics of Sensation
Publisher: Edinburgh University Press
Subject: Theory
Post-war Cinema and Modernity (2000)
A Film Reader
Dir. John Orr and Olga Taxidou
Publisher: Edinburgh University Press
Subject: Theory
Reading Cavell's the World Viewed (2000)
A Philosophical Perspective on Film
by Marian Keane and William Rothman
Publisher: Wayne State University Press
Subject: Theory
Between Film and Screen (2000)
Modernism's Photo Synthesis
Publisher: University of Chicago Press
Subject: Theory
The Brain Is the Screen (2000)
Deleuze and the Philosophy of Cinema
Dir. Gregory Flaxman
Publisher: University of Minnesota Press
Subject: Theory
The Skin of the Film (2000)
Intercultural Cinema, Embodiment, and the Senses
Publisher: Duke University Press
Subject: Theory
Narrative in Fiction and Film (2000)
An Introduction
by Jakob Lothe
Publisher: Oxford University Press
Subject: Theory
Endless Night (1999)
Cinema and Psychoanalysis, Parallel Histories
Dir. Janet Bergstrom
Publisher: University of California Press
Subject: Theory
Film Theory and Philosophy (1999)
Dir. Richard Allen and Murray Smith
Publisher: Oxford University Press
Subject: Theory
Moving Pictures (1999)
A New Theory of Film Genres, Feelings, and Cognition
Publisher: Oxford University Press
Subject: Theory
Stanley Cavell (1999)
Philosophy's Recounting of the Ordinary
Publisher: Oxford University Press
Subject: Theory
Camera Obscura (1998)
An Archeological Survey from the Paleolithic to the Iron Age
by Sarah Kofman
Publisher: Cornell University Press
Subject: Theory
A Body of Vision (1998)
Representations of the Body in Recent Film and Poetry
Publisher: Wilfrid Laurier University Press
Subject: Theory
The Memory of Tiresias (1998)
Intertextuality and Film
Publisher: University of California Press
Subject: Theory
Visions of the Past (1998)
The Challenge of Film to Our Idea of History
Publisher: Harvard University Press
Subject: Theory
Empty Moments (1998)
Cinema, Modernity, and Drift
by Leo Charney
Publisher: Duke University Press
Subject: Theory
Pretty Pictures (1998)
Production Design and the History Film
Publisher: University of Texas Press
Subject: Theory
The Reality of Illusion (1998)
An Ecological Approach to Cognitive Film Theory
Publisher: Southern Illinois University Press
Subject: Theory
Theory of Film (1997)
The Redemption of Physical Reality
Publisher: Princeton University Press
Subject: Theory
The Image in Dispute (1997)
Art and Cinema in the Age of Photography
by Sally Shafto
Publisher: University of Texas Press
Subject: Theory
Theorizing the Moving Image (1996)
by Noel Carroll
Publisher: Cambridge University Press
Subject: Theory
Post-Theory (1996)
Reconstructing Film Studies
Dir. David Bordwell
Publisher: University of Wisconsin Press
Subject: Theory
Fields of Vision (1995)
Essays in Film Studies, Visual Anthropology, and Photography
by Leslie Devereaux and Roger Hillman
Publisher: University of California Press
Subject: Theory
Narrative Mortality (1994)
Death, Closure, and New Wave Cinemas
Publisher: University of Minnesota Press
Subject: Theory
Modernist Montage (1992)
The Obscurity of Vision in Cinema and Literature
Publisher: Columbia University Press
Subject: Theory
Reflexivity in Film and Culture (1992)
From Don Quixote to Jean-Luc Godard
by Robert Stam
Publisher: Columbia University Press
Subject: Theory
The Address of the Eye (1991)
A Phenomenology of Film Experience
Publisher: Princeton University Press
Subject: Theory
Film and phenomenology (1991)
toward a realist theory of cinematic representation
Publisher: Cambridge University Press
Subject: Theory
Cinema 2 (1989)
The Time-Image
Publisher: University of Minnesota Press
(previous edition)
Subject: Theory
Transcendental Style In Film (1988)
Ozu, Bresson, Dreyer
Publisher: Da Capo Press
(previous edition)
Subject: Theory
Narration in Light (1988)
Studies in Cinematic Point of View
Publisher: Johns Hopkins University Press
Subject: Theory
Nonindifferent nature (1987)
Film and the Structure of Things
Publisher: Cambridge University Press
Subject: Theory
Narrative, Apparatus, Ideology (1986)
A Film Theory Reader
Dir. Philip Rosen
Publisher: Columbia University Press
Subject: Theory
Cinema 1 (1986)
the Movement-Image
Publisher: University of Minnesota Press
(previous edition)
Subject: Theory
Autonomous Image (1981)
Cinematic Narration & Humanism
Publisher: University Press of Kentucky
Subject: Theory
Story and Discourse (1980)
Narrative Structure in Fiction and Film
Publisher: Cornell University Press
Subject: Theory
The World Viewed (1979)
Reflections on the Ontology of Film, Enlarged Edition
Publisher: Harvard University Press
Subject: Theory
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Autobiographical Reenactment in French and Belgian Film (2024)
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Intersections of Documentary-based Film Practice and Theory
