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Breaking the Frame

by Inez Hedges

Type
Essays
Subject
Theory
Keywords
theory, philosophy, language of cinema
Publishing date
1991
Publisher
Indiana University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 160 pages
6 x 9 inches (15.5 x 23 cm)
ISBN-10
ISBN-13
0-253-20621-9
978-0-253-20621-3
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Book Presentation:
Ranging over the broad spectrum of contemporary literary and film theory, Breaking the Frame explores the different approaches to cinematic art that are offered by cognitive psychology, feminist theory, aesthetics, and psychoanalysis. In this study Inez Hedges looks closely at films that challenge accepted norms in both form and content. The films discussed here, including Zazie, La Nuit de Varennes, and Interiors, break out of conventional frames, upsetting our expectations about how films should look (the film frame) as well as how experience is usually organized by cinematic works of art (the psychological or cognitive frame). Hedges focuses on two primary areas: the way that the structure of film texts guides the interpretations of the spectator (hermeneutics) and the way that films reflect social models (representation).

Breaking the Frame will be of interest not only to scholars and students of film and literature but also to today's "filmliterate" public who enjoy exploring the theoretical and philosophical implications of cinematic works.

See the publisher website: Indiana University Press

> From the same author:

Framing Faust:Twentieth-Century Cultural Struggles

Framing Faust (2009)

Twentieth-Century Cultural Struggles

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