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Publisher: Rutgers University Press (307 books)

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•  Biographies (6)    •  Encyclopedias (1)    •  Essays (19)    •  Film Reviews (5)    •  Studies (246)    •  Interviews (1)    •  Stories (20)    •  Screenplays (8)    •  Didactic (1)

•  Biographies (0)    •  Encyclopedias (0)    •  Essays (0)    •  Film Reviews (0)    •  Studies (0)    •  Interviews (0)    •  Stories (0)    •  Screenplays (0)    •  Didactic (0)

•  Biographies (6 books)(0 book)

•  Encyclopedias (1 book)(0 book)

•  Essays (19 books)(0 book)

German Ways of War:The Affective Geographies and Generic Transformations of German War Films

(2022)

The Affective Geographies and Generic Transformations of German War Films

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Series: War Culture

Subject: Genre >

Artificial Generation:Photogenic French Literature and the Prehistory of Cinematic Modernity

(2021)

Photogenic French Literature and the Prehistory of Cinematic Modernity

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Subject: Technique >

Bollywood's New Woman:Liberalization, Liberation, and Contested Bodies

(2021)

Liberalization, Liberation, and Contested Bodies

Dir. and

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Subject: Countries >

Cinema '62:The Greatest Year at the Movies

(2020)

The Greatest Year at the Movies

by and

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After Authority:Global Art Cinema and Political Transition

(2020)

Global Art Cinema and Political Transition

by

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Border Cinema:Reimagining Identity through Aesthetics

(2019)

Reimagining Identity through Aesthetics

Dir. and

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Series: Global Media and Race

Subject: Genre >

Some Kind of Mirror:Creating Marilyn Monroe

(2019)

Creating Marilyn Monroe

by

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Subject: Actress >

Tough Ain't Enough:New Perspectives on the Films of Clint Eastwood

(2018)

New Perspectives on the Films of Clint Eastwood

Dir. and

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Subject: Director >

Out of Sync & Out of Work:History and the Obsolescence of Labor in Contemporary Culture

(2018)

History and the Obsolescence of Labor in Contemporary Culture

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Subject:

The Zoom:Drama at the Touch of a Lever

(2018)

Drama at the Touch of a Lever

by

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Series: Techniques of the Moving Image

Subject: Technique >

The Limits of Auteurism:Case Studies in the Critically Constructed New Hollywood

(2018)

Case Studies in the Critically Constructed New Hollywood

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Subject: Countries >

Abstinence Cinema:Virginity and the Rhetoric of Sexual Purity in Contemporary Film

(2016)

Virginity and the Rhetoric of Sexual Purity in Contemporary Film

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Subject:

The Horse Who Drank the Sky:Film Experience Beyond Narrative and Theory

(2008)

Film Experience Beyond Narrative and Theory

by

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Flatlining on the Field of Dreams:Cultural Narratives in the Films of President Reagan's America

(1997)

Cultural Narratives in the Films of President Reagan's America

by

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Subject: On Films >

•  Film Reviews (5 books)(0 book)

•  Studies (246 books)(0 book)

Monuments Askew:An Elliptical History of the Factory of the Eccentric Actor

(2025)

An Elliptical History of the Factory of the Eccentric Actor

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Series: Media Matters

Subject: Countries >

Monsters vs. Patriarchy:Toxic Imagination in Global Horror Cinema

(2025)

Toxic Imagination in Global Horror Cinema

by and

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Series: Global Media and Race

Subject: Genre >

Films That Spill:Beyond the Cinema of Transgression

(2025)

Beyond the Cinema of Transgression

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Subject: Genre >

Cinema under National Reconstruction:State Censorship and South Korea's Cold War Film Culture

(2024)

State Censorship and South Korea's Cold War Film Culture

by

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Subject: Countries >

Reel Kabbalah:Jewish Mysticism and Neo-Hasidism in Contemporary Cinema

(2024)

Jewish Mysticism and Neo-Hasidism in Contemporary Cinema

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Global Film Color:The Monopack Revolution at Midcentury

(2024)

The Monopack Revolution at Midcentury

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Subject: Countries >

Making History Move:Five Principles of the Historical Film

(2024)

Five Principles of the Historical Film

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There She Goes Again:Gender, Power, and Knowledge in Contemporary Film and Television Franchises

(2023)

Gender, Power, and Knowledge in Contemporary Film and Television Franchises

by

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New Israeli Horror:Local Cinema, Global Genre

