Spaces
Exploring Spatial Experiences of Representation and Reception in Screen Media
Edited by Ian Christie
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion and paradox has been greatly expanded – by the predominance of domestic film viewing, along with new extra-terrestrial perspectives, and the promise of novel kinesthetic experiences with Virtual Reality and “immersion”. The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford’s westerns to Chantal Akerman’s claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller’s Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao’s award-winning NOMADLAND.
About the Author:
Ian Christie is a film historian and curator, currently Professor of Film and Media History at Birkbeck, University of London. He is a Fellow of the British Academy and has been a visiting professor and fellow at universities in Chicago, Tampa, Stockholm, Canberra, Paris and Olomouc, and at Gresham College in London 2017-21, as well as Slade Professor of Fine Art at Cambridge University in 2006. He has written and edited books on Powell and Pressburger, Russian cinema, Martin Scorsese and Terry Gilliam; and contributed to many exhibitions
> From the same author:
What Made Cinema? (2025)
Essays on Visual Culture and Early Film
by Ian Christie
Subject: Silent Cinema
The Eisenstein Universe (2022)
Dir. Ian Christie and Julia Vassilieva
Subject: Director > Sergei Eisenstein
Robert Paul and the Origins of British Cinema (2019)
by Ian Christie
Subject: Countries > Great Britain
The Film Factory (2015)
Russian and Soviet Cinema in Documents 1896-1939
Dir. Richard Taylor and Ian Christie
Subject: Countries > Russia / USSR
Eisenstein Rediscovered (2014)
Dir. Ian Christie and Richard Taylor
Subject: Director > Sergei Eisenstein
Smith (2014)
by Ian Christie, Martin Herbert, Kathrin Meyer and Ethan de Seife
Subject: Director > John Smith
The Art of Film (2008)
John Box and Production Design
by Ian Christie
Subject: Others persons > John Box
The Cinema of Michael Powell (2005)
International perspectives on an English Filmmaker
Dir. Ian Christie and Andrew Moor
Subject: Director > Michael Powell
The Last Machine (1995)
Early Cinema and the Birth of the Modern World
by Ian Christie
Subject: Silent Cinema
Inside the Film Factory (1994)
New Approaches to Russian and Soviet Cinema
Dir. Richard Taylor and Ian Christie
Subject: Countries > Russia / USSR
> On a related topic:
The Structures of the Film Experience by Jean-Pierre Meunier (2019)
Historical Assessments and Phenomenological Expansions
Dir. Julian Hanich and Daniel Fairfax
Subject: Film Analysis
Taking Place (2011)
Location and the Moving Image
Dir. John David Rhodes and Elena Gorfinkel
Subject: Theory
Cinema of Exploration (2022)
Essays on an Adventurous Film Practice
Dir. James Leo Cahill and Luca Caminati
Subject: General
Back
