Towards a Film Theory from Below (2025)
Archival Film and the Aesthetics of the Crack-Up
by Jiri Anger
Publisher: Bloomsbury Academic
Subject: Theory
American Medium (2025)
A New Film Philosophy
by Eyal Peretz
Publisher: Stanford University Press
Subject: Theory
Film as World Literature (2025)
Dir. Robin Truth Goodman
Publisher: Bloomsbury Academic
Subject: Theory
Thoughtful Cinema (2025)
Illustrating Philosophy Through Film
Publisher: Oxford University Press
Subject: Theory
Taking Fiction Film Seriously (2025)
A Philosophical Approach to Cinema Studies
by Mario Slugan
Publisher: Bloomsbury Academic
Subject: Theory
Mediatic Handology (2025)
Shaping Images, Interacting, Magicking
Dir. Ada Ackerman, Barbara Grespi and Andrea Pinotti
Publisher: Mimesis International
Subject: Theory
Cinematic Intermediality (2025)
Theory and Practice
Dir. Kim Knowles and Marion Schmid
Publisher: Edinburgh University Press
Subject: Theory
Cinecepts, Deleuze, and Godard-Miéville (2025)
Developing Philosophy through Audiovisual Media
Publisher: Edinburgh University Press
Subject: Theory
The Intensive-Image in Deleuze's Film-Philosophy (2025)
Publisher: Edinburgh University Press
Subject: Theory
Haunting the World (2025)
Essays on Film After Perkins and Cavell
by Dominic Lash
Publisher: State University of New York Press
Subject: Theory
Film, Negation and Freedom (2025)
Capitalism and Romantic Critique
by Will Kitchen
Publisher: Bloomsbury Academic
Subject: Theory
A Chronology of Film (2025)
A Cultural Timeline from the Magic Lantern to the Digital Screen
Publisher: Thames & Hudson
Subject: Theory
The Cinema of the Real (2025)
by Hyon Joo Yoo
Publisher: State University of New York Press
Subject: Theory
Downtime (2025)
The Twentieth Century in Slow Motion
by Mark Goble
Publisher: Columbia University Press
Subject: Theory
Philosophy, Science and Cinema (2025)
Bidirectional Relationships
Publisher: Palgrave MacMillan
Subject: Theory
The Attractions of the Moving Image (2025)
Essays on History, Theory, and the Avant-Garde
by Tom Gunning
Publisher: University of Chicago Press
Subject: Theory
Cavell on Film (2025)
by Stanley Cavell and William Rothman
Publisher: State University of New York Press
Subject: Theory
Contemporary Screen Ethics (2025)
Absences, Identities, Belonging, Looking Anew
Dir. Lucy Bolton, David Martin-Jones and Robert Sinnerbrink
Publisher: Edinburgh University Press
Subject: Theory
Cinema of/for the Anthropocene (2025)
Affect, Ecology, and More-Than-Human Kinship
Dir. Katarzyna Paszkiewicz and Andrea Ruthven
Publisher: Routledge
Subject: Theory
Lived Moments (2025)
Phenomenology, Neorealism, and the New Wave
Publisher: McGill-Queen's University Press
Subject: Theory
Screens and Illusionism (2024)
Alternative Teleologies of Mediation
Dir. Peter Bloom and Dominique Jullien
Publisher: Edinburgh University Press
Subject: Theory
Con Artists in Cinema (2024)
Self-Knowledge, Female Power, and Love
Publisher: Routledge
Subject: Theory
The Eye of the Cinematograph (2024)
Lévinas and Realisms of the Body
Publisher: Edinburgh University Press
Subject: Theory
Ageing, Dementia and Time in Film (2024)
Temporal Performances
by Maohui Deng
Publisher: Edinburgh University Press
Subject: Theory
Deleuze and Time (2024)
Dir. Robert W. Luzecky and Daniel W. Smith
Publisher: Edinburgh University Press
Subject: Theory
Metaphysics and the Moving Image (2024)
"Paradise Exposed"
Publisher: Edinburgh University Press
Subject: Theory
Black Screens, White Frames (2024)
Gilles Deleuze and the Filmmaking Machine
Publisher: Oxford University Press
Subject: Theory
Film Phenomenologies (2024)
Temporality, Embodiment, Transformation
Dir. Kelli Fuery
Publisher: Edinburgh University Press
Subject: Theory
The Sense of Place in Contemporary Cinema (2024)
Publisher: Edinburgh University Press
Subject: Theory
Meta in Film and Television Series (2024)
by David Roche
Publisher: Edinburgh University Press
Subject: Theory
Digital Space and Embodiment in Contemporary Cinema (2024)
Screening Composite Spaces
Publisher: Routledge
Subject: Theory
Gilles Deleuze and Film Criticism (2024)
Philosophy, Theory, and the Individual Film
Dir. Dominic Lash and Hoi Lun Law
Publisher: Palgrave MacMillan
Subject: Theory
Interactive Cinema (2024)
The Ambiguous Ethics of Media Participation
Publisher: University of Minnesota Press
Subject: Theory
Cinema and Machine Vision (2024)
Artificial Intelligence, Aesthetics and Spectatorship
Publisher: Edinburgh University Press
Subject: Theory
Cinematic Modernism and Contemporary Film (2024)
Aesthetics and Narrative in the International Art Film
by Howard Finn
Publisher: Bloomsbury Academic
Subject: Theory
Stardust (2024)
Cinematic Archives at the End of the World
Publisher: University of Minnesota Press
Subject: Theory
The Flesh of Animation (2024)
Bodily Sensations in Film and Digital Media
Publisher: University of Minnesota Press
Subject: Theory
Beyond Realism (2024)
Naturalist Film in Theory and Practice
Publisher: Edinburgh University Press
Subject: Theory
Rene Girard, Law, Literature, and Cinema (2024)
The Legal Drama of the Scapegoat
Publisher: Springer
Subject: Theory
Puzzling Stories (2024)
The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature
Dir. Steven Willemsen and Miklós Kiss
Publisher: Berghahn Books
Subject: Theory
The Prison of Time (2024)
Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino
Publisher: Bloomsbury Academic
Subject: Theory
Cinema, Black Suffering, and Theodicy (2024)
Modern God
by Shayne Lee
Publisher: Lexington Books
Subject: Theory
Making History Move (2024)
Five Principles of the Historical Film
by Kim Nelson
Publisher: Rutgers University Press
Subject: Theory
Film as a Medium of Seduction (2024)
Introduction to the Seduction-Theory of Film
Publisher: Palgrave MacMillan
Subject: Theory
Spaces (2024)
Exploring Spatial Experiences of Representation and Reception in Screen Media
Dir. Ian Christie
Publisher: Amsterdam University Press
Subject: Theory
Faces on Screen (2024)
New Approaches
Dir. Alice Maurice
Publisher: Edinburgh University Press
Subject: Theory
Depth Effects (2023)
Dimensionality from Camera to Computation
Publisher: University of California Press
Subject: Theory
The Routledge Companion to History and the Moving Image (2023)
Dir. Marnie Hughes-Warrington, Kim Nelson and Mia E.M. Treacey
Publisher: Routledge
Subject: Theory
Screen Stories and Moral Understanding (2023)
Interdisciplinary Perspectives
Publisher: Oxford University Press
Subject: Theory
Ecological Film Theory and Psychoanalysis (2023)
Surviving the Environmental Apocalypse in Cinema
by Robert Geal
Publisher: Routledge
Subject: Theory
Film Art (2023)
An Introduction
by David Bordwell, Kristin Thompson and Jeff Smith
Publisher: McGraw Hill
Subject: Theory
Robert Pippin and Film (2023)
Politics, Ethics, and Psychology after Modernism
by Dominic Lash
Publisher: Bloomsbury Academic
Subject: Theory
Thinking Film (2023)
Philosophy at the Movies
Dir. Richard Kearney and M. E. Littlejohn
Publisher: Bloomsbury Academic
Subject: Theory
Chaoid Cinema (2023)
Deleuze & Guattari and the Topological Vector of Silence
Publisher: Edinburgh University Press
Subject: Theory
Truth in Visual Media (2023)
Aesthetics, Ethics and Politics
Dir. Marguerite La Caze and Ted Nannicelli
Publisher: Edinburgh University Press
