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Visual Alterity

Seeing Difference in Cinema

by

Type
Essays
Subject
Keywords
theory, philosophy, psychology
Publishing date
Publisher
University of Illinois Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback280 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-252-08568-0
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Book Presentation:
Reconsidering the dynamics of perception

Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how human beings have used cinema to experiment with the apparatus of seeing for over a century. Visual alterity goes beyond seeing difference to being conscious of how one sees difference. Investigating the process allows us to move from mere perception to apperception, or conscious perception.
Innovative and insightful, Visual Alterity merges film theory with philosophy and cutting-edge science to propose new ways of perceiving and knowing.

About the Author:
Randall Halle is the Director of the Film and Media Studies Program and the Klaus W. Jonas Professor of German Film and Cultural Studies at the University of Pittsburgh. His books include The Europeanization of Cinema: Interzones and Imaginative Communities and Queer Social Philosophy: Critical Readings from Kant to Adorno.

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