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How Film Histories Were Made

Materials, Methods, Discourses

Edited by Malte Hagener and Yvonne Zimmermann

Type
Studies
Subject
History of Cinema
Keywords
history of cinema, theory
Publishing date
2023
Publisher
Amsterdam University Press
Collection
Film Culture in Transition
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 530 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-94-6372-406-7
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Book Presentation:
This book is specifically dedicated to film history's own history: It provides insights into the fabrication of film histories and the discourses on their materials and methods in the past in order to better understand and reconsider film history today. The interventions unpack unspoken assumptions and hidden agendas that determine film historiography until today, also with the aim to act as a critical reflection on the potential future orientation of the field. The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked. It explores past and ongoing processes of doing, undoing and redoing film history. Thereby, in a self-reflective gesture, it also draws attention to our own work as film historians.

About the authors:
Malte Hagener is Professor of Media and Film Studies at Philipps-Universität Marburg, Germany. His publications include (with Thomas Elsaesser) Film Theory. An Introduction through the Senses (Routledge 2010, 2nd revised edition 2015). He is the co-editor of Handbuch Filmanalyse (Wiesbaden: Springer 2020; with Volker Pantenburg) and the editor of The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945. London: Berghahn 2014.

Yvonne Zimmermann is Professor of Media Studies at Philipps-University Marburg. Recent books include the co-authored Advertising and the Transformation of Screen Cultures>/cite> (AUP 2021) and the co-edited Films That Work Harder: The Global Circulations of Industrial Cinema (AUP 2023). She is the editor of a special issue on Asta Nielsen, the film star system and the introduction of the long feature film in Early Popular Visual Culture (2021).

See the publisher website: Amsterdam University Press

> From the same authors:

Films That Work Harder:The Circulation of Industrial Film

Films That Work Harder (2023)

The Circulation of Industrial Film

Dir. Vinzenz Hediger, Florian Hoof and Yvonne Zimmermann

Subject: Economics

The Emergence of Film Culture:Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945

The Emergence of Film Culture (2017)

Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945

Dir. Malte Hagener

Subject: History of Cinema

Film Theory:An Introduction through the Senses

Film Theory (2015)

An Introduction through the Senses

by Thomas Elsaesser and Malte Hagener

Subject: Theory

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