(2023)

Local Cinema, Global Genre

by

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Subject: Genre >

Staging a Comeback:Broadway, Hollywood, and the Disney Renaissance

(2023)

Broadway, Hollywood, and the Disney Renaissance

by

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Subject: Studio >

Dead Funny:The Humor of American Horror

(2023)

The Humor of American Horror

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Subject: Genre >

Women and New Hollywood:Gender, Creative Labor, and 1970s American Cinema

(2023)

Gender, Creative Labor, and 1970s American Cinema

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Subject: Countries >

The American Historical Imaginary:Contested Narratives of the Past

(2022)

Contested Narratives of the Past

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Single Lives:Modern Women in Literature, Culture, and Film

(2022)

Modern Women in Literature, Culture, and Film

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Double Exposure:How Social Psychology Fell in Love with the Movies

(2022)

How Social Psychology Fell in Love with the Movies

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Fredric Jameson and Film Theory:Marxism, Allegory, and Geopolitics in World Cinema

(2022)

Marxism, Allegory, and Geopolitics in World Cinema

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The Baseball Film:A Cultural and Transmedia History

(2022)

A Cultural and Transmedia History

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Series: Screening Sports

Subject: Countries >

The American Girl Goes to War:Women and National Identity in U.S. Silent Film

(2022)

Women and National Identity in U.S. Silent Film

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Series: War Culture

Subject: Genre >

Whitewashing the Movies:Asian Erasure and White Subjectivity in U.S. Film Culture

(2021)

Asian Erasure and White Subjectivity in U.S. Film Culture

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Broadcasting Hollywood:The Struggle over Feature Films on Early TV

(2021)

The Struggle over Feature Films on Early TV

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Movie-Made Jews:An American Tradition

(2021)

An American Tradition

by

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Movie Minorities:Transnational Rights Advocacy and South Korean Cinema

(2021)

Transnational Rights Advocacy and South Korean Cinema

by and

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Subject: Countries >

Branding Brazil:Transforming Citizenship on Screen

(2021)

Transforming Citizenship on Screen

by

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Subject: One Film >

From Dead Ends to Cold Warriors:Constructing American Boyhood in Postwar Hollywood Films

(2021)

Constructing American Boyhood in Postwar Hollywood Films

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Sex, Society, and the Making of Pornography:The Pornographic Object of Knowledge

(2021)

The Pornographic Object of Knowledge

by

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Subject: Genre >

The Boxing Film:A Cultural and Transmedia History

(2020)

A Cultural and Transmedia History

by

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Series: Screening Sports

Subject: Countries >

Before Bemberg:Women Filmmakers in Argentina

(2020)

Women Filmmakers in Argentina

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Subject: Countries >

Women Make Horror:Filmmaking, Feminism, Genre

(2020)

Filmmaking, Feminism, Genre

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Subject: Genre >

Chinatown Film Culture:The Appearance of Cinema in San Francisco's Chinese Neighborhood

(2020)

The Appearance of Cinema in San Francisco's Chinese Neighborhood

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Post-Communist Malaise:Cinematic Responses to European Integration

(2020)

Cinematic Responses to European Integration

by

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Series: Media Matters

Subject:

Planet Auschwitz:Holocaust Representation in Science Fiction and Horror Film and Television

(2020)

Holocaust Representation in Science Fiction and Horror Film and Television

by

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Subject: Genre >

Projecting the Nation:History and Ideology on the Israeli Screen

(2020)

History and Ideology on the Israeli Screen

by

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Subject: Countries >

Damsels and Divas:European Stardom in Silent Hollywood

(2020)

European Stardom in Silent Hollywood

by

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Hollywood Diplomacy:Film Regulation, Foreign Relations, and East Asian Representations

(2020)

Film Regulation, Foreign Relations, and East Asian Representations

by

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Transnational Korean Cinema:Cultural Politics, Film Genres, and Digital Technologies

(2019)

Cultural Politics, Film Genres, and Digital Technologies

by

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Subject: Countries >

Undead Ends:Stories of Apocalypse

(2019)

Stories of Apocalypse

by

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Subject: Genre >

Criminalization/Assimilation:Chinese/Americans and Chinatowns in Classical Hollywood Film

(2019)

Chinese/Americans and Chinatowns in Classical Hollywood Film

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The Movies as a World Force:American Silent Cinema and the Utopian Imagination

(2019)

American Silent Cinema and the Utopian Imagination

by

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Liberating Hollywood:Women Directors and the Feminist Reform of 1970s American Cinema

(2018)

Women Directors and the Feminist Reform of 1970s American Cinema

by

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Subject: Countries >

Hoodlum Movies:Seriality and the Outlaw Biker Film Cycle, 1966-1972

(2018)

Seriality and the Outlaw Biker Film Cycle, 1966-1972

by

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Subject: Genre >

Turning the Page:Storytelling as Activism in Queer Film and Media

(2018)

Storytelling as Activism in Queer Film and Media

by

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Subject: Technique >

Destructive Sublime:World War II in American Film and Media

(2018)

World War II in American Film and Media

by

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Series: War Culture

Subject: Genre >

Stanley Kubrick:New York Jewish Intellectual

(2018)

New York Jewish Intellectual

by

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Subject: Director >

Unveiling Desire:Fallen Women in Literature, Culture, and Films of the East

(2018)

Fallen Women in Literature, Culture, and Films of the East

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Demographic Angst:Cultural Narratives and American Films of the 1950s

(2017)

Cultural Narratives and American Films of the 1950s

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A Dream of Resistance:The Cinema of Kobayashi Masaki

(2017)

The Cinema of Kobayashi Masaki

by

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Subject: Director >

Imperial Affects:Sensational Melodrama and the Attractions of American Cinema

(2017)

Sensational Melodrama and the Attractions of American Cinema

by

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Series: War Culture

Subject: Countries >

Making Believe:Screen Performance and Special Effects in Popular Cinema

(2017)

Screen Performance and Special Effects in Popular Cinema

by

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Series: Techniques of the Moving Image

Subject: Technique >

Ida Lupino, Director:Her Art and Resilience in Times of Transition

(2017)

Her Art and Resilience in Times of Transition

by and

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Subject: Director >

Movie Comics:Page to Screen/Screen to Page

(2017)

Page to Screen/Screen to Page

by

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Subject: Genre >

Sociology on Film:Postwar Hollywood's Prestige Commodity

(2016)

Postwar Hollywood's Prestige Commodity

by

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Reel Inequality:Hollywood Actors and Racism

(2016)

Hollywood Actors and Racism

by

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Subject: Countries >

The Extraordinary Image:Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema

(2016)

Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema

by

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Subject: Director > , ,

Never Done:A History of Women's Work in Media Production

(2016)

A History of Women's Work in Media Production

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Fantasies of Neglect:Imagining the Urban Child in American Film and Fiction

(2016)

Imagining the Urban Child in American Film and Fiction

by

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Series: Rutgers Series in Childhood Studies

Subject:

The Writers:A History of American Screenwriters and Their Guild

(2016)

A History of American Screenwriters and Their Guild

by

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Subject: Technique >

Militant Visions:Black Soldiers, Internationalism, and the Transformation of American Cinema

(2016)

Black Soldiers, Internationalism, and the Transformation of American Cinema

by

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Subject: Countries >

Drawing the Iron Curtain:Jews and the Golden Age of Soviet Animation

(2016)

Jews and the Golden Age of Soviet Animation

by

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Subject: Countries >

Moment of Action:Riddles of Cinematic Performance

(2016)

Riddles of Cinematic Performance

by

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Subject: Technique >

Designing Sound:Audiovisual Aesthetics in 1970s American Cinema

(2016)

Audiovisual Aesthetics in 1970s American Cinema

by

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Series: Techniques of the Moving Image

Subject: Technique >

Extreme Cinema:The Transgressive Rhetoric of Today's Art Film Culture

(2016)

The Transgressive Rhetoric of Today's Art Film Culture

by

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Subject: Genre >

Girls Will Be Boys:Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

(2016)

Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

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Matinee Melodrama:Playing with Formula in the Sound Serial

(2016)

Playing with Formula in the Sound Serial

by

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Shot on Location:Postwar American Cinema and the Exploration of Real Place

(2016)

Postwar American Cinema and the Exploration of Real Place

by

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Series: Techniques of the Moving Image

Subject: Technique >

Flickers of Film:Nostalgia in the Time of Digital Cinema

(2015)

Nostalgia in the Time of Digital Cinema

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Climate Trauma:Foreseeing the Future in Dystopian Film and Fiction

(2015)

Foreseeing the Future in Dystopian Film and Fiction

by

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Hidden in Plain Sight:An Archaeology of Magic and the Cinema

(2015)

An Archaeology of Magic and the Cinema

by

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Series: Techniques of the Moving Image

Subject: Technique >

Thinking in the Dark:Cinema, Theory, Practice

(2015)

Cinema, Theory, Practice

Dir. and

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Subject:

Movie Migrations:Transnational Genre Flows and South Korean Cinema

(2015)

Transnational Genre Flows and South Korean Cinema

by and

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Series: New Directions in International Studies

Subject: Countries >

Sound:Dialogue, Music, and Effects

(2015)

Dialogue, Music, and Effects

Dir.

