Les livres en français sont sur www.livres-cinema.info
MENU   

The Moving Form of Film

Historicising the Medium through Other Media

Sous la direction de Lúcia Nagib et Stefan Solomon

Type
Studies
Sujet
Theory
Mots Clés
theory, evolution, modernism
Année d'édition
2023
Editeur
Oxford University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 344 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-19-762171-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
• Offers new ways of thinking about intermediality as a historiographic method
• Uses parallel histories of other arts and medio to interrogates the dominant linear historical trajectory of cinema evolving from 'classical' to 'modern'
• Responds to debates about cinema's medium specificity by exploring film as a 'moving' form that has developed in unpredictable ways over the course of the last century

The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history. Evolutionary narratives of cinema have traditionally adopted the Second World War as a watershed that separates 'classical' Hollywood films from 'modern' European productions, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes.

Taking an ambitious step forward with relation to these approaches, this book focuses on the fluid quality of the film form by exploring an array of exciting and often neglected artistic expressions worldwide as they compare and interconnect films across temporal, geographical, and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, the chapters aspire to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium.

À propos des auteurs :
Edited by Lúcia Nagib, Professor of Film, University of Reading, and Edited by Stefan Solomon, Senior Lecturer in Media Studies, Macquarie University Lúcia Nagib is Professor of Film at the University of Reading. Stefan Solomon is Senior Lecturer in Media Studies at Macquarie University

Revue de Presse:
"This is a truly remarkable volume, not just on account of its list of distinguished contributors. Using intermediality as its method, this collection manages to establish this most precious of balance: a study of film form that never loses sight of the medium's historicity. Naguib and Solomon's book literally brims with useful theorizations and concepts." - Martine Beugnet, Université de Paris

Voir le site internet de l'éditeur Oxford University Press

> Des mêmes auteurs :

Incomplete:The Feminist Possibilities of the Unfinished Film

Incomplete (2023)

The Feminist Possibilities of the Unfinished Film

Dir. Alix Beeston et Stefan Solomon

Sujet : Sociology

Realist Cinema as World Cinema:Non-Cinema, Intermedial Passages, Total Cinema

Realist Cinema as World Cinema (2020)

Non-Cinema, Intermedial Passages, Total Cinema

de Lúcia Nagib

Sujet : Countries > World

Impure Cinema:Intermedial and Intercultural Approaches to Film

Impure Cinema (2013)

Intermedial and Intercultural Approaches to Film

Dir. Lúcia Nagib et Anne Jerslev

Sujet : Theory

> Sur un thème proche :

Technology and Film Scholarship:Experience, Study, Theory

Technology and Film Scholarship (2018)

Experience, Study, Theory

Dir. Santiago Hidalgo

Sujet : Theory

Framed Time:Toward a Postfilmic Cinema

Framed Time (2008)

Toward a Postfilmic Cinema

de Garrett Stewart

Sujet : Theory

Cinematic Modernism and Contemporary Film:Aesthetics and Narrative in the International Art Film

Cinematic Modernism and Contemporary Film (2024)

Aesthetics and Narrative in the International Art Film

de Howard Finn

Sujet : Theory

Modernist Montage:The Obscurity of Vision in Cinema and Literature

Modernist Montage (1992)

The Obscurity of Vision in Cinema and Literature

de P. Adams Sitney

Sujet : Theory

The Crisis of Political Modernism:Criticism and Ideology in Contemporary Film Criticism

The Crisis of Political Modernism (1995)

Criticism and Ideology in Contemporary Film Criticism

de D. N. Rodowick

Sujet : Film Analysis

A Chronology of Film:A Cultural Timeline from the Magic Lantern to the Digital Screen

A Chronology of Film (2025)

A Cultural Timeline from the Magic Lantern to the Digital Screen

de Ian Haydn Smith

Sujet : Theory

13613 livres recensés   •   (c)2024-2025 cinemabooks.info   •