Subject: Theory
On the Figure in General and the Body in Particular (2023)
Figurative Invention in Cinema
Publisher: Anthem Press
Subject: Theory
The Moving Form of Film (2023)
Historicising the Medium through Other Media
Dir. Lúcia Nagib and Stefan Solomon
Publisher: Oxford University Press
Subject: Theory
Transcendence and Film (2023)
Cinematic Encounters with the Real
Dir. David P. Nichols
Publisher: Lexington Books
Subject: Theory
Nietzsche in Hollywood (2023)
Images of the Übermensch in Early American Cinema
Publisher: State University of New York Press
Subject: Theory
Limit Cinema (2023)
Transgression and the Nonhuman in Contemporary Global Film
Publisher: Bloomsbury Academic
Subject: Theory
Movies with Stanley Cavell in Mind (2023)
Dir. David LaRocca
Publisher: Bloomsbury Academic
Subject: Theory
Epistolary Entanglements in Film, Media and the Visual Arts (2023)
Dir. Teri Higgins and Catherine Fowler
Publisher: Amsterdam University Press
Subject: Theory
Dreams and Atrocity (2023)
The Oneiric in Representations of Trauma
Dir. Emily-Rose Baker and Diane Otosaka
Publisher: Manchester University Press
Subject: Theory
So What, or How to Make Films with Words (2023)
Publisher: Northwestern University Press
Subject: Theory
The Reenactment in Contemporary Screen Culture (2022)
Performance, Mediation, Repetition
Publisher: Bloomsbury Academic
Subject: Theory
Mapping the Sensible (2022)
Distribution, Inscription, Cinematic Thinking
by Erica Carter, Bettina Malcomess and Eileen Rositzka
Publisher: De Gruyter
Subject: Theory
Cinematic Poetics of Guilt (2022)
Audiovisual Accusation as a Mode of Commonality
Publisher: De Gruyter
Subject: Theory
Haunting the Left Bank (2022)
Mortality and Intersubjectivity in Varda, Resnais and Marker
Publisher: Peter Lang
Subject: Theory
The Oxford Handbook of Film Theory (2022)
Dir. Kyle Stevens
Publisher: Oxford University Press
Subject: Theory
Endless Intervals (2022)
Cinema, Psychology, and Semiotechnics Around 1900
Publisher: University of Minnesota Press
Subject: Theory
Lessons in Perception (2022)
The Avant-Garde Filmmaker as Practical Psychologist
Publisher: Berghahn Books
Subject: Theory
Writ on Water (2022)
The Sources and Reach of Film Imagination
Publisher: State University of New York Press
Subject: Theory
Engaging Characters (2022)
Fiction, Emotion, and the Cinema
by Murray Smith
Publisher: Oxford University Press
Subject: Theory
New Philosophies of Film (2022)
An Introduction to Cinema as a Way of Thinking
Publisher: Bloomsbury Academic
Subject: Theory
Rewatching on the Point of the Cinematic Index (2022)
Publisher: University Press of Mississippi
Subject: Theory
Cinema as a Worldbuilding Machine in the Digital Era (2022)
Essay on Multiverse Films and TV Series
Publisher: John Libbey Publishing
Subject: Theory
Exploring Seriality on Screen (2022)
Audiovisual Narratives in Film and Television
Dir. Ariane Hudelet and Anne Crémieux
Publisher: Routledge
Subject: Theory
The Holiday in His Eye (2022)
Stanley Cavell's Vision of Film and Philosophy
Publisher: State University of New York Press
Subject: Theory
Georges Didi-Huberman and Film (2022)
The Politics of the Image
by Alison Smith
Publisher: Bloomsbury Academic
Subject: Theory
Comparative Cinema (2022)
Late and Last Things in Literature and Film
by Paul Coates
Publisher: Palgrave MacMillan
Subject: Theory
Enacting the Worlds of Cinema (2022)
by Steffen Hven
Publisher: Oxford University Press
Subject: Theory
The Oxford Handbook of Film and Media Studies (2022)
Dir. Robert P. Kolker
Publisher: Oxford University Press
Subject: Theory
Deleuze and the Gynesis of Horror (2022)
From Monstrous Births to the Birth of the Monster
Publisher: Bloomsbury Academic
Subject: Theory
Cinema Illuminating Reality (2022)
Media Philosophy Through Buddhism
by Victor Fan
Publisher: University of Minnesota Press
Subject: Theory
Video Theories (2022)
A Transdisciplinary Reader
Dir. Dieter Daniels and Jan Thoben
Publisher: Bloomsbury Academic
Subject: Theory
The Thought of Stanley Cavell and Cinema (2022)
Turning Anew to the Ontology of Film a Half-Century after The World Viewed
Dir. David LaRocca
Publisher: Bloomsbury Academic
Subject: Theory
Fredric Jameson and Film Theory (2022)
Marxism, Allegory, and Geopolitics in World Cinema
Dir. Keith B. Wagner, Jeremi Szaniawski and Michael Cramer
Publisher: Rutgers University Press
Subject: Theory
Curtains of Light (2022)
Theatrical Space in Film
by George Toles
Publisher: State University of New York Press
Subject: Theory
Premises and Problems (2022)
Essays on World Literature and Cinema
Dir. Luiza Franco Moreira
Publisher: State University of New York Press
Subject: Theory
The Afterimage Reader (2022)
by Mark Webber and Simon Field
Publisher: The Visible Press
Subject: Theory
Spaces of Communication (2021)
Elements of Semio-Pragmatics
by Roger Odin
Publisher: Amsterdam University Press
Subject: Theory
Metacinema (2021)
The Form and Content of Filmic Reference and Reflexivity
Dir. David LaRocca
Publisher: Oxford University Press
Subject: Theory
Film Ecology (2021)
Defending the Biosphere - Doughnut Economics and Film Theory and Practice
Publisher: Routledge
Subject: Theory
Still Modernism (2021)
Photography, Literature, Film
Publisher: Oxford University Press
Subject: Theory
The Maternal Imagination of Film and Film Theory (2021)
by Lauren Bliss
Publisher: Palgrave MacMillan
Subject: Theory
The Oxford Handbook of Cinematic Listening (2021)
Dir. Carlo Cenciarelli
Publisher: Oxford University Press
Subject: Theory
Traversing the Fantasy (2021)
The Dialectic of Desire/Fantasy and the Ethics of Narrative Cinema
by Sandra Meiri and Odeya Kohen-Raz
Publisher: Bloomsbury Academic
Subject: Theory
Animation and Memory (2021)
Dir. Maarten van Gageldonk, László Munteán and Ali Shobeiri
Publisher: Palgrave MacMillan
Subject: Theory
The Lure of the Image (2021)
Epistemic Fantasies of the Moving Camera
Publisher: University of California Press
Subject: Theory
The Real of Reality (2021)
The Realist Turn in Contemporary Film Theory
Dir. Christine Reeh-Peters, Stefan W. Schmidt and Peter Weibel
Publisher: Brill
Subject: Theory
Philosophy and the Moving Image (2021)
by Noel Carroll
Publisher: Oxford University Press
Subject: Theory
Philosophy and Film (2021)
Dir. Christina Rawls, Diana Neiva and Steven S. Gouveia
Publisher: Routledge
Subject: Theory
Explorations in Cinema through Classical Indian Theories (2021)
New Interpretations of Meaning, Aesthetics, and Art
Publisher: Palgrave MacMillan
Subject: Theory
The Rhythm of Images (2021)
Cinema Beyond Measure
Publisher: University of Minnesota Press
Subject: Theory
Transformational Ethics of Film (2021)
Thinking the Cinemakeover in the Film-Philosophy Debate
Publisher: Brill
Subject: Theory
Architecture, Philosophy, and the Pedagogy of Cinema (2021)
From Benjamin to Badiou
by Nadir Lahiji
Publisher: Routledge
Subject: Theory
Film Phenomenology and Adaptation (2021)
Sensuous Elaboration
Publisher: Amsterdam University Press
Subject: Theory
The Stuff of Spectatorship (2021)
Material Cultures of Film and Television
Publisher: University of California Press
Subject: Theory
Visual Alterity (2021)
Seeing Difference in Cinema
Publisher: University of Illinois Press
Subject: Theory
Deep Mediations (2021)
Thinking Space in Cinema and Digital Cultures