Publisher:
Series: Behind the Silver Screen Series

Subject: Technique >

Torture Porn in the Wake of 9/11:Horror, Exploitation, and the Cinema of Sensation

(2015)

Horror, Exploitation, and the Cinema of Sensation

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Series: War Culture

Subject: Genre >

Techno-Orientalism:Imagining Asia in Speculative Fiction, History, and Media

(2015)

Imagining Asia in Speculative Fiction, History, and Media

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Series: Asian American Studies Today

Subject:

The Cool and the Crazy:Pop Fifties Cinema

(2015)

Pop Fifties Cinema

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Mexico on Main Street:Transnational Film Culture in Los Angeles before World War II

(2015)

Transnational Film Culture in Los Angeles before World War II

by

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Series: Latinidad: Transnational Cultures in the United States

Subject:

Cinema Civil Rights:Regulation, Repression, and Race in the Classical Hollywood Era

(2015)

Regulation, Repression, and Race in the Classical Hollywood Era

by

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Subject:

Phantom Ladies:Hollywood Horror and the Home Front

(2014)

Hollywood Horror and the Home Front

by

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Subject: Genre >

Fictions Inc.:The Corporation in Postmodern Fiction, Film, and Popular Culture

(2014)

The Corporation in Postmodern Fiction, Film, and Popular Culture

by

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Like a Natural Woman:Spectacular Female Performance in Classical Hollywood

(2014)

Spectacular Female Performance in Classical Hollywood

by

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Subject: Studio >

The Migration of Musical Film:From Ethnic Margins to American Mainstream

(2014)

From Ethnic Margins to American Mainstream

by

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Subject: Genre >

Anatomy of a Robot:Literature, Cinema, and the Cultural Work of Artificial People

(2014)

Literature, Cinema, and the Cultural Work of Artificial People

by

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Subject: On Films >

Shaping the Future of African American Film:Color-Coded Economics and the Story Behind the Numbers

(2014)

Color-Coded Economics and the Story Behind the Numbers

by

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Subject:

Cinematic Canines:Dogs and Their Work in the Fiction Film

(2014)

Dogs and Their Work in the Fiction Film

Dir.

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Subject: On Films >

Look Closer:Suburban Narratives and American Values in Film and Television

(2013)

Suburban Narratives and American Values in Film and Television

by

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Subject:

Reel Vulnerability:Power, Pain, and Gender in Contemporary American Film and Television

(2013)

Power, Pain, and Gender in Contemporary American Film and Television

by

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Subject:

On-Demand Culture:Digital Delivery and the Future of Movies

(2013)

Digital Delivery and the Future of Movies

by

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Subject:

The Phantom Holocaust:Soviet Cinema and Jewish Catastrophe

(2013)

Soviet Cinema and Jewish Catastrophe

by

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Series: Jewish Cultures of the World

Subject: Countries >

Making a Promised Land:Harlem in Twentieth-Century Photography and Film

(2013)

Harlem in Twentieth-Century Photography and Film

by

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Subject: Countries >

Body Double:The Author Incarnate in the Cinema

(2013)

The Author Incarnate in the Cinema

by

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Specters of War:Hollywood's Engagement with Military Conflict

(2012)

Hollywood's Engagement with Military Conflict

by

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Subject: Genre >

The Leading Man:Hollywood and the Presidential Image

(2012)

Hollywood and the Presidential Image

by

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Subject: Countries >

Moving Color:Early Film, Mass Culture, Modernism

(2012)

Early Film, Mass Culture, Modernism

by

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Series: Techniques of the Moving Image

Subject: Technique >

The Battle for the Bs:1950s Hollywood and the Rebirth of Low-Budget Cinema

(2012)

