MENU   

Why theory?

Cultural critique in film and television

by

Type
Essays
Subject
Keywords
theory
Publishing date
Publisher
Manchester University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback192 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-1-78499-311-5
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Edward Tomarken's previous book, Filmspeak, was a study of literary theory in relation to contemporary mainstream films. Some of the abstruse ideas of early literary theorists (1950–70) had in fact permeated our thinking to such an extent that both films and theories enriched and shed light upon one another. One early response to Filmspeak was the question 'Why theory?’, a remark that provides the title of this new and exciting exploration of literature.

In pursuit of an answer, Tomarken turns to the 'second generation' of critics (1970–2000), and analyses television programmes as well as films. He considers scholars such as Clifford Geertz and Martha Nussbaum who saw themselves as working in the field of cultural studies. Why theory? thus has a dual focus – on both culture and literary theory. The result of integrating cultural ideas with media interpretation sees Tomarken grapple with the question of the title: theory has become a part of our cultural life.

About the Author:
Edward Tomarken is Emeritus Professor of English at Miami University, Oxford, Ohio and Honorary Research Fellow at the University of Kent at Canterbury

See the

> From the same author:

Theory Now:Films, Television, and Ralph Cohen's Method

(2020)

Films, Television, and Ralph Cohen's Method

by

Subject:

Filmspeak:How to Understand Literary Theory by Watching Movies

(2012)

How to Understand Literary Theory by Watching Movies

by

Subject:

> On a related topic:

Radical Embodiment on Film:Time and the Cinematic Body

(2026)

Time and the Cinematic Body

Dir. and

Subject:

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

(2025)

Essays on History, Theory, and the Avant-Garde

by

Subject:

Cinematic Intermediality:Theory and Practice

(2025)

Theory and Practice

Dir. and

Subject:

Contemporary Screen Ethics:Absences, Identities, Belonging, Looking Anew

(2025)

Absences, Identities, Belonging, Looking Anew

Dir. , and

Subject:

Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

(2025)

Developing Philosophy through Audiovisual Media

by

Subject:

Cinema of/for the Anthropocene:Affect, Ecology, and More-Than-Human Kinship

(2025)

Affect, Ecology, and More-Than-Human Kinship

Dir. and

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info