Dir. Karen Redrobe and Jeff Scheible
Publisher: University of Minnesota Press
Subject: Theory
Stanley Cavell and Film (2021)
Scepticism and Self-Reliance at the Cinema
Publisher: Bloomsbury Academic
Subject: Theory
Forms of the Cinematic (2021)
Architecture, Science and the Arts
Dir. Mark Breeze Format: Kindle Edition
Publisher: Bloomsbury Academic
Subject: Theory
Moving Pictures, Living Machines (2020)
Automation, Animation and the Imitation of Life in Cinema and Media
Collective
Publisher: Mimesis International
Subject: Theory
Cinematic Realism (2020)
Lukács, Kracauer and Theories of the Filmic Real
by Ian Aitken
Publisher: Edinburgh University Press
Subject: Theory
New Takes on Film and Imagination (2020)
Paragraph, Volume 43, Issue 3
Dir. Sarah Cooper
Publisher: Edinburgh University Press
Subject: Theory
V. F. Perkins on Movies (2020)
Collected Shorter Film Criticism
Dir. V. F. Perkins and Douglas Pye
Publisher: Wayne State University Press
Subject: Theory
The Film Cheat (2020)
Screen Artifice and Viewing Pleasure
Publisher: Bloomsbury Academic
Subject: Theory
Theorizing Film Through Contemporary Art (2020)
Expanding Cinema
Dir. Jill Murphy and Laura Rascaroli
Publisher: Amsterdam University Press
Subject: Theory
A Film-Philosophy of Ecology and Enlightenment (2020)
by Rupert Read
Publisher: Routledge
Subject: Theory
Posthumanism in Italian Literature and Film (2020)
Boundaries and Identity
Dir. Enrica Maria Ferrara
Publisher: Palgrave MacMillan
Subject: Theory
Towards a Political Aesthetics of Cinema (2020)
The Outside of Film
by Sulgi Lie
Publisher: Amsterdam University Press
Subject: Theory
Dialectics without Synthesis (2020)
Japanese Film Theory and Realism in a Global Frame
Publisher: University of California Press
Subject: Theory
The Anthem Handbook of Screen Theory (2020)
Dir. Hunter Vaughan and Tom Conley
Publisher: Anthem Press
Subject: Theory
Noël Carroll and Film (2020)
A Philosophy of Art and Popular Culture
by Mario Slugan
Publisher: Bloomsbury Academic
Subject: Theory
Beyond the Essay Film (2020)
Subjectivity, Textuality and Technology
Dir. Julia Vassilieva and Deane Williams
Publisher: Amsterdam University Press
Subject: Theory
Cinematic Metaphor in Perspective (2020)
Reflections on a Transdisciplinary Framework
Collective
Publisher: De Gruyter
Subject: Theory
Cinematic Metaphor (2020)
Experience - Affectivity - Temporality
by Cornelia Müller and Hermann Kappelhoff
Publisher: De Gruyter
Subject: Theory
Cinematic Skepticism (2020)
Across Digital and Global Turns
Publisher: State University of New York Press
Subject: Theory
Gesture and Film (2020)
Signalling New Critical Perspectives
Dir. Nicholas Chare and Liz Watkins
Publisher: Routledge
Subject: Theory
The Squid Cinema From Hell (2020)
Kinoteuthis Infernalis and the Emergence of Chthulumedia
by William Brown and David H. Fleming
Publisher: Edinburgh University Press
Subject: Theory
Of Trees and Clouds (2020)
Software-Mediated Visions in Documentary and Ethnographic Filmmaking Practices
Publisher: V&R Unipress
Subject: Theory
Film, Art, and the Third Culture (2020)
A Naturalized Aesthetics of Film
by Murray Smith
Publisher: Oxford University Press
Subject: Theory
Cinemachines (2020)
An Essay on Media and Method
Publisher: University of Chicago Press
Subject: Theory
Postcinematic Vision (2020)
The Coevolution of Moving-Image Media and the Spectator
Publisher: University of Minnesota Press
Subject: Theory
After Authority (2020)
Global Art Cinema and Political Transition
by Kalling Heck
Publisher: Rutgers University Press
Subject: Theory
Actor-Network Theory at the Movies (2020)
Reassembling the Contemporary American Teen Film With Latour
Publisher: Palgrave MacMillan
Subject: Theory
Non-Cinema (2020)
Global Digital Film-making and the Multitude
Publisher: Bloomsbury Academic
Subject: Theory
André Bazin's Film Theory (2020)
Art, Science, Religion
Publisher: Oxford University Press
Subject: Theory
Philosophy-Screens (2020)
From Cinema to the Digital Revolution
Publisher: State University of New York Press
Subject: Theory
Title Sequences as Paratexts (2019)
Narrative Anticipation and Recapitulation
Publisher: Routledge
Subject: Theory
Synchronization and Title Sequences (2019)
Audio-Visual Semiosis in Motion Graphics
Publisher: Routledge
Subject: Theory
Semiotics and Title Sequences (2019)
Text-Image Composites in Motion Graphics
Publisher: Routledge
Subject: Theory
The Peripatetic Frame (2019)
Images of Walking in Film
Publisher: Edinburgh University Press
Subject: Theory
Hermeneutic Humility and the Political Theology of Cinema (2019)
Blind Paul
Publisher: Routledge
Subject: Theory
Performing Ethics Through Film Style (2019)
Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader
Publisher: Edinburgh University Press
Subject: Theory
The Palgrave Handbook of the Philosophy of Film and Motion Pictures (2019)
Dir. Noel Carroll, Laura T. Di Summa and Shawn Loht
Publisher: Palgrave MacMillan
Subject: Theory
The Cinematic Political (2019)
Film Composition as Political Theory
Publisher: Routledge
Subject: Theory
Cinema and Ontology (2019)
by Maurizio Ferraris and Enrico Terrone
Publisher: Mimesis International
Subject: Theory
Philosophers on Film from Bergson to Badiou (2019)
A Critical Reader
Dir. Christopher Kul-Want
Publisher: Columbia University Press
Subject: Theory
Sensations of History (2019)
Animation and New Media Art
Publisher: University of Minnesota Press
Subject: Theory
The Digital Image and Reality (2019)
Affect, Metaphysics and Post-Cinema
Publisher: Amsterdam University Press
Subject: Theory
Ideologies of the Real in Title Sequences, Motion Graphics and Cinema (2019)
Publisher: Routledge
Subject: Theory
Stanley Cavell and the Magic of Hollywood Films (2019)
by Daniel Shaw
Publisher: Edinburgh University Press
Subject: Theory
Secular Magic and the Moving Image (2019)
Mediated Forms and Modes of Reception
by Max Sexton
Publisher: Bloomsbury Academic
Subject: Theory
Plato and the Moving Image (2019)
Dir. Shai Biderman and Michael Weinman
Publisher: Brill
Subject: Theory
Contemporary Cinema and the Philosophy of Iris Murdoch (2019)
by Lucy Bolton
Publisher: Edinburgh University Press
Subject: Theory
Concentrationary Art (2019)
Jean Cayrol, the Lazarean and the Everyday in Post-war Film, Literature, Music and the Visual Arts
Dir. Griselda Pollock and Max Silverman
Publisher: Berghahn Books
Subject: Theory
The Supermarket of the Visible (2019)
Toward a General Economy of Images
by Peter Szendy
Publisher: Fordham University Press
Subject: Theory
Mimetic Theory and Film (2019)
Dir. Paolo Diego Bubbio and Chris Fleming
Publisher: Bloomsbury Academic
Subject: Theory
Temporality in American Filmic Autobiography (2018)
Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'
Publisher: Universitatsverlag Winter
Subject: Theory
Cinema Against Doublethink (2018)
Ethical Encounters with the Lost Pasts of World History
Publisher: Routledge
Subject: Theory
Time, Existential Presence and the Cinematic Image (2018)
Ethics and Emergence to Being in Film
Publisher: Edinburgh University Press
Subject: Theory
Spectatorship and Film Theory (2018)
The Wayward Spectator
Publisher: Palgrave MacMillan
Subject: Theory
Foucault at the Movies (2018)
by Michel Foucault, Patrice Maniglier and Dork Zabunyan
Publisher: Columbia University Press
