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Publisher: University of Chicago Press (95 books)

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•  Biographies (1)    •  Autobiographies (2)    •  Essays (7)    •  Film Reviews (6)    •  Studies (71)    •  Interviews (1)    •  Stories (4)    •  Photos (1)    •  Didactic (1)    •  Filmmakers' writings (1)

•  Biographies (0)    •  Autobiographies (0)    •  Essays (0)    •  Film Reviews (0)    •  Studies (0)    •  Interviews (0)    •  Stories (0)    •  Photos (0)    •  Didactic (0)    •  Filmmakers' writings (0)

•  Biographies (1 book)(0 book)

•  Autobiographies (2 books)(0 book)

•  Essays (7 books)(0 book)

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

(2025)

Essays on History, Theory, and the Avant-Garde

by

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Cinemachines:An Essay on Media and Method

(2020)

An Essay on Media and Method

by

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Filmed Thought:Cinema as Reflective Form

(2019)

Cinema as Reflective Form

by

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The Philosophical Hitchcock:Vertigo and the Anxieties of Unknowingness

(2019)

Vertigo and the Anxieties of Unknowingness

by

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Subject: One Film >

Under a Bad Sign:Criminal Self-Representation in African American Popular Culture

(2011)

Criminal Self-Representation in African American Popular Culture

by

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Consuming Youth:Vampires, Cyborgs, and the Culture of Consumption

(2002)

Vampires, Cyborgs, and the Culture of Consumption

by

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•  Film Reviews (6 books)(0 book)

•  Studies (71 books)(0 book)

Robert Bresson:Cinematic Style as Philosophy

(2026)

Cinematic Style as Philosophy

by

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Subject: Director >

Outback:Westerns in Australian Cinema

(2024)

Westerns in Australian Cinema

by

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Subject: Genre >

Losing the Plot:Film and Feeling in the Modern Novel

(2023)

Film and Feeling in the Modern Novel

by

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Subject: Technique >

Hitchcock:The Making of a Reputation

(2022)

The Making of a Reputation

by

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Subject: Director >

The New Female Antihero:The Disruptive Women of Twenty-First-Century US Television

(2022)

The Disruptive Women of Twenty-First-Century US Television

by and

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The Modern Myths:Adventures in the Machinery of the Popular Imagination

(2021)

Adventures in the Machinery of the Popular Imagination

by

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Against the Avant-Garde:Pier Paolo Pasolini, Contemporary Art, and Neocapitalism

(2020)

Pier Paolo Pasolini, Contemporary Art, and Neocapitalism

by

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Subject: Director >

Coming Together:The Cinematic Elaboration of Gay Male Life, 1945-1979

(2019)

The Cinematic Elaboration of Gay Male Life, 1945-1979

by

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Hollywood in Havana:US Cinema and Revolutionary Nationalism in Cuba before 1959

(2019)

US Cinema and Revolutionary Nationalism in Cuba before 1959

by

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Subject: Countries >

The Ashtray:(Or the Man Who Denied Reality)

(2018)

(Or the Man Who Denied Reality)

by

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New Television:The Aesthetics and Politics of a Genre

(2017)

The Aesthetics and Politics of a Genre

by

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Subject: Genre >

Reinventing Hