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Publisher: Indiana University Press (199 books)

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•  Biographies (7)    •  Autobiographies (1)    •  Encyclopedias (1)    •  Dictionaries (4)    •  Essays (20)    •  Film Reviews (5)    •  Studies (154)    •  Stories (5)    •  Didactic (1)    •  Filmmakers' writings (1)

•  Biographies (0)    •  Autobiographies (0)    •  Encyclopedias (0)    •  Dictionaries (0)    •  Essays (0)    •  Film Reviews (0)    •  Studies (0)    •  Stories (0)    •  Didactic (0)    •  Filmmakers' writings (0)

•  Biographies (7 books)(0 book)

•  Autobiographies (1 book)(0 book)

•  Encyclopedias (1 book)(0 book)

Cartoons:One Hundred Years of Cinema Animation

(1995)

One Hundred Years of Cinema Animation

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Subject: Genre >

•  Dictionaries (4 books)(0 book)

Frame by Frame III:A Filmography of the African Diasporan Image, 1994-2004

(2007)

A Filmography of the African Diasporan Image, 1994-2004

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Subject: On Films >

Frame by frame II:a filmography of the African American image, 1978-1994

(1997)

a filmography of the African American image, 1978-1994

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Subject: On Films >

•  Essays (20 books)(0 book)

Provocauteurs and Provocations:Screening Sex in 21st Century Media

(2021)

Screening Sex in 21st Century Media

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Sex, Politics, and Comedy:The Transnational Cinema of Ernst Lubitsch

(2020)

The Transnational Cinema of Ernst Lubitsch

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Series: German Jewish Cultures

Subject: Director >

Documentary Across Platforms:Reverse Engineering Media, Place, and Politics

(2019)

Reverse Engineering Media, Place, and Politics

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Subject: Genre >

Pink 2.0:Encoding Queer Cinema on the Internet

(2016)

Encoding Queer Cinema on the Internet

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How a Film Theory Got Lost:and Other Mysteries in Cultural Studies

(2001)

and Other Mysteries in Cultural Studies

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Melodrama and Meaning:History, Culture, and the Films of Douglas Sirk

(1994)

History, Culture, and the Films of Douglas Sirk

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Subject: Director >

The Hollywood Social Problem Film:Madness, despair, and politics from the Depression to the fifties

(1981)

Madness, despair, and politics from the Depression to the fifties

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Subject: Countries >

The Imaginary Signifier:Psychoanalysis and the Cinema

(1977)

Psychoanalysis and the Cinema

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•  Film Reviews (5 books)(0 book)

•  Studies (154 books)(0 book)

Documentary Objectives:Filming Africa from Colonialism to Independence

(2026)

Filming Africa from Colonialism to Independence

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Subject: Countries >

Visualizing Film History:Film Archives and Digital Scholarship

(2025)

Film Archives and Digital Scholarship

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The Ethnographic Optic:Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema

(2024)

Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema

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Series: New Directions in National Cinemas

Subject: Countries >

Traveling Auteurs:The Geopolitics of Postwar Italian Cinema

(2024)

The Geopolitics of Postwar Italian Cinema

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Series: New Directions in National Cinemas

Subject: Countries >

Reorienting the Middle East:Film and Digital Media Where the Persian Gulf, Arabian Sea, and Indian Ocean Meet

(2024)

Film and Digital Media Where the Persian Gulf, Arabian Sea, and Indian Ocean Meet

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Subject: Countries >

Indecent Detroit:Race, Sex, and Censorship in the Motor City

(2023)

Race, Sex, and Censorship in the Motor City

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African Cinema:Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations

(2023)

Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations

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Series: Studies in the Cinema of the Black Diaspora

Subject: Countries >

African Cinema:Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record--Declarations, Resolutions, Manifestos, Speeches

(2023)

Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record--Declarations, Resolutions, Manifestos, Speeches

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Series: Studies in the Cinema of the Black Diaspora