Subject: Theory
Cultivating Extreme Art Cinema (2018)
Text, Paratext and Home Video Culture
by Simon Hobbs
Publisher: Edinburgh University Press
Subject: Theory
Moving Pictures, Still Lives (2018)
Film, New Media, and the Late Twentieth Century
Publisher: Oxford University Press
Subject: Theory
Cinematic Vitalism (2018)
Film Theory and the Question of Life
Publisher: Amsterdam University Press
Subject: Theory
Metafilm (2018)
Materialist Rhetoric and Reflexive Cinema
Publisher: Ohio State University Press
Subject: Theory
Gestures of Seeing in Film, Video and Drawing (2018)
Dir. Asbjørn Grønstad, Henrik Gustafsson and Øyvind Vågnes
Publisher: Routledge
Subject: Theory
Translocal Performance in Asian Theatre and Film (2018)
by Iris H. Tuan
Publisher: Palgrave MacMillan
Subject: Theory
Christian Metz and the Codes of Cinema (2018)
Film Semiology and Beyond
Dir. Margrit Tröhler and Guido Kirsten
Publisher: Amsterdam University Press
Subject: Theory
Transcendental Style in Film (2018)
Ozu, Bresson, Dreyer
Publisher: University of California Press
Subject: Theory
The Emotional Life of Postmodern Film (2018)
Affect Theory's Other
by Pansy Duncan
Publisher: Routledge
Subject: Theory
Archiveology (2018)
Walter Benjamin and Archival Film Practices
Publisher: Duke University Press
Subject: Theory
Deleuze, Cinema and the Thought of the World (2018)
Publisher: Edinburgh University Press
Subject: Theory
New Uses of Bourdieu in Film and Media Studies (2018)
Dir. Guy Austin
Publisher: Berghahn Books
Subject: Theory
Technology and Film Scholarship (2018)
Experience, Study, Theory
Dir. Santiago Hidalgo
Publisher: Amsterdam University Press
Subject: Theory
Raymond Bellour (2018)
Cinema and the Moving Image
by Hilary Radner and Alistair Fox
Publisher: Edinburgh University Press
Subject: Theory
The Continental Philosophy of Film Reader (2018)
Dir. Joseph Westfall
Publisher: Bloomsbury Academic
Subject: Theory
Embodied Metaphors in Film, Television, and Video Games (2018)
Cognitive Approaches
Dir. Kathrin Fahlenbrach
Publisher: Routledge
Subject: Theory
The Long Take (2017)
Art Cinema and the Wondrous
Publisher: University of Minnesota Press
Subject: Theory
Conversations with Christian Metz (2017)
Selected Interviews on Film Theory
Dir. Warren Buckland and Daniel Fairfax
Publisher: Amsterdam University Press
Subject: Theory
Genre Trouble and Extreme Cinema (2017)
Film Theory at the Fringes of Contemporary Art Cinema
by Troy Bordun
Publisher: Springer
Subject: Theory
Plotinus and the Moving Image (2017)
by Thorsten Botz-Bornstein and Giannis Stamatellos
Publisher: Brill
Subject: Theory
The Cinema of Things (2017)
Globalization and the Posthuman Object
Publisher: Bloomsbury Academic
Subject: Theory
Hermeneutics of the Film World (2017)
A Ricœurian Method for Film Interpretation
Publisher: Palgrave MacMillan
Subject: Theory
The Screenwriters Taxonomy (2017)
A Roadmap to Collaborative Storytelling
Publisher: Routledge
Subject: Theory
Acinemas (2017)
Lyotard's Philosophy of Film
Dir. Graham Jones and Ashley Woodward
Publisher: Edinburgh University Press
Subject: Theory
Phenomenology of Film (2017)
A Heideggerian Account of the Film Experience
by Shawn Loht
Publisher: Lexington Books
Subject: Theory
Making Sense of Cinema (2017)
Empirical Studies into Film Spectators and Spectatorship
Dir. Carrielynn D. Reinhard and Christopher J. Olson
Publisher: Bloomsbury Academic
Subject: Theory
Unbecoming Cinema (2017)
Unsettling Encounters with Ethical Event Films
Publisher: Intellect Books
Subject: Theory
Indefinite Visions (2017)
Cinema and the Attractions of Uncertainty
Dir. Martine Beugnet, Allan Cameron and Arild Fetveit
Publisher: Edinburgh University Press
Subject: Theory
Film and Video Intermediality (2017)
The Question of Medium Specificity in Contemporary Moving Images
by Janna Houwen
Publisher: Bloomsbury Academic
Subject: Theory
Cinematic Cuts (2017)
Theorizing Film Endings
Dir. Sheila Kunkle
Publisher: State University of New York Press
Subject: Theory
Cinema and Narrative Complexity (2017)
Embodying the Fabula
by Steffen Hven
Publisher: Amsterdam University Press
Subject: Theory
Early Film Theories in Italy 1896-1922 (2017)
The Little Magic Machine
Dir. Francesco Casetti, Silvio Alovisio and Luca Mazzei
Publisher: Amsterdam University Press
Subject: Theory
Why theory? (2017)
Cultural critique in film and television
Publisher: Manchester University Press
Subject: Theory
Speaking in Subtitles (2017)
Revaluing Screen Translation
by Tessa Dwyer
Publisher: Edinburgh University Press
Subject: Theory
The Oxford Handbook of Dance and the Popular Screen (2017)
Publisher: Oxford University Press
Subject: Theory
Bodies in Suspense (2017)
Time and Affect in Cinema
by Alanna Thain
Publisher: University of Minnesota Press
Subject: Theory
Film as Philosophy (2017)
Dir. Bernd Herzogenrath
Publisher: University of Minnesota Press
Subject: Theory
The Off-Screen (2017)
An Investigation of the Cinematic Frame
by Eyal Peretz
Publisher: Stanford University Press
Subject: Theory
Essays on the Essay Film (2017)
Dir. Nora M. Alter and Timothy Corrigan
Publisher: Columbia University Press
Subject: Theory
Doing Text (2017)
Media After the Subject
Dir. Pete Bennett and Julian McDougall
Publisher: Liverpool University Press
Subject: Theory
Perpetual Carnival (2017)
Essays on Film and Literature
Publisher: Oxford University Press
Subject: Theory
Locating the Voice in Film (2017)
Critical Approaches and Global Practices
Dir. Tom Whittaker and Sarah Wright
Publisher: Oxford University Press
Subject: Theory
The Techne of Giving (2017)
Cinema and the Generous Form of Life
Publisher: Fordham University Press
Subject: Theory
Doing Time (2017)
Temporality, Hermeneutics, and Contemporary Cinema
Publisher: State University of New York Press
Subject: Theory
The State of Post-Cinema (2016)
Tracing the Moving Image in the Age of Digital Dissemination
Dir. Malte Hagener, Vinzenz Hediger and Alena Strohmaier
Publisher: Palgrave MacMillan
Subject: Theory
Jungian Film Studies (2016)
The essential guide
by Helena Bassil-Morozow and Luke Hockley
Publisher: Routledge
Subject: Theory
Politics, Theory, and Film (2016)
Critical Encounters with Lars von Trier
Dir. Bonnie Honig and Lori J. Marso
Publisher: Oxford University Press
Subject: Theory
Screening the Tortured Body (2016)
The Cinema as Scaffold
Dir. Mark de Valk
Publisher: Palgrave MacMillan
Subject: Theory
The Essay Film (2016)
Dialogue, Politics, Utopia
Dir. Elizabeth Papazian and Caroline Eades
Publisher: Wallflower Press
Subject: Theory
Ex-centric Cinema (2016)
Giorgio Agamben and Film Archaeology
Publisher: Bloomsbury Academic
Subject: Theory
Searching for Wisdom In Movies (2016)
From the Book of Job to Sublime Conversations
Publisher: Palgrave MacMillan
Subject: Theory
Cinema's Bodily Illusions (2016)
Flying, Floating, and Hallucinating
Publisher: University of Minnesota Press
Subject: Theory
Cine-Ethics (2016)
Ethical Dimensions of Film Theory, Practice, and Spectatorship
Dir. Jinhee Choi and Mattias Frey
Publisher: Routledge
Subject: Theory
The Politics of Perfection (2016)
Technology and Creation in Literature and Film
Publisher: Lexington Books
Subject: Theory
Deleuze's Cinema Books (2016)
Three Introductions to the Taxonomy of Images
by David Deamer
Publisher: Edinburgh University Press
