MENU   

Modernist Montage

The Obscurity of Vision in Cinema and Literature

by

Type
Essays
Subject
Keywords
theory, modernism
Publishing date
Publisher
Columbia University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback280 pages
6 x 9 inches (15.5 x 23 cm)
ISBN-10
ISBN-13
0-231-07183-3
978-0-231-07183-3
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Tracing the history of modernism in cinema, this study provides readings of a range of classic films made between 1925 and 1980 by such filmmakers as Carl Dreyer, Ingmar Bergman and Robert Bresson. It argues that the act of vision and visual experience are problematized in literary modernism.

See the

> From the same author:

Film as Film:The Collected Writings of Gregory J. Markopoulos

(2014)

The Collected Writings of Gregory J. Markopoulos

Dir. , and

Subject: Director >

Vital Crises in Italian Cinema:Iconography, Stylistics, Politics

(2013)

Iconography, Stylistics, Politics

by

Subject: Countries >

Eyes Upside Down:Visionary Filmmakers and the Heritage of Emerson

(2008)

Visionary Filmmakers and the Heritage of Emerson

by

Subject: Genre >

Visionary Film:The American Avant-Garde, 1943-2000

(2002)

The American Avant-Garde, 1943-2000

by

Subject: Genre >

> On a related topic:

Cinematic Modernism and Contemporary Film:Aesthetics and Narrative in the International Art Film

(2024)

Aesthetics and Narrative in the International Art Film

by

Subject:

The Moving Form of Film:Historicising the Medium through Other Media

(2023)

Historicising the Medium through Other Media

Dir. and

Subject:

Post-war Cinema and Modernity:A Film Reader

(2000)

A Film Reader

Dir. and

Subject:

The Crisis of Political Modernism:Criticism and Ideology in Contemporary Film Criticism

(1995)

Criticism and Ideology in Contemporary Film Criticism

by

Subject:

Radical Embodiment on Film:Time and the Cinematic Body

(2026)

Time and the Cinematic Body

Dir. and

Subject:

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

(2025)

Essays on History, Theory, and the Avant-Garde

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info