Subject: Countries >

African Cinema:Manifesto and Practice for Cultural Decolonization: Volume 2: FESPACO-Formation, Evolution, Challenges

(2023)

Manifesto and Practice for Cultural Decolonization: Volume 2: FESPACO-Formation, Evolution, Challenges

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Series: Studies in the Cinema of the Black Diaspora

Subject: Countries >

Political Camerawork:Documentary and the Lasting Impact of Reenacting Historical Trauma

(2023)

Documentary and the Lasting Impact of Reenacting Historical Trauma

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Subject: Genre >

Consent Culture and Teen Films:Adolescent Sexuality in Us Movies

(2023)

Adolescent Sexuality in Us Movies

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French B Movies:Suburban Spaces, Universalism, and the Challenge of Hollywood

(2023)

Suburban Spaces, Universalism, and the Challenge of Hollywood

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Series: New Directions in National Cinemas

Subject: Countries >

Animated Film and Disability:Cripping Spectatorship

(2023)

Cripping Spectatorship

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Wandering Women:Urban Ecologies of Italian Feminist Filmmaking

(2022)

Urban Ecologies of Italian Feminist Filmmaking

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Series: New Directions in National Cinemas

Subject: Countries >

You Are Tearing Me Apart, Lisa!:The Year's Work on the Room, the Worst Movie Ever Made

(2022)

The Year's Work on the Room, the Worst Movie Ever Made

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Series: Year's Work: Studies in Fan Culture and Cultural Theory

Subject: One Film >

Remapping Cold War Media:Institutions, Infrastructures, Translations

(2022)

Institutions, Infrastructures, Translations

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White Terror:The Horror Film from Obama to Trump

(2022)

The Horror Film from Obama to Trump

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Theorizing Colonial Cinema:Reframing Production, Circulation, and Consumption of Film in Asia

(2022)

Reframing Production, Circulation, and Consumption of Film in Asia

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Series: New Directions in National Cinemas

Subject: Countries >

Profit Margins:The American Silent Cinema and the Marginalization of Advertising

(2021)

The American Silent Cinema and the Marginalization of Advertising

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Radical Documentary and Global Crises:Militant Evidence in the Digital Age

(2021)

Militant Evidence in the Digital Age

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Subject: Genre >

Casting a Giant Shadow:The Transnational Shaping of Israeli Cinema

(2021)

The Transnational Shaping of Israeli Cinema

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Series: New Directions in National Cinemas

Subject: Countries >

Desire After Dark:Contemporary Queer Cultures and Occultly Marvelous Media

(2021)

Contemporary Queer Cultures and Occultly Marvelous Media

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Subject: Genre >

Spanish Cinema Against Itself:Cosmopolitanism, Experimentation, Militancy

(2020)

Cosmopolitanism, Experimentation, Militancy

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Series: New Directions in National Cinemas

Subject: Countries >

Household Horror:Cinematic Fear and the Secret Life of Everyday Objects

(2020)

Cinematic Fear and the Secret Life of Everyday Objects

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Series: Year's Work: Studies in Fan Culture and Cultural Theory

Subject: Genre >

The Institutionalization of Educational Cinema:North America and Europe in the 1910s and 1920s

(2020)

North America and Europe in the 1910s and 1920s

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Roger Sandall's Films and Contemporary Anthropology:Explorations in the Aesthetic, the Existential, and the Possible

(2019)

Explorations in the Aesthetic, the Existential, and the Possible

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Subject: Director >

Birth of a Nation:The Cinematic Past in the Present

(2019)

The Cinematic Past in the Present

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Subject: One Film >

Migrant Anxieties:Italian Cinema in a Transnational Frame

(2019)

Italian Cinema in a Transnational Frame

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Series: New Directions in National Cinemas

Subject: Countries >

Screening Transcendence:Film Under Austrofascism and the Hollywood Hope, 1933-1938

(2018)

Film Under Austrofascism and the Hollywood Hope, 1933-1938

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Subject: Countries >

The Voice of Technology:Soviet Cinema's Transition to Sound, 1928–1935

(2018)

