MENU   

Contemporary Screen Ethics

Absences, Identities, Belonging, Looking Anew

Edited by , and

Type
Studies
Subject
Keywords
theory, philosophy
Publishing date
Publisher
Edinburgh University Press
1st publishing
2023
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback248 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-4744-4761-4
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Contemporary Screen Ethics focuses on the intertwining of the ethical with the socio-political, considering such topics as: care, decolonial feminism, ecology, histories of political violence, intersectionality, neoliberalism, race, and sexual and gendered violence. The collection advocates looking anew at the global complexity and diversity of such ethical issues across various screen media: from Netflix movies to VR, from Chinese romcoms to Brazilian pornochanchadas, from documentaries to drone warfare, from Jordan Peele movies to Google Earth. The analysis exposes the ethical tension between the inclusions and exclusions of global structural inequality (the identities of the haves, the absences of the have nots), alongside the need to understand our collective belonging to the planet demanded by the climate crisis. Informing the analysis, established thinkers like Deleuze, Irigaray, Jameson and Rancière are joined by an array of different voices – Ferreira da Silva, Gill, Lugones, Milroy, Muñoz, Sheshadri-Crooks, Vergès – to unlock contemporary screen ethics.

About the authors:
Lucy Bolton is Reader in Film Studies at Queen Mary University of London. She is the author of Film and Female Consciousness: Irigaray, Cinema and Thinking Women (2011) and Contemporary Cinema and the Philosophy of Iris Murdoch (2019, EUP) as well as the co-editor of' Lasting Screen Stars: Images that Fade and Personas that Endure (2016). She is co-series editor of EUP’s Visionaries series.David Martin-Jones is Professor of Film Studies at the University of GlasgowRobert Sinnerbrink is Associate Professor of Philosophy, Macquarie University, Sydney

Press Reviews:
Walking away from our despondency fuelled by watching worlds ruined and abandoned on screens, this timely collection assembled by the most rigorous of film philosophers and theorists infuses a renewal of enchantment in the worlds of cinema and the cinemas of the world. -- Lalitha Gopalan, The University of Texas at Austin

In this brilliantly curated collection of essays, scholars from around the world discuss ways in which cinemas today negotiate – and sometimes, failure to address – traumas, corporeality, renewed relationships with our environment, caring, and empathy. It opens new opportunities for us to rethink what cinema and film philosophy have done, and how they can be deterritorialised and reterritorialised today. -- Victor Fan, King’s College London

See the

> From the same authors:

New Philosophies of Film:An Introduction to Cinema as a Way of Thinking

(2022)

An Introduction to Cinema as a Way of Thinking

by

Subject:

Columbo:Paying Attention 24/7

(2021)

Paying Attention 24/7

by

Subject: One Film >

Emotions, Ethics, and Cinematic Experience:New Phenomenological and Cognitivist Perspectives

(2021)

New Phenomenological and Cognitivist Perspectives

Dir.

Subject:

Terrence Malick:Filmmaker and Philosopher

(2019)

Filmmaker and Philosopher

by

Subject: Director >

Cinema Against Doublethink:Ethical Encounters with the Lost Pasts of World History

(2018)

Ethical Encounters with the Lost Pasts of World History

by

Subject:

Lasting Screen Stars:Images that Fade and Personas that Endure

(2016)

Images that Fade and Personas that Endure

Dir. and

Subject:

Cinematic Ethics:Exploring Ethical Experience through Film

(2015)

Exploring Ethical Experience through Film

by

Subject:

New Philosophies of Film:Thinking Images

(2011)

Thinking Images

by

Subject:

Film and Female Consciousness:Irigaray, Cinema and Thinking Women

(2011)

Irigaray, Cinema and Thinking Women

by

Subject:

Scotland:Global Cinema:Genres, Modes and Identities

(2009)

Global Cinema:Genres, Modes and Identities

by

Subject: Countries >

Deleuze, Cinema and National Identity:Narrative Time in National Contexts

(2006)

Narrative Time in National Contexts

by

Subject:

> On a related topic:

Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

(2025)

Developing Philosophy through Audiovisual Media

by

Subject:

Cinema of/for the Anthropocene:Affect, Ecology, and More-Than-Human Kinship

(2025)

Affect, Ecology, and More-Than-Human Kinship

Dir. and

Subject:

Film Figures:An Organological Approach

(2025)

An Organological Approach

by

Subject:

Film, Negation and Freedom:Capitalism and Romantic Critique

(2025)

Capitalism and Romantic Critique

by

Subject:

Haunting the World:Essays on Film After Perkins and Cavell

(2025)

Essays on Film After Perkins and Cavell

by

Subject:

Metaphysics and the Moving Image:

(2024)

"Paradise Exposed"

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info