Subject: Theory
Cinema's Baroque Flesh (2016)
Film, phenomenology and the art of entanglement
by Saige Walton
Publisher: Routledge
Subject: Theory
Projections of Memory (2016)
Romanticism, Modernism, and the Aesthetics of Film
Publisher: Oxford University Press
Subject: Theory
Fast Forward (2016)
The Future(s) of the Cinematic Arts
by Holly Willis
Publisher: Wallflower Press
Subject: Theory
The Major Realist Film Theorists (2016)
A Critical Anthology
Dir. Ian Aitken
Publisher: Edinburgh University Press
Subject: Theory
Nancy and Visual Culture (2016)
Dir. Carrie Giunta and Adrienne Janus
Publisher: Edinburgh University Press
Subject: Theory
Philosophy and the Patience of Film in Cavell and Nancy (2016)
by Daniele Rugo
Publisher: Palgrave MacMillan
Subject: Theory
Cinema Without Reflection (2016)
Jacques Derrida's Echopoiesis and Narcissim Adrift
Publisher: University of Minnesota Press
Subject: Theory
Real to Reel (2016)
A New Approach to Understanding Realism in Film and TV Fiction
Publisher: Liverpool University Press
Subject: Theory
The Promise of Cinema (2016)
German Film Theory, 1907–1933
Dir. Anton Kaes, Nicholas Baer and Michael Cowan
Publisher: University of California Press
Subject: Theory
Impersonal Enunciation, or the Place of Film (2016)
Publisher: Columbia University Press
Subject: Theory
The Self and its Shadows (2016)
A Book of Essays on Individuality as Negation in Philosophy and the Arts
Publisher: Oxford University Press
Subject: Theory
The Dimensions of Difference (2015)
Space, Time and Bodies in Women's Cinema and Continental Philosophy
Publisher: Rowman & Littlefield
Subject: Theory
Towards a Feminist Cinematic Ethics (2015)
Claire Denis, Emmanuel Levinas and Jean-Luc Nancy
Publisher: Edinburgh University Press
Subject: Theory
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance and R. Barton Palmer
Publisher: Rutgers University Press
Subject: Theory
Cinema against Spectacle (2015)
"Technique and Ideology" Revisited
by Jean-Louis Comolli and Daniel Fairfax
Publisher: Amsterdam University Press
Subject: Theory
Philosophy of the Film (2015)
Epistemology, Ontology, Aesthetics
by Ian Jarvie
Publisher: Routledge
Subject: Theory
The Politics and Poetics of Cinematic Realism (2015)
Publisher: Columbia University Press
Subject: Theory
The Oxford Handbook of New Audiovisual Aesthetics (2015)
Dir. John Richardson, Claudia Gorbman and Carol Vernallis
Publisher: Oxford University Press
Subject: Theory
Film Theory (2015)
An Introduction through the Senses
by Thomas Elsaesser and Malte Hagener
Publisher: Routledge
Subject: Theory
Existentialism and Contemporary Cinema (2015)
A Beauvoirian Perspective
Dir. Jean-Pierre Boulé and Ursula Tidd
Publisher: Berghahn Books
Subject: Theory
The Routledge Encyclopedia of Film Theory (2015)
Dir. Edward Branigan and Warren Buckland
Publisher: Routledge
Subject: Theory
Film Worlds (2014)
A Philosophical Aesthetics of Cinema
Publisher: Columbia University Press
Subject: Theory
Postnaturalism (2014)
Frankenstein, Film, and the Anthropotechnical Interface
by Shane Denson
Publisher: transcript publishing
Subject: Theory
Fractal Narrative (2014)
About the Relationship Between Geometries and Technology and Its Impact on Narrative Spaces
Publisher: transcript publishing
Subject: Theory
Dreaming of Cinema (2014)
Spectatorship, Surrealism, and the Age of Digital Media
Publisher: Columbia University Press
Subject: Theory
On Slowness (2014)
Toward an Aesthetic of the Contemporary
Publisher: Columbia University Press
Subject: Theory
Andre Bazin's New Media (2014)
by André Bazin and Dudley Andrew
Publisher: University of California Press
Subject: Theory
Deleuze and the Schizoanalysis of Visual Art (2014)
Dir. Ian Buchanan and Lorna Collins
Publisher: Bloomsbury Academic
Subject: Theory
Real Objects in Unreal Situations (2014)
Modern Art in Fiction Films
Publisher: Intellect Books
Subject: Theory
Philosophy Goes to the Movies (2014)
An Introduction to Philosophy
Publisher: Routledge
Subject: Theory
Screen/Play (2014)
Derrida and Film Theory
by Peter Brunette and David Wills
Publisher: Princeton University Press
Subject: Theory
Incorporating Images (2014)
Film and the Rival Arts
Publisher: Princeton University Press
Subject: Theory
Special Affects (2014)
Cinema, Animation and the Translation of Consumer Culture
by Eric Jenkins
Publisher: Edinburgh University Press
Subject: Theory
Between the Eye and the World (2014)
The Emergence of the Point-View Shot
Publisher: Peter Lang
Subject: Theory
Omnibus Films (2014)
Theorizing Transauthorial Cinema
Publisher: Edinburgh University Press
Subject: Theory
Cognitive Media Theory (2014)
Dir. Ted Nannicelli and Paul Taberham
Publisher: Routledge
Subject: Theory
Existentialism and Contemporary Cinema (2014)
A Sartrean Perspective
Dir. Jean-Pierre Boulé and Enda McCaffrey
Publisher: Berghahn Books
Subject: Theory
Reframing Reality (2014)
The Aesthetics of the Surrealist Object in French and Czech Cinema
by Alison Frank
Publisher: Intellect Books
Subject: Theory
The Besieged Ego (2013)
Doppelgangers and Split Identity Onscreen
Publisher: Edinburgh University Press
Subject: Theory
Cinematicity in Media History (2013)
Dir. Jeffrey A. Geiger and Karin Littau
Publisher: Edinburgh University Press
Subject: Theory
Seeing Fictions in Film (2013)
The Epistemology of Movies
Publisher: Oxford University Press
Subject: Theory
Bergson and the Art of Immanence (2013)
Painting, Photography, Film
Dir. John Ó Maoilearca and Charlotte de Mille
Publisher: Edinburgh University Press
Subject: Theory
History in Motion (2013)
Time in the Age of the Moving Image
Publisher: Sternberg Press
Subject: Theory
Impure Cinema (2013)
Intermedial and Intercultural Approaches to Film
Dir. Lúcia Nagib and Anne Jerslev
Publisher: I.B.Tauris
Subject: Theory
Ecologies of the Moving Image (2013)
Cinema, Affect, Nature
Publisher: Wilfrid Laurier University Press
Subject: Theory
The Desiring-Image (2013)
Gilles Deleuze and Contemporary Queer Cinema
by Nick Davis
Publisher: Oxford University Press
Subject: Theory
Untimely Affects (2013)
Gilles Deleuze and an Ethics of Cinema
Publisher: Edinburgh University Press
Subject: Theory
The Memory Effect (2013)
The Remediation of Memory in Literature and Film
Dir. Russell J. A. Kilbourn and Eleanor Ty
Publisher: Wilfrid Laurier University Press
Subject: Theory
The Heretical Archive (2013)
Digital Memory at the End of Film
Publisher: University of Minnesota Press
Subject: Theory
Dynamics and Performativity of Imagination (2013)
The Image between the Visible and the Invisible
Dir. Bernd Huppauf and Christoph Wulf
Publisher: Routledge
Subject: Theory
The Utopia of Film (2013)
Cinema and Its Futures in Godard, Kluge, and Tahimik
Publisher: Columbia University Press
Subject: Theory
Body Double (2013)
The Author Incarnate in the Cinema
by Lucy Fischer
Publisher: Rutgers University Press
Subject: Theory
From Light to Byte (2012)
Toward an Ethics of Digital Cinema
Publisher: University of Minnesota Press
Subject: Theory
Black and Blue (2012)
The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour
by Carol Mavor
Publisher: Duke University Press
Subject: Theory
Filmspeak (2012)
How to Understand Literary Theory by Watching Movies
Publisher: Bloomsbury Academic
Subject: Theory
Temporality and Film Analysis (2012)