Soviet Cinema's Transition to Sound, 1928–1935

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Main Street Movies:The History of Local Film in the United States

(2018)

The History of Local Film in the United States

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Series: Cinema and the American Experience

Subject: Countries >

For the Love of Cinema:Teaching Our Passion in and Outside the Classroom

(2017)

Teaching Our Passion in and Outside the Classroom

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Boats on the Marne:Jean Renoir's Critique of Modernity

(2017)

Jean Renoir's Critique of Modernity

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Subject: Director >

Socialist Senses:Film, Feeling, and the Soviet Subject, 1917–1940

(2017)

Film, Feeling, and the Soviet Subject, 1917–1940

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Subject: Countries >

Amateur Movie Making:Aesthetics of the Everyday in New England Film, 1915-1960

(2017)

Aesthetics of the Everyday in New England Film, 1915-1960

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Visions of Avant-Garde Film:Polish Cinematic Experiments from Expressionism to Constructivism

(2016)

Polish Cinematic Experiments from Expressionism to Constructivism

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Subject: Genre >

Descended from Hercules:Biopolitics and the Muscled Male Body on Screen

(2016)

Biopolitics and the Muscled Male Body on Screen

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Series: New Directions in National Cinemas

Subject:

Ex-Centric Migrations:Europe and the Maghreb in Mediterranean Cinema, Literature, and Music

(2016)

Europe and the Maghreb in Mediterranean Cinema, Literature, and Music

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Speaking Pictures:Neuropsychoanalysis and Authorship in Film and Literature

(2016)

Neuropsychoanalysis and Authorship in Film and Literature

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White Robes, Silver Screens:Movies and the Making of the Ku Klux Klan

(2016)

Movies and the Making of the Ku Klux Klan

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Subject: Countries >

African Appropriations:Cultural Difference, Mimesis, and Media

(2015)

Cultural Difference, Mimesis, and Media

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Series: African Expressive Cultures

Subject: Countries >

Ten Arab Filmmakers:Political Dissent and Social Critique

(2015)

Political Dissent and Social Critique

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Subject: Countries >

Nollywood Stars:Media and Migration in West Africa and the Diaspora

(2015)

Media and Migration in West Africa and the Diaspora

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Series: New Directions in National Cinemas

Subject: Countries >

Army Film and the Avant Garde:Cinema and Experiment in the Czechoslovak Military

(2014)

Cinema and Experiment in the Czechoslovak Military

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Subject: Countries >

Locating the Moving Image:New Approaches to Film and Place

(2013)

New Approaches to Film and Place

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Series: Spatial Humanities

Subject:

Global Nollywood:The Transnational Dimensions of an African Video Film Industry

(2013)

The Transnational Dimensions of an African Video Film Industry

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Series: African Expressive Cultures

Subject: Countries >

The B Word:Bisexuality in Contemporary Film and Television

(2013)

Bisexuality in Contemporary Film and Television

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Euro Horror:Classic European Horror Cinema in Contemporary American Culture

(2013)

Classic European Horror Cinema in Contemporary American Culture

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Series: New Directions in National Cinemas

Subject: Genre >

Cinematic Flashes:Cinephilia and Classical Hollywood

(2012)

Cinephilia and Classical Hollywood

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Subject: Studio >

Trash:African Cinema from Below

(2012)

African Cinema from Below

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Subject: Countries >

Jane Campion:Authorship and Personal Cinema

(2011)

Authorship and Personal Cinema

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Subject: Director >

African American Actresses:The Struggle for Visibility, 1900-1960

(2010)

The Struggle for Visibility, 1900-1960

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Subject: Countries >

Screening Strangers:Migration and Diaspora in Contemporary European Cinema

(2010)

Migration and Diaspora in Contemporary European Cinema

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Series: New Directions in National Cinemas

Subject: Countries >

Cinepaternity:Fathers and Sons in Soviet and Post-Soviet Film

(2010)

