The Structures of the Film Experience by Jean-Pierre Meunier

Historical Assessments and Phenomenological Expansions

Ajouter à ma liste

Sous la direction de Julian Hanich et Daniel Fairfax

Type

Studies

Sujet

Film Analysis

Mots Clés

philosophy, theory, viewer, phenomenology

Année d'édition

2019

Editeur

Amsterdam University Press

Collection

Film Theory in Media History

Langue

anglais

Taille du livre

Format

Paperback • 354 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)

ISBN

978-94-6298-656-5

Appréciation

(0 vote)

X

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Description de l'ouvrage:
For the first time this volume makes Jean-Pierre Meunier’s insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier’s intricate phenomenological descriptions of the spectator’s engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.

À propos des auteurs :
Julian Hanich is Associate Professor of Film Studies at the University of Groningen. He is the author of two monographs: The Audience Effect: On the Collective Cinema Experience (2018) and Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (2010).
Daniel Fairfax is Assistant Professor of Film Studies at the Goethe-Universität Frankfurt and an editor of the online film journal Senses of Cinema.

Revue de Presse:
This is a very likeable scholarly project about Jean-Pierre Meunier, a Belgian film theoretician who wrote an important theoretical work on spectatorship over fifty years ago. It exemplifies the very best in contemporary cinema scholarship dedicated to completing its own history, and may it keep doing so."
- Christophe Wall-Romana, University of Minnesota, H-France Review Vol. 21 (May 2021), No. 78

"Supplemented by insightful critical essays and an especially useful and informed introduction, this English translation of a pioneering phenomenological film theorist’s work is without doubt a major event in Anglophone film studies and the philosophy of film. Meunier’s writings are highly significant both historically and conceptually — and as the volume’s essays and interview further demonstrate, his nuanced account of moving-image experience is strikingly current and widely applicable."
- Daniel Yacavone, The University of Edinburgh

"The Structures of the Film Experience, originally published in 1969, provides unique insight into and even prefigures many of the concerns of contemporary phenomenological and cognitive film theory. Thus it is a welcome development to see this book translated into English. This volume contains not only Meunier’s book-in-translation, but also an introduction, a recent interview, and more than a dozen chapters by leading scholars who contextualize, explicate, and wrestle with Meunier’s ideas. This unique and well-designed volume thus makes a vital contribution to film theory."
- Carl Plantinga, Calvin College

Voir le site internet de l'éditeur Amsterdam University Press