MENU   

Spaces

Exploring Spatial Experiences of Representation and Reception in Screen Media

Sous la direction de

Type
Studies
Sujet
Mots Clés
theory, viewer, locations, intermedia
Année d'édition
Editeur
Amsterdam University Press
Collection
The Key Debates: Mutations and Appropriations in European Film Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover222 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-90-485-6326-5
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion and paradox has been greatly expanded – by the predominance of domestic film viewing, along with new extra-terrestrial perspectives, and the promise of novel kinesthetic experiences with Virtual Reality and “immersion”. The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford’s westerns to Chantal Akerman’s claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller’s Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao’s award-winning NOMADLAND.

À propos de l'auteur :
Ian Christie is a film historian and curator, currently Professor of Film and Media History at Birkbeck, University of London. He is a Fellow of the British Academy and has been a visiting professor and fellow at universities in Chicago, Tampa, Stockholm, Canberra, Paris and Olomouc, and at Gresham College in London 2017-21, as well as Slade Professor of Fine Art at Cambridge University in 2006. He has written and edited books on Powell and Pressburger, Russian cinema, Martin Scorsese and Terry Gilliam; and contributed to many exhibitions

Voir le

> Du même auteur :

What Made Cinema?:Essays on Visual Culture and Early Film

(2025)

Essays on Visual Culture and Early Film

de

Sujet :

The Film Factory:Russian and Soviet Cinema in Documents 1896-1939

(2015)

Russian and Soviet Cinema in Documents 1896-1939

Dir. et

Sujet : Countries >

Audiences

(2012)

Dir.

Sujet :

The Art of Film:John Box and Production Design

(2008)

John Box and Production Design

de

Sujet : Others persons >

The Cinema of Michael Powell:International perspectives on an English Filmmaker

(2005)

International perspectives on an English Filmmaker

Dir. et

Sujet : Director >

The Last Machine:Early Cinema and the Birth of the Modern World

(1995)

Early Cinema and the Birth of the Modern World

de

Sujet :

Inside the Film Factory:New Approaches to Russian and Soviet Cinema

(1994)

New Approaches to Russian and Soviet Cinema

Dir. et

Sujet : Countries >

> Sur un thème proche :

Uncanny Cinema:Agonies of the Viewing Experience

(2023)

Agonies of the Viewing Experience

de

Sujet :

Spectatorship and Film Theory:The Wayward Spectator

(2018)

The Wayward Spectator

de

Sujet :

The Address of the Eye:A Phenomenology of Film Experience

(1991)

A Phenomenology of Film Experience

de

Sujet :

The Structures of the Film Experience by Jean-Pierre Meunier:Historical Assessments and Phenomenological Expansions

(2019)

Historical Assessments and Phenomenological Expansions

Dir. et

Sujet :

Cinematic Cartography:Scale, Analysis, Topography

(2024)

Scale, Analysis, Topography

de

Sujet :

Taking Place:Location and the Moving Image

(2011)

Location and the Moving Image

Dir. et

Sujet :

Cinema of Exploration:Essays on an Adventurous Film Practice

(2022)

Essays on an Adventurous Film Practice

Dir. et

Sujet :

Cinematic Intermediality:Theory and Practice

(2025)

Theory and Practice

Dir. et

Sujet :

16168 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info