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Publisher: Princeton University Press (66 books)

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•  Biographies (5)    •  Encyclopedias (2)    •  Essays (9)    •  Film Reviews (2)    •  Studies (43)    •  Stories (1)    •  Filmmakers' writings (2)    •  Writings (1)    •  Adapted novel (1)

•  Biographies (0)    •  Encyclopedias (0)    •  Essays (0)    •  Film Reviews (0)    •  Studies (0)    •  Stories (0)    •  Filmmakers' writings (0)    •  Writings (0)    •  Adapted novel (0)

•  Biographies (5 books)(0 book)

•  Encyclopedias (2 books)(0 book)

The History of Italian Cinema:A Guide to Italian Film from Its Origins to the Twenty-First Century

(2011)

A Guide to Italian Film from Its Origins to the Twenty-First Century

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Subject: Countries >

French Cinema: The First Wave, 1915-1929

(1984)

The First Wave, 1915-1929

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Subject:

•  Essays (9 books)(0 book)

Shot/Countershot:Film Tradition and Women's Cinema

(2014)

Film Tradition and Women's Cinema

by

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Series: Princeton Legacy Library

Subject:

Screen/Play:Derrida and Film Theory

(2014)

Derrida and Film Theory

by and

Publisher:
Series: Princeton Legacy Library

Subject:

Entertaining America:Jews, Movies, and Broadcasting

(2003)

Jews, Movies, and Broadcasting

by and

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Subject:

An Accented Cinema:Exilic and Diasporic Filmmaking

(2001)

Exilic and Diasporic Filmmaking

by

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Subject: Countries >

Theory of Film:The Redemption of Physical Reality

(1997)

The Redemption of Physical Reality

by

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Series: Princeton Paperbacks

Subject:

Interpreting Films:Studies in the Historical Reception of American Cinema

(1992)

Studies in the Historical Reception of American Cinema

by

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The Address of the Eye:A Phenomenology of Film Experience

(1991)

A Phenomenology of Film Experience

by

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•  Film Reviews (2 books)(0 book)

•  Studies (43 books)(0 book)

The Underwater Eye:How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy

(2022)

How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy

by

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Subject: On Films >

Art Rebels:Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese

(2019)

Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese

by

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Subject: Director >

From Caligari to Hitler:A Psychological History of the German Film

(2019)

A Psychological History of the German Film

by

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Series: Princeton Classics

Subject: Countries >

The Body in the Mirror:Shapes of History in Italian Cinema

(2016)

Shapes of History in Italian Cinema

by

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Series: Princeton Legacy Library

Subject: Countries >

Men, Women, and Chain Saws:Gender in the Modern Horror Film

(2015)

Gender in the Modern Horror Film

by

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Series: Princeton Classics
Updated Edition

Subject: Genre >

High-Class Moving Pictures:Lyman H. Howe and the Forgotten Era of Traveling Exhibition, 1880-1920

(2015)

Lyman H. Howe and the Forgotten Era of Traveling Exhibition, 1880-1920

by and

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Series: Princeton Legacy Library

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Fascism in Film:The Italian Commercial Cinema, 1931-1943

(2014)

The Italian Commercial Cinema, 1931-1943

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Series: Princeton Legacy Library

Subject: Countries >

Reframing Culture:The Case of the Vitagraph Quality Films

(2014)

The Case of the Vitagraph Quality Films

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Series: Princeton Legacy Library

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Cinematernity:Film, Motherhood, Genre

(2014)

Film, Motherhood, Genre

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Series: Princeton Legacy Library

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Politics of the Self:Feminism and the Postmodern in West German Literature and Film

(2014)

Feminism and the Postmodern in West German Literature and Film

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Series: Princeton Legacy Library

Subject: Countries >

British Genres:Cinema and Society, 1930-1960

(2014)

Cinema and Society, 1930-1960

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Series: Princeton Legacy Library

Subject: Countries >

Blackout:Reinventing Women for Wartime British Cinema

(2014)

Reinventing Women for Wartime British Cinema

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Series: Princeton Legacy Library

Subject: Countries >

On Hollywood:The Place, the Industry

(2014)

The Place, the Industry

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Subject: Studio >

Shell Shock Cinema:Weimar Culture and the Wounds of War

(2011)

Weimar Culture and the Wounds of War

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Subject: Countries >

Vocal Apparitions:The Attraction of Cinema to Opera

(2005)

The Attraction of Cinema to Opera

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Subject: Technique >

Hollywood Fantasies of Miscegenation:Spectacular Narratives of Gender and Race, 1903-1967

(2004)

Spectacular Narratives of Gender and Race, 1903-1967

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Artists in the Audience:Cults, Camp, and American Film Criticism

(2001)

Cults, Camp, and American Film Criticism

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Movie-Struck Girls:Women and Motion Picture Culture After the Nickelodeon

(2000)

Women and Motion Picture Culture After the Nickelodeon

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The Gaze and the Labyrinth:The Cinema of Liliana Cavani

(2000)

The Cinema of Liliana Cavani

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Subject: Director >

Working-Class Hollywood:Silent Film and the Shaping of Class in America

(2000)

Silent Film and the Shaping of Class in America

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Landscapes of Loss:The National Past in Postwar French Cinema

(1999)

The National Past in Postwar French Cinema

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Subject: Countries >

The Art of Taking a Walk:Flanerie, Literature, and Film in Weimar Culture

(1998)

Flanerie, Literature, and Film in Weimar Culture

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Subject: Countries >

Mists of Regret:Culture and Sensibility in Classic French Film

(1995)

Culture and Sensibility in Classic French Film

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Subject: Countries >

Creating the Couple:Love, Marriage, and Hollywood Performance

(1993)

Love, Marriage, and Hollywood Performance

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Streetwalking on a Ruined Map:Cultural Theory and the City Films of Elvira Notari

(1992)

Cultural Theory and the City Films of Elvira Notari

by

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Subject: Director >

Passions and Deceptions:The Early Films of Ernst Lubitsch

(1992)

The Early Films of Ernst Lubitsch

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Subject: Director >

The Zero Hour:Glasnost and Soviet Cinema in Transition

(1992)

Glasnost and Soviet Cinema in Transition

by and

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Subject: Countries >

Strains of Utopia:Gender, Nostalgia, and Hollywood Film Music

(1992)

Gender, Nostalgia, and Hollywood Film Music

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Subject: Technique >

To Free the Cinema:Jonas Mekas and the New York Underground

(1992)

Jonas Mekas and the New York Underground

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Subject: Director >

The Hitchcock Romance:Love and Irony in Hitchcock's Films

(1991)

Love and Irony in Hitchcock's Films

by

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Subject: Director >

Joyless Streets:Women and Melodramatic Representation in Weimar Germany

(1989)

Women and Melodramatic Representation in Weimar Germany

by

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Subject: Countries >

Kino:A History of the Russian and Soviet Film, with a New PostScript and a Filmography Brought Up to the Present

(1983)

A History of the Russian and Soviet Film, with a New PostScript and a Filmography Brought Up to the Present

by

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Series: Princeton Paperbacks

Subject: Countries >

The Japanese Film:Art and Industry

(1983)

Art and Industry

by and

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Series: Non-Series
Expanded Edition

Subject: Countries >

•  Stories (1 book)(0 book)

•  Filmmakers' writings (2 books)(0 book)

•  Writings (1 book)(0 book)

•  Adapted novel (1 book)(0 book)

Alan Turing:The Enigma: The Book That Inspired the Film The Imitation Game - Updated Edition

(2014)

The Enigma: The Book That Inspired the Film The Imitation Game - Updated Edition

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Subject: One Film >

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