MENU   

Screen/Play

Derrida and Film Theory

de et

Type
Essays
Sujet
Mots Clés
theory, scriptwriting
Année d'édition
Editeur
Princeton University Press
Collection
Princeton Legacy Library
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback224 pages
6 x 8 ½ inches (15 x 21.5 cm)
ISBN
978-0-691-60935-5
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Western thought, especially his notion of "Writing," can be usefully applied to film theory and analysis. They maintain that such an application might even begin to shift film from its traditional position within the visual arts to a new place in the media and information sciences. This book also supplies a fascinating introduction to Derrida for the general reader. The authors begin by explaining, in political terms, why film theorists have neglected Derrida's work. Next they offer a Derridean critique of the assumptions of contemporary film studies. Then, drawing on his recently translated The Truth in Painting as well as on other, relatively unknown texts such as Droit de regards, they discuss his ideas in relation to the cinema and present two film analyses--of Truffaut's The Bride Wore Black and of Lynch's Blue Velvet--that attempt to demonstrate the notion of an "anagrammatical," radical reading practice. Finally, they focus on Derrida's neglected book, The Post Card, and situate cinema in terms of a new definition of the technological.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Voir le

> Des mêmes auteurs :

Audrey:The 50s

(2016)

The 50s

de

Sujet : Actor >

Marilyn:In the Flash

(2015)

In the Flash

de

Sujet : Actor >

Audrey:The 60s

(2012)

The 60s

de

Sujet : Actor >

Marilyn Monroe:Metamorphosis: A Comprehensive Photographic Journey and Visual Biography of a Hollywood Icon―With Film Stills and Rare, Never-Before-Published Images

(2011)

Metamorphosis: A Comprehensive Photographic Journey and Visual Biography of a Hollywood Icon―With Film Stills and Rare, Never-Before-Published Images

de

Sujet : Actor >

Shoot the Piano Player: François Truffaut, Director

(1993)

François Truffaut, Director

Dir.

Sujet : One Film >

> Sur un thème proche :

The Screenwriters Taxonomy:A Roadmap to Collaborative Storytelling

(2017)

A Roadmap to Collaborative Storytelling

de

Sujet :

Fast Forward:The Future(s) of the Cinematic Arts

(2016)

The Future(s) of the Cinematic Arts

de

Sujet :

The Monomyth Reboot:A Transmodern Update for Mythopoeia

(2026)

A Transmodern Update for Mythopoeia

de

Sujet :

Cinema Between Media:An Intermediality Approach

(2018)

An Intermediality Approach

de et

Sujet :

Radical Embodiment on Film:Time and the Cinematic Body

(2026)

Time and the Cinematic Body

Dir. et

Sujet :

17296 livres recensés   •   (c)2024-2026 cinemabooks.info   •     •   Politique de confidentialité
Les livres en français sont sur www.livres-cinema.info