MENU   

History and Film

Moving Pictures and the Study of the Past

by

Type
Essays
Subject
Keywords
theory, time, memory
Publishing date
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback256 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-13-193846-5
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
The ability to view recorded moving pictures has had a major impact on human culture since the development of the necessary technologies over a century ago. For most of this time people have gone to the movies to be entertained and perhaps edified, but in the meantime television, the videocassette recorder (VCR), the digital versatile disk (DVD) player, the personal computer (desktop and laptop), the internet and other technologies have made watching moving pictures possible at home, in the classroom and just about anywhere else. Today, moving images are everywhere in our culture. Every day, moving picture cameras record millions of hours of activity, human and otherwise, all over the world: your cell phone makes a little video of your friends at a party; the surveillance camera at the bank keeps on eye on customers; journalists’ shoulder-carried cameras record the latest from the war zone; and across the world film artists work on all kinds of movies, from low-budget independent projects to the next big-budget Hollywood blockbuster.

Moving pictures have had a great influence on human culture, and this book focuses on using moving images as historical evidence. Studying history means examining evidence from the past to understand, interpret and present what has happened in different times and places. We talk and write about what we have learned, hoping to establish credibility both for what we have determined to be the facts and for whatever meaning or significance we may attach to our reconstruction of the past. Studying history is a scientific process, involving a fairly set methodology. We tend to favor written sources, and we have tended to favor writing as a means of presenting our views of the past. But historians also use all kinds of other documents and artifacts in their work of interpreting the past, including moving pictures.

About the Author:
Maarten Pereboom is professor of history and dean of the Fulton School of Liberal Arts at Salisbury Univrsity. He earned his doctorate at Yale University, and his first book, Democracies at the Turning Point: Britain, France, and the End of the Postwar Order, 1928-1933, earned Choice Magazine' s Outstanding Academic Book Award in 1996. In 1998 he won Salisbury University's Distinguished Faculty Award. He lives in Salisbury, Maryland, with his wife and their two sons.

See the

> Books with the same or similar title:

History and Film:A Tale of Two Disciplines

(2018)

A Tale of Two Disciplines

by

Subject: Genre >

> On a related topic:

Radical Embodiment on Film:Time and the Cinematic Body

(2026)

Time and the Cinematic Body

Dir. and

Subject:

The Prison of Time:Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino

(2024)

Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino

by

Subject:

Durational Cinema:A Short History of Long Films

(2022)

A Short History of Long Films

by

Subject:

Time, Existential Presence and the Cinematic Image:Ethics and Emergence to Being in Film

(2018)

Ethics and Emergence to Being in Film

by

Subject:

Temporality in American Filmic Autobiography:Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'

(2018)

Cinema, Automediality and Grammatology with 'film Portrait' and 'joyce at 34'

by

Subject:

Doing Time:Temporality, Hermeneutics, and Contemporary Cinema

(2017)

Temporality, Hermeneutics, and Contemporary Cinema

by

Subject:

Out of Time:Desire in Atemporal Cinema

(2011)

Desire in Atemporal Cinema

by

Subject:

Framed Time:Toward a Postfilmic Cinema

(2008)

Toward a Postfilmic Cinema

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info