1950s Hollywood and the Rebirth of Low-Budget Cinema

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Subject: Genre >

The New Jew in Film:Exploring Jewishness and Judaism in Contemporary Cinema

(2012)

Exploring Jewishness and Judaism in Contemporary Cinema

by

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Washed in Blood:Male Sacrifice, Trauma, and the Cinema

(2011)

Male Sacrifice, Trauma, and the Cinema

by

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The Cinematic Footprint:Lights, Camera, Natural Resources

(2011)

Lights, Camera, Natural Resources

by

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21st-Century Hollywood:Movies in the Era of Transformation

(2011)

Movies in the Era of Transformation

by and

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Film Festivals:Culture, People, and Power on the Global Screen

(2011)

Culture, People, and Power on the Global Screen

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A Little Solitaire: John Frankenheimer and American Film

(2011)

John Frankenheimer and American Film

Dir.

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Subject: Director >

Empires of Entertainment:Media Industries and the Politics of Deregulation, 1980-1996

(2011)

Media Industries and the Politics of Deregulation, 1980-1996

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Subject:

Maximum Movies - Pulp Fictions:Film Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson

(2011)

Film Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson

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Subject: Genre >

Siren City:Sound and Source Music in Classic American Noir

(2011)

Sound and Source Music in Classic American Noir

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Subject: Genre >

Crafting Truth:Documentary Form and Meaning

(2010)

Documentary Form and Meaning

by and

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Subject: Genre >

Whose lives are they anyway?:the biopic as contemporary film genre

(2010)

the biopic as contemporary film genre

by

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Subject: Genre >

Hollywood on the Hudson:Film and Television in New York from Griffith to Sarnoff

(2010)

Film and Television in New York from Griffith to Sarnoff

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Driven to Darkness:Jewish Emigre Directors and the Rise of Film Noir

(2009)

Jewish Emigre Directors and the Rise of Film Noir

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Reinventing Cinema:Movies in the Age of Media Convergence

(2009)

Movies in the Age of Media Convergence

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Indianizing Film:Decolonization, the Andes, and the Question of Technology

(2009)

Decolonization, the Andes, and the Question of Technology

by

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Series: New Directions in International Studies

Subject: Countries >

The Animated Bestiary:Animals, Cartoons, and Culture

(2008)

Animals, Cartoons, and Culture

by

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Subject: Genre >

Aftermaths:Exile, Migration, and Diaspora Reconsidered

(2008)

Exile, Migration, and Diaspora Reconsidered

Dir. and

Publisher:
Series: New Directions in International Studies

Subject:

Dying Swans and Madmen:Ballet, the Body, and Narrative Cinema

(2008)

Ballet, the Body, and Narrative Cinema

by

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Subject: Genre >

The Naked Truth:Why Hollywood Doesn't Make X-rated Movies

(2007)

Why Hollywood Doesn't Make X-rated Movies

by

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Subject: Studio >

Film Talk:Directors at Work

(2007)

Directors at Work

by

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Subject: Technique >

Armed Forces:Masculinity and Sexuality in the American War Film

(2007)

Masculinity and Sexuality in the American War Film

by

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Subject: Genre >

City That Never Sleeps:New York and the Filmic Imagination

(2007)

New York and the Filmic Imagination

Dir.

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Subject: On Films >

Visions of Paradise:Images of Eden in the Cinema

(2006)

Images of Eden in the Cinema

by

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Subject: Genre >

François Truffaut and Friends:Modernism, Sexuality, and Film Adaptation

(2006)

Modernism, Sexuality, and Film Adaptation

by

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Subject: One Film >

Coining for Capital:Movies, Marketing, and the Transformation of Childhood

(2005)

Movies, Marketing, and the Transformation of Childhood

by

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Subject:

Mob Culture:Hidden Histories of the American Gangster Film

(2005)

Hidden Histories of the American Gangster Film

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Subject: Genre >

New Queer Cinema:A Critical Reader

(2004)

A Critical Reader

Dir.

