Post-Westerns

Cinema, Region, West

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de Neil Campbell

Type

Essays

Sujet

Genre > Western

Mots Clés

western, theory, sociology

Année d'édition

2013

Editeur

University of Nebraska Press

Collection

Postwestern Horizons

Langue

anglais

Taille du livre

Format

Hardcover • 432 pages
6 ¼ x 9 inches (16 x 23 cm)

ISBN

978-0-8032-3476-5

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Description de l'ouvrage:
During the post-World War II period, the Western, like America’s other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply “maintaining its empty frame.” Yet this frame is far from empty, as Post-Westerns shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Rancière, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films—including Bad Day at Black Rock, The Misfits, Lone Star, Easy Rider, Gas Food Lodging, Down in the Valley, and No Country for Old Men—reconfigures our notions of region and nation, the Western, and indeed the West itself.

Campbell suggests that post-Westerns are in fact “ghost-Westerns,” haunted by the earlier form’s devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values.

À propos de l'auteur :
Neil Campbell is professor of American studies and senior research fellow at the University of Derby, England. He is the author of The Rhizomatic West: Representing the West in the Global, Media Age (Nebraska, 2008) and the editor of, most recently, Photocinema: The Creative Edges of Photography and Film.

Revue de Presse:
"Readers of western history and literature and, of course, fans of the Western will find Campbell's insights and interpretations a compelling reason to revisit the post-Westerns he analyzes so well."—Leonard Engel, Western Historical Quarterly

"This is the work of a mature, well-informed scholar very much at the top of his game."—James F. Scott, Western American Literature

"Post-Westerns is distinguished by its theoretical sophistication, its brilliant close readings of the form and content of a diversity of modern and contemporary films, and its close meditation on the potential politics associated with such films [as they] address the intersection of memory, identity, and history."—Stephen Tatum, author of In the Remington Moment
Published On: 2013-07-08

Voir le site internet de l'éditeur University of Nebraska Press