by Matilda Mroz
Publisher: Edinburgh University Press
Subject: Theory
Siegfried Kracauer's American Writings (2012)
Essays on Film and Popular Culture
by Siegfried Kracauer, Johannes von Moltke and Kristy Rawson
Publisher: University of California Press
Subject: Theory
Breaking the Fourth Wall (2012)
Direct Address in the Cinema
by Tom Brown
Publisher: Edinburgh University Press
Subject: Theory
Cinema, Philosophy, Bergman (2012)
On Film as Philosophy
Publisher: Oxford University Press
Subject: Theory
Culture in the Anteroom (2012)
The Legacies of Siegfried Kracauer
Dir. Gerd Gemünden and Johannes von Moltke
Publisher: University of Michigan Press
Subject: Theory
Screen Dynamics (2012)
Mapping the Borders of Cinema
Dir. Gertrud Koch, Volker Pantenburg and Simon Rothöhler
Publisher: Austrian Film Museum
Subject: Theory
Deleuze and Film (2012)
Dir. David Martin-Jones and William Brown
Publisher: Edinburgh University Press
Subject: Theory
Film (2012)
A Very Short Introduction
by Michael Wood
Publisher: Oxford University Press
Subject: Theory
Theorizing World Cinema (2011)
Dir. Lúcia Nagib, Chris Perriam and Rajinder Dudrah
Publisher: I.B.Tauris
Subject: Theory
Cinema and Experience (2011)
Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
Dir. Miriam Bratu Hansen
Publisher: University of California Press
Subject: Theory
Taking Place (2011)
Location and the Moving Image
Dir. John David Rhodes and Elena Gorfinkel
Publisher: University of Minnesota Press
Subject: Theory
Thinking Through Film (2011)
Doing Philosophy, Watching Movies
by Damian Cox and Michael Levine
Publisher: Wiley-Blackwell
Subject: Theory
Béla Balázs (2011)
Early Film Theory: Visible Man and The Spirit of Film
by Béla Balázs and Erica Carter
Publisher: Berghahn Books
Subject: Theory
The Lacanian Thing (2011)
Psychoanalysis, Postmodern Culture, and Cinema
Publisher: Cambria Press
Subject: Theory
Schizoanalysis and Visual Cultures (2011)
Dir. Phillip Roberts and Richard Rushton
Publisher: Edinburgh University Press
Subject: Theory
Opening Bazin (2011)
Postwar Film Theory and Its Afterlife
Dir. Dudley Andrew and Herve Joubert-Laurencin
Publisher: Oxford University Press
Subject: Theory
The Routledge Companion to Philosophy and Film (2011)
Dir. Paisley Livingston and Carl Plantinga
Publisher: Routledge
Subject: Theory
Gilles Deleuze's Philosophy of Time (2011)
A Critical Introduction and Guide
Publisher: Edinburgh University Press
Subject: Theory
Out of Time (2011)
Desire in Atemporal Cinema
by Todd McGowan
Publisher: University of Minnesota Press
Subject: Theory
Ethics at the Cinema (2011)
Dir. Ward E. Jones and Samantha Vice
Publisher: Oxford University Press
Subject: Theory
Afterimages of Gilles Deleuze's Film Philosophy (2010)
Dir. D. N. Rodowick
Publisher: University of Minnesota Press
Subject: Theory
The Reality of Film (2010)
Theories of Filmic Reality
Publisher: Manchester University Press
Subject: Theory
The Deleuze Dictionary Revised Edition (2010)
Dir. Adrian Parr
Publisher: Edinburgh University Press
Subject: Theory
The Baudrillard Dictionary (2010)
Dir. Richard G. Smith
Publisher: Edinburgh University Press
Subject: Theory
The Film Theory Reader (2010)
Debates and Arguments
Dir. Marc Furstenau
Publisher: Routledge
Subject: Theory
Levinas and the Cinema of Redemption (2010)
Time, Ethics, and the Feminine
Publisher: Columbia University Press
Subject: Theory
Memory and the Moving Image (2010)
French Film in the Digital Era
Publisher: Edinburgh University Press
Subject: Theory
Understanding Media Studies (2010)
by Tony Schirato, Angi Buettner, Thierry Jutel and Geoff Stahl
Publisher: Oxford University Press
Subject: Theory
Film, Theory, and Philosophy (2009)
The Key Thinkers
Publisher: McGill-Queen's University Press
Subject: Theory
The Anime Machine (2009)
A Media Theory of Animation
Publisher: University of Minnesota Press
Subject: Theory
The Personal Camera (2009)
Subjective Cinema and the Essay Film
Publisher: Wallflower Press
Subject: Theory
Film and Ethics (2009)
Foreclosed Encounters
by Lisa Downing and Libby Saxton
Publisher: Routledge
Subject: Theory
Photography, Cinema, Memory (2009)
The Crystal Image of Time
Publisher: University of Minnesota Press
Subject: Theory
Film After Jung (2009)
Post-Jungian Approaches to Film Theory
by Greg Singh
Publisher: Routledge
Subject: Theory
Film Theory and Contemporary Hollywood Movies (2009)
Dir. Warren Buckland
Publisher: Routledge
Subject: Theory
The Tactile Eye (2009)
Touch and the Cinematic Experience
Publisher: University of California Press
Subject: Theory
Refractions of Reality (2008)
Philosophy and the Moving Image
Publisher: Palgrave MacMillan
Subject: Theory
Inventing Film Studies (2008)
Dir. Lee Grieveson and Haidee Wasson
Publisher: Duke University Press
Subject: Theory
Still Moving (2008)
Between Cinema and Photography
Dir. Karen Redrobe and Jean Ma
Publisher: Duke University Press
Subject: Theory
Deleuze and the Cinemas of Performance (2008)
Powers of Affection
Publisher: Edinburgh University Press
Subject: Theory
Reframing Screen Performance (2008)
by Cynthia L. Baron and Sharon Marie Carnicke
Publisher: University of Michigan Press
Subject: Theory
The Horse Who Drank the Sky (2008)
Film Experience Beyond Narrative and Theory
Publisher: Rutgers University Press
Subject: Theory
Cinematic Thinking (2008)
Philosophical Approaches to the New Cinema
Dir. James Phillips
Publisher: Stanford University Press
Subject: Theory
Film Consciousness (2008)
From Phenomenology to Deleuze
by Spencer Shaw
Publisher: McFarland & Co
Subject: Theory
Documentary Time (2008)
Film and Phenomenology
Publisher: University of Minnesota Press
Subject: Theory
Auteurs and Authorship (2008)
A Film Reader
Dir. Barry Keith Grant
Publisher: Wiley-Blackwell
Subject: Theory
Frames of Mind (2008)
A Post-Jungian Look at Cinema, Television and Technology
by Luke Hockley
Publisher: Intellect Books
Subject: Theory
The Image and the Witness (2007)
Trauma, Memory, and Visual Culture
Dir. Frances Guerin and Roger Hallas
Publisher: Wallflower Press
Subject: Theory
The Witch's Flight (2007)
The Cinematic, the Black Femme, and the Image of Common Sense
by Kara Keeling
Publisher: Duke University Press
Subject: Theory
Cinema and Sensation (2007)
French Film and the Art of Transgression
Publisher: Edinburgh University Press
Subject: Theory
The Terministic Screen (2007)
Rhetorical Perspectives on Film
Publisher: Southern Illinois University Press
Subject: Theory
Deleuze, Altered States and Film (2007)
by Anna Powell
Publisher: Edinburgh University Press
Subject: Theory
The Politics of Imagination (2007)
Benjamin, Kracauer, Kluge
by Tara Forrest
Publisher: transcript publishing
Subject: Theory
The Cinema of Attractions Reloaded (2007)
Dir. Wanda Strauven
Publisher: Amsterdam University Press
Subject: Theory
Film Hieroglyphs (2006)
Ruptures in Classical Cinema
by Tom Conley
Publisher: University of Minnesota Press
Subject: Theory
The Cinematic Mode of Production (2006)
Attention Economy and the Society of the Spectacle
Publisher: University Press of New England
Subject: Theory
The Material Image (2006)
Art and the Real in Film
Publisher: Stanford University Press
Subject: Theory
The Solaris Effect (2006)
Art And Artifice in Contemporary American Film
Publisher: University of Texas Press
Subject: Theory