Publisher:

Subject:

Beyond flesh:queer masculinities and nationalism in Israeli cinema

(2004)

queer masculinities and nationalism in Israeli cinema

by

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Subject: Countries >

Being Rita Hayworth:Labor, Identity, and Hollywood Stardom

(2004)

Labor, Identity, and Hollywood Stardom

by

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Subject: Actress >

Black Magic:White Hollywood and African American Culture

(2004)

White Hollywood and African American Culture

by

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Subject: Countries >

Classical Film Violence:Designing and Regulating Brutality in Hollywood Cinema, 1930-1968

(2003)

Designing and Regulating Brutality in Hollywood Cinema, 1930-1968

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Subject: Countries >

Global Cities:Cinema, Architecture, and Urbanism in a Digital Age

(2003)

Cinema, Architecture, and Urbanism in a Digital Age

Dir. and

Publisher:
Series: New Directions in International Studies

Subject:

The Cinematic ImagiNation:Indian Popular Films as Social History

(2003)

Indian Popular Films as Social History

by

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Subject: Countries >

Writing Himself Into History:Oscar Micheaux, His Silent Films, and His Audiences

(2000)

Oscar Micheaux, His Silent Films, and His Audiences

by and

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Subject: Director >

Controlling Hollywood:Censorship and Regulation in the Studio Era

(1999)

Censorship and Regulation in the Studio Era

Dir.

Publisher:
Series: Rutgers Depth of Field Series

Subject: Countries >

Titanic:Anatomy of a Blockbuster

(1999)

Anatomy of a Blockbuster

Dir. and

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Subject: One Film >

Sex Ed:Film, Video, and the Framework of Desire

(1999)

Film, Video, and the Framework of Desire

by

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Subject:

Reading the Rabbit:Explorations in Warner Bros. Animation

(1998)

Explorations in Warner Bros. Animation

by

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Subject: Genre >

For the Love of Pleasure:Women, Movies, and Culture in Turn-the-Century Chicago

(1998)

Women, Movies, and Culture in Turn-the-Century Chicago

by

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Subject:

Screening Space:The American Science Fiction Film

(1997)

The American Science Fiction Film

by

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Subject: Genre >

The Birth of Whiteness:Race and the Emergence of United States Cinema

(1996)

Race and the Emergence of United States Cinema

Dir.

Publisher:

Subject:

The Cinema of Isolation:A History of Physical Disability in the Movies

(1994)

A History of Physical Disability in the Movies

by

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Animating Culture:Hollywood Cartoons from the Sound Era

(1993)

Hollywood Cartoons from the Sound Era

by

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Series: Communications, Media, and Culture Series

Subject: Genre >

Bio/Pics:How Hollywood Constructed Public History

(1992)

How Hollywood Constructed Public History

by

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Series: Studies

Subject: Genre >

A Cinema Without Walls:Movies and Culture after Vietnam

(1991)

Movies and Culture after Vietnam

by

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From Hanoi to Hollywood:The Vietnam War in American Film

(1990)

The Vietnam War in American Film

Dir. and

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Subject: Genre >

Scarlett's Women:Gone With the Wind and Its Female Fans

(1989)

Gone With the Wind and Its Female Fans

by

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Subject: One Film >

Breathless:Jean-Luc Godard, director

(1988)

Jean-Luc Godard, director

by

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Series: Rutgers Films in Print

Subject: One Film >

Touch of Evil:Orson Welles, Director

(1985)

Orson Welles, Director

Dir.

Publisher:
Series: Rutgers Films in Print

Subject: One Film >

•  Interviews (1 book)(0 book)

Cinema Today:A Conversation with Thirty-nine Filmmakers from around the World

(2010)

A Conversation with Thirty-nine Filmmakers from around the World

by

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Subject:

•  Stories (20 books)(0 book)

The Dressing Room:Backstage Lives and American Film

(2025)

Backstage Lives and American Film

by

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Subject:

All for Beauty:Makeup and Hairdressing in Hollywood's Studio Era

(2022)

Makeup and Hairdressing in Hollywood's Studio Era

by

Publisher:
Series: Techniques of the Moving Image

Subject: Technique >

Only at Comic-Con:Hollywood, Fans, and the Limits of Exclusivity

(2019)

Hollywood, Fans, and the Limits of Exclusivity

by

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Subject:

Best Actress:The History of Oscar®-Winning Women

(2019)

The History of Oscar®-Winning Women

by

Publisher:

Subject:

Moving Performances:Divas, Iconicity, and Remembering the Modern Stage

(2016)

Divas, Iconicity, and Remembering the Modern Stage

by

Publisher:

Subject:

•  Screenplays (8 books)(0 book)

•  Didactic (1 book)(0 book)

Film as Argument:The Secret to Feature Film Storytelling

(2025)

The Secret to Feature Film Storytelling

by

Publisher:

Subject: Technique >

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