Deleuze and Cinema
The Aesthetics of Sensation
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Now available in paperback, this provocative study forges new and creative connections between Deleuzian philosophy and contemporary film studies.
When watching films we respond to the visual elements of colour, movement, rhythm and sensation through our bodies as well as our minds. Barbara Kennedy shows how we can understand this response as an 'aesthetics of sensation', which in turn can begin to explain the experience of the spectator, who feels the film as an event.
Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon this subtle and powerful book reintroduces debates about film as an art form and the place of film theory within our aesthetic sensibilities.
About the Author:
Barbara Kennedy is Senior Lecturer in Film and Cultural Studies at the University of Staffordshire
> On a related topic:
Cinecepts, Deleuze, and Godard-Miéville (2025)
Developing Philosophy through Audiovisual Media
Subject: Theory
Deleuze's Cinema Books (2016)
Three Introductions to the Taxonomy of Images
by David Deamer
Subject: Theory
Gilles Deleuze and Film Criticism (2024)
Philosophy, Theory, and the Individual Film
Dir. Dominic Lash and Hoi Lun Law
Subject: Theory
Back