Realist Film Theory and Cinema (2006)
The Nineteenth-Century Lukácsian and Intuitionist Realist Traditions
by Ian Aitken
Publisher: Manchester University Press
Subject: Theory
Nihilism in Film and Television (2006)
A Critical Overview from Citizen Kane to The Sopranos
Publisher: McFarland & Co
Subject: Theory
Amorous Acts (2006)
Lacanian Ethics in Modernism, Film, and Queer Theory
Publisher: Stanford University Press
Subject: Theory
Stanley Cavell's American Dream (2006)
Shakespeare, Philosophy, and Hollywood Movies
Publisher: Fordham University Press
Subject: Theory
Deleuze, Cinema and National Identity (2006)
Narrative Time in National Contexts
Publisher: Edinburgh University Press
Subject: Theory
Death 24x a Second (2006)
Stillness and the Moving Image
by Laura Mulvey
Publisher: Reaktion Books
Subject: Theory
Film Theory (2006)
An Introduction
by Robert Lapsley and Michael Westlake
Publisher: Manchester University Press
Subject: Theory
Thinking in Images (2006)
Film Theory, Feminist Philosophy and Marlene Dietrich
Publisher: BFI Publishing
Subject: Theory
Crowds, Power, and Transformation in Cinema (2006)
by Lesley Brill
Publisher: Wayne State University Press
Subject: Theory
Cinephilia and History, or the Wind in the Trees (2005)
Publisher: Indiana University Press
Subject: Theory
Cavell on Film (2005)
by Stanley Cavell and William Rothman
Publisher: State University of New York Press
(previous edition)
Subject: Theory
Derrida (2005)
Screenplay and Essays on the Film
Dir. Kirby Dick and Amy Ziering Kofman
Publisher: Routledge
Subject: Theory
Figures Traced in Light (2005)
On Cinematic Staging
Publisher: University of California Press
Subject: Theory
Moving Image Theory (2005)
Ecological Considerations
Dir. Joseph D. Anderson and Barbara Fisher Anderson
Publisher: Southern Illinois University Press
Subject: Theory
What Is Cinema? Volume II (2004)
by André Bazin
Publisher: University of California Press
Subject: Theory
What Is Cinema? Volume I (2004)
by André Bazin
Publisher: University of California Press
Subject: Theory
Cities of Words (2004)
Pedagogical Letters on a Register of the Moral Life
Publisher: Belknap Press
Subject: Theory
Narrated Films (2004)
Storytelling Situations in Cinema History
Publisher: Johns Hopkins University Press
Subject: Theory
The Face on the Screen (2003)
Death, Recognition & Spectatorship
Publisher: Intellect Books
Subject: Theory
Film Theory (2003)
Critical Concepts in Media and Cultural Studies
Dir. Philip Simpson, Andrew Utterson and K. J. Shepherdson
Publisher: Routledge
Subject: Theory
The 'I' of the Camera (2003)
Essays in Film Criticism, History, and Aesthetics
Publisher: Cambridge University Press
Subject: Theory
Organs without Bodies (2003)
Deleuze and Consequences
by Slavoj Zizek
Publisher: Routledge
Subject: Theory
The Matrix of Visual Culture (2003)
Working with Deleuze in Film Theory
Publisher: Stanford University Press
Subject: Theory
Screening the Text (2003)
Intertextuality in New Wave French Cinema
Publisher: Johns Hopkins University Press
Subject: Theory
Memory and Popular Film (2003)
Dir. Paul Grainge
Publisher: Manchester University Press
Subject: Theory
Rites of Realism (2003)
Essays on Corporeal Cinema
Dir. Ivone Margulies
Publisher: Duke University Press
Subject: Theory
Dreams on Film (2003)
The Cinematic Struggle Between Art and Science
Publisher: McFarland & Co
Subject: Theory
Film and Knowledge (2002)
Essays on the Integration of Images and Ideas
Dir. Kevin L. Stoehr
Publisher: McFarland & Co
Subject: Theory
Hugo Munsterberg on Film (2001)
The Photoplay: A Psychological Study and Other Writings
by Hugo Münsterberg and Allan Langdale
Publisher: Routledge
Subject: Theory
Change Mummified (2001)
Cinema, Historicity, Theory
by Philip Rosen
Publisher: University of Minnesota Press
Subject: Theory
Toward Cinema and Its Double (2001)
Cross-Cultural Mimesis
Publisher: Indiana University Press
Subject: Theory
Reading Hollywood (2001)
Spaces and Meanings in American Film
Publisher: Wallflower Press
Subject: Theory
Light Readings (2001)
Film Criticism and Screen Arts
by Chris Darke
Publisher: Wallflower Press
Subject: Theory
How a Film Theory Got Lost (2001)
and Other Mysteries in Cultural Studies
Publisher: Indiana University Press
Subject: Theory
Deleuze and Cinema (2000)
The Aesthetics of Sensation
Publisher: Edinburgh University Press
Subject: Theory
Post-war Cinema and Modernity (2000)
A Film Reader
Dir. John Orr and Olga Taxidou
Publisher: Edinburgh University Press
Subject: Theory
Reading Cavell's the World Viewed (2000)
A Philosophical Perspective on Film
by Marian Keane and William Rothman
Publisher: Wayne State University Press
Subject: Theory
Between Film and Screen (2000)
Modernism's Photo Synthesis
Publisher: University of Chicago Press
Subject: Theory
The Brain Is the Screen (2000)
Deleuze and the Philosophy of Cinema
Dir. Gregory Flaxman
Publisher: University of Minnesota Press
Subject: Theory
The Skin of the Film (2000)
Intercultural Cinema, Embodiment, and the Senses
Publisher: Duke University Press
Subject: Theory
Narrative in Fiction and Film (2000)
An Introduction
by Jakob Lothe
Publisher: Oxford University Press
Subject: Theory
Endless Night (1999)
Cinema and Psychoanalysis, Parallel Histories
Dir. Janet Bergstrom
Publisher: University of California Press
Subject: Theory
Film Theory and Philosophy (1999)
Dir. Richard Allen and Murray Smith
Publisher: Oxford University Press
Subject: Theory
Moving Pictures (1999)
A New Theory of Film Genres, Feelings, and Cognition
Publisher: Oxford University Press
Subject: Theory
Stanley Cavell (1999)
Philosophy's Recounting of the Ordinary
Publisher: Oxford University Press
Subject: Theory
Camera Obscura (1998)
An Archeological Survey from the Paleolithic to the Iron Age
by Sarah Kofman
Publisher: Cornell University Press
Subject: Theory
A Body of Vision (1998)
Representations of the Body in Recent Film and Poetry
Publisher: Wilfrid Laurier University Press
Subject: Theory
The Memory of Tiresias (1998)
Intertextuality and Film
Publisher: University of California Press
Subject: Theory
Visions of the Past (1998)
The Challenge of Film to Our Idea of History
Publisher: Harvard University Press
Subject: Theory
Empty Moments (1998)
Cinema, Modernity, and Drift
by Leo Charney
Publisher: Duke University Press
Subject: Theory
Pretty Pictures (1998)
Production Design and the History Film
Publisher: University of Texas Press
Subject: Theory
The Reality of Illusion (1998)
An Ecological Approach to Cognitive Film Theory
Publisher: Southern Illinois University Press
Subject: Theory
Theory of Film (1997)
The Redemption of Physical Reality
Publisher: Princeton University Press
Subject: Theory
The Image in Dispute (1997)
Art and Cinema in the Age of Photography
by Sally Shafto
Publisher: University of Texas Press
Subject: Theory
Theorizing the Moving Image (1996)
by Noel Carroll
Publisher: Cambridge University Press
Subject: Theory
Post-Theory (1996)
Reconstructing Film Studies
Dir. David Bordwell
Publisher: University of Wisconsin Press
Subject: Theory
Fields of Vision (1995)
Essays in Film Studies, Visual Anthropology, and Photography
by Leslie Devereaux and Roger Hillman
Publisher: University of California Press
Subject: Theory
Narrative Mortality (1994)
Death, Closure, and New Wave Cinemas