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Photogenic French Literature and the Prehistory of Cinematic Modernity
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Theories of Character in Film, Television, and Interactive Media
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What is cinema? / Qu'est-ce que le cinéma ? (2020)
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Subject: Director > Germaine Dulac
A Dictionary of Film Studies (2020)
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Subject: On Films > Guides and dictionaries
Cinematic Corpographies (2020)
Re-Mapping the War Film Through the Body
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Interpreting Cinema (2020)
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Sound Design is the New Score (2019)
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Cinema and Neuroscience
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Documentary Across Platforms (2019)
Reverse Engineering Media, Place, and Politics
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Historical Assessments and Phenomenological Expansions
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Static in the System (2019)
Noise and the Soundscape of American Cinema Culture
Toward a Philosophy of the Documentarian (2019)
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Mysteries of Cinema (2018)
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Cinema Between Media (2018)
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The Image in Early Cinema (2018)
Form and Material
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Hybrid Moving Images in the Post-Media Age
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Editing and Montage in International Film and Video (2017)
Theory and Technique
Pixar and the Aesthetic Imagination (2017)
Animation, Storytelling, and Digital Culture
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The Philosophy of Documentary Film (2016)
Image, Sound, Fiction, Truth
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The Documentary Film Reader (2016)
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Beyond Spatial Montage (2016)
Windowing, or the Cinematic Displacement of Time, Motion, and Space
Film Essays and a Lecture (2014)
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Australian Film Theory and Criticism (2013)
Volume 1: Critical Positions
Acting and Performance in Moving Image Culture (2012)
Bodies, Screens, Renderings. With a Foreword by Lesley Stern
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Polanski and Perception (2012)
The Psychology of Seeing and the Cinema of Roman Polanski
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When Stories Travel (2012)
Cross-Cultural Encounters Between Fiction and Film
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Eye for Music (2011)
Popular Music and the Audiovisual Surreal
Hitchcock and the Cinema of Sensations (2011)
Embodied Film Theory and Cinematic Reception
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Jung and Film II (2011)
The Return: Further Post-Jungian Takes on the Moving Image
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Cinema Beyond Film (2010)
Media Epistemology in the Modern Era
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Looking Past the Screen (2007)
Case Studies in American Film History and Method
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Screen Methods (2006)
Comparative Readings in Film Studies
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Image and Identity (2006)
Reflections on Canadian Film and Culture
Cinema And Semiotic (2005)
Peirce And Film Aesthetics, Narration, And Representation
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Cinema's Conversion to Sound (2005)
Technology and Film Style in France and the U.S.
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Jung and Film (2001)
Post-Jungian Takes on the Moving Image
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British Cinema in the Fifties (2000)
Gender, Genre and the 'New Look'
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The Crisis of Political Modernism (1995)
Criticism and Ideology in Contemporary Film Criticism
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Mists of Regret (1995)
Culture and Sensibility in Classic French Film
A Certain Realism (1993)
Making Use of Pasolini's Film Theory and Practice
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Terminal identity (1993)
the virtual subject in postmodern science fiction
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New Vocabularies in Film Semiotics (1992)
Structuralism, post-structuralism and beyond
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Beyond the Stars 2 (1991)
Plot Conventions in American Popular Film
Dir. Paul Loukides and Linda K. Fuller
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