Fathers and Sons in Soviet and Post-Soviet Film

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Subject: Countries >

Observational Cinema:Anthropology, Film, and the Exploration of Social Life

(2009)

Anthropology, Film, and the Exploration of Social Life

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Italy in Early American Cinema:Race, Landscape, and the Picturesque

(2009)

Race, Landscape, and the Picturesque

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The Picture of Abjection:Film, Fetish, and the Nature of Difference

(2008)

Film, Fetish, and the Nature of Difference

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Scorsese's Men:Melancholia and the Mob

(2005)

Melancholia and the Mob

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Subject: Director >

Cinema's Conversion to Sound:Technology and Film Style in France and the U.S.

(2005)

Technology and Film Style in France and the U.S.

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The

(2005)

From The Golem to Don't Touch My Holocaust

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Series: Helen and Martin Schwartz Lectures in Jewish Studies

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Fort Lee:The Film Town

(2005)

The Film Town

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Beyond the Latin Lover:Marcello Mastroianni, Masculinity, and Italian Cinema

(2004)

Marcello Mastroianni, Masculinity, and Italian Cinema

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Subject: Actor >

African Film:Re-Imagining a Continent

(2004)

Re-Imagining a Continent

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Re-Viewing Fascism:Italian Cinema, 1922-1943

(2002)

Italian Cinema, 1922-1943

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Subject: Countries >

European Film Theory and Cinema:A Critical Introduction

(2001)

A Critical Introduction

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John Ford Made Westerns:Filming the Legend in the Sound Era

(2001)

Filming the Legend in the Sound Era

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Series: Insight Guide Silk Road

Subject: Director >

Straight Lick:The Cinema of Oscar Micheaux

(2000)

The Cinema of Oscar Micheaux

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Struggles for Representation:African American Documentary Film and Video

(2000)

African American Documentary Film and Video

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Subject: Genre >

Uninvited:Classical Hollywood Cinema and Lesbian Representability

(1999)

Classical Hollywood Cinema and Lesbian Representability

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Series: Theories of Representation and Difference

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Masked Men:Masculinity and the Movies in the Fifties

(1997)

Masculinity and the Movies in the Fifties

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Series: Arts and Politics of the Everyday

Subject:

Spielberg S Holocaust:Critical Perspectives on Schindler S List

(1997)

Critical Perspectives on Schindler S List

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Subject: One Film >

Bike Boys, Drag Queens, and Superstars:Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema

(1996)

Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema

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From Mouse to Mermaid:The Politics of Film, Gender, and Culture

(1995)

The Politics of Film, Gender, and Culture

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Subject: Studio >

Nonfiction Film:A Critical History

(1992)

A Critical History

by

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Series: Non-Series
revised and expanded

Subject: Genre >

Reframing Japanese Cinema:Authorship, Genre, History

(1992)

Authorship, Genre, History

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Subject: Countries >

Representing Reality:Issues and Concepts in Documentary

(1992)

Issues and Concepts in Documentary

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Subject: Genre >

Camera Politica:The Politics and Ideology of Contemporary Hollywood Film

(1988)

The Politics and Ideology of Contemporary Hollywood Film

by and

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Eros Plus Massacre:An Introduction to the Japanese New Wave Cinema

(1988)

An Introduction to the Japanese New Wave Cinema

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Series: Midland Book

Subject: Countries >

Acoustic Mirror:The Female Voice in Psychoanalysis and Cinema

(1988)

The Female Voice in Psychoanalysis and Cinema

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Series: Theories of Representation and Difference

Subject:

The Vision of Robert Flaherty: The Artist As Myth and Filmmaker

(1988)

The Artist As Myth and Filmmaker

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Subject: Director >

The Desire to Desire: The Woman's Film of the 1940s

(1987)

The Woman's Film of the 1940s

by

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Subject:

•  Stories (5 books)(0 book)

•  Didactic (1 book)(0 book)

•  Filmmakers' writings (1 book)(0 book)

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