Publisher: University of Minnesota Press
Subject: Theory
Modernist Montage (1992)
The Obscurity of Vision in Cinema and Literature
Publisher: Columbia University Press
Subject: Theory
Reflexivity in Film and Culture (1992)
From Don Quixote to Jean-Luc Godard
by Robert Stam
Publisher: Columbia University Press
Subject: Theory
The Address of the Eye (1991)
A Phenomenology of Film Experience
Publisher: Princeton University Press
Subject: Theory
Film and phenomenology (1991)
toward a realist theory of cinematic representation
Publisher: Cambridge University Press
Subject: Theory
Cinema 2 (1989)
The Time-Image
Publisher: University of Minnesota Press
(previous edition)
Subject: Theory
Transcendental Style In Film (1988)
Ozu, Bresson, Dreyer
Publisher: Da Capo Press
(previous edition)
Subject: Theory
Narration in Light (1988)
Studies in Cinematic Point of View
Publisher: Johns Hopkins University Press
Subject: Theory
Nonindifferent nature (1987)
Film and the Structure of Things
Publisher: Cambridge University Press
Subject: Theory
Narrative, Apparatus, Ideology (1986)
A Film Theory Reader
Dir. Philip Rosen
Publisher: Columbia University Press
Subject: Theory
Cinema 1 (1986)
the Movement-Image
Publisher: University of Minnesota Press
(previous edition)
Subject: Theory
Autonomous Image (1981)
Cinematic Narration & Humanism
Publisher: University Press of Kentucky
Subject: Theory
Story and Discourse (1980)
Narrative Structure in Fiction and Film
Publisher: Cornell University Press
Subject: Theory
The World Viewed (1979)
Reflections on the Ontology of Film, Enlarged Edition
Publisher: Harvard University Press
Subject: Theory
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Organic Cinema (2021)
Film, Architecture, and the Work of Béla Tarr
Screening Characters (2020)
Theories of Character in Film, Television, and Interactive Media
Dir. Johannes Riis and Aaron Taylor
Subject: On Films > Characters
What is cinema? / Qu'est-ce que le cinéma ? (2020)
by Germaine Dulac
(in English and French)
Subject: Director > Germaine Dulac
A Dictionary of Film Studies (2020)
by Annette Kuhn and Guy Westwell
Subject: On Films > Guides and dictionaries
Cinematic Corpographies (2020)
Re-Mapping the War Film Through the Body
New Nonfiction Film (2020)
Art, Poetics, and Documentary Theory
by Dara Waldron
Subject: Genre > Documentary
The Object of Comedy (2020)
Philosophies and Performances
Dir. Jamila M. H. Mascat and Gregor Moder
Subject: Genre > Comedy/Humor
Interpreting Cinema (2020)
Adaptations, Intertextualities, Art Movements
by Jasbir Jain
Subject: Film Analysis
Sound Design is the New Score (2019)
Theory, Aesthetics, and Erotics of the Integrated Soundtrack
The Empathic Screen (2019)
Cinema and Neuroscience
by Vittorio Gallese and Michele Guerra Translator Frances Anderson
Subject: Sociology
Documentary Across Platforms (2019)
Reverse Engineering Media, Place, and Politics
Subject: Genre > Documentary
The Structures of the Film Experience by Jean-Pierre Meunier (2019)
Historical Assessments and Phenomenological Expansions
Dir. Julian Hanich and Daniel Fairfax
Subject: Film Analysis
Static in the System (2019)
Noise and the Soundscape of American Cinema Culture
Toward a Philosophy of the Documentarian (2019)
A Prolegomenon
by Dan Geva
Subject: Genre > Documentary
Cognitive Theory and Documentary Film (2018)
Dir. Catalin Brylla and Mette Kramer
Subject: Genre > Documentary
Mysteries of Cinema (2018)
Reflections on Film Theory, History and Culture 1982-2016
Subject: History of Cinema
Cinema Between Media (2018)
An Intermediality Approach
by Jørgen Bruhn and Anne Gjelsvik
Subject: General
The Image in Early Cinema (2018)
Form and Material
by Scott Curtis, Tom Gunning, Philippe Gauthier and Joshua Yumibe
Subject: Silent Cinema
Between Film, Video, and the Digital (2018)
Hybrid Moving Images in the Post-Media Age
by Jihoon Kim
Subject: Genre > Experimental
Comedies of Nihilism (2018)
The Representation of Tragedy Onscreen
by Amir Khan
Subject: Genre > Comedy/Humor
Editing and Montage in International Film and Video (2017)
Theory and Technique
Postmodern Theory and Blade Runner (2017)
Subject: One Film > Blade Runner (1982)
Pixar and the Aesthetic Imagination (2017)
Animation, Storytelling, and Digital Culture
by Eric Herhuth
The Philosophy of Documentary Film (2016)
Image, Sound, Fiction, Truth
Dir. David LaRocca
Subject: Genre > Documentary
The Documentary Film Reader (2016)
History, Theory, Criticism
Dir. Jonathan Kahana
Subject: Genre > Documentary
Beyond Spatial Montage (2016)
Windowing, or the Cinematic Displacement of Time, Motion, and Space
Film Theory and Criticism (2016)
Introductory Readings
Dir. Leo Braudy and Marshall Cohen
Subject: Film Analysis
Film Essays and a Lecture (2014)
by Sergei Eisenstein and Jay Leyda
Subject: Director > Sergei Eisenstein
Australian Film Theory and Criticism (2013)
Volume 1: Critical Positions
Acting and Performance in Moving Image Culture (2012)
Bodies, Screens, Renderings. With a Foreword by Lesley Stern
Dir. Jörg Sternagel, Deborah Levitt and Dieter Mersch
Polanski and Perception (2012)
The Psychology of Seeing and the Cinema of Roman Polanski
Subject: Director > Roman Polanski
When Stories Travel (2012)
Cross-Cultural Encounters Between Fiction and Film
Subject: Technique > Adaptation
Eye for Music (2011)
Popular Music and the Audiovisual Surreal
Hitchcock and the Cinema of Sensations (2011)
Embodied Film Theory and Cinematic Reception
by Paul Elliott
Subject: Director > Alfred Hitchcock
Jung and Film II (2011)
The Return: Further Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke and Luke Hockley
Subject: Film Analysis
Cinema Beyond Film (2010)
Media Epistemology in the Modern Era
Dir. François Albera and Maria Tortajada
Subject: Silent Cinema
Looking Past the Screen (2007)
Case Studies in American Film History and Method
Dir. Jon Lewis and Eric Smoodin
Subject: Countries > United States
Screen Methods (2006)
Comparative Readings in Film Studies
Dir. Jacqueline Furby and Karen Randell
Subject: Film Analysis
Image and Identity (2006)
Reflections on Canadian Film and Culture
Cinema And Semiotic (2005)
Peirce And Film Aesthetics, Narration, And Representation
Subject: Film Analysis
Cinema's Conversion to Sound (2005)
Technology and Film Style in France and the U.S.
Subject: History of Cinema
Jung and Film (2001)
Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke and Ian Alister
Subject: Film Analysis
British Cinema in the Fifties (2000)
Gender, Genre and the 'New Look'
Subject: Countries > Great Britain
The Crisis of Political Modernism (1995)
Criticism and Ideology in Contemporary Film Criticism
Subject: Film Analysis
Mists of Regret (1995)
Culture and Sensibility in Classic French Film
A Certain Realism (1993)
Making Use of Pasolini's Film Theory and Practice
Subject: Director > Pier Paolo Pasolini
Terminal identity (1993)
the virtual subject in postmodern science fiction
Subject: Genre > Science Fiction
New Vocabularies in Film Semiotics (1992)
Structuralism, post-structuralism and beyond
Dir. Robert Stam
Subject: Film Analysis
Beyond the Stars 2 (1991)
Plot Conventions in American Popular Film
Dir. Paul Loukides and Linda K. Fuller
Subject: Technique > Scriptwriting
> See books in French on subject Theory
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