Transcendental Style In Film
Ozu, Bresson, Dreyer
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
The acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People also the screenwriter for Taxi Driver, Paul Schrader here analyzes the film style of three great directors—Yasajiro Ozu, Robert Bresson, Carl Dreyer—and posits a common dramatic language by these artists from divergent cultures. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state with austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This important book is an original contribution to film analysis and a key work by one of our most searching directors and writers.
À propos de l'auteur :
Paul Schrader is the acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People and the screenwriter for Taxi Driver.
Edition plus récente
Transcendental Style in Film (2018)
Ozu, Bresson, Dreyer
Editeur : University of California Press
Sujet : Theory
> Du même auteur :
Collected Screenplays 1 (2002)
Taxi Driver, American Gigolo, Light Sleeper
Sujet : One Film > Taxi Driver, American Gigolo, Light Sleeper
Schrader on Schrader (1992)
& Other Writings
de Paul Schrader et Kevin Jackson
Sujet : Director > Paul Schrader
> Sur un thème proche :
Dreams and Atrocity (2023)
The Oneiric in Representations of Trauma
Dir. Emily-Rose Baker et Diane Otosaka
Sujet : Theory
Screens and Illusionism (2024)
Alternative Teleologies of Mediation
Dir. Peter Bloom et Dominique Jullien
Sujet : Theory
Cinematic Modernism and Contemporary Film (2024)
Aesthetics and Narrative in the International Art Film
de Howard Finn
Sujet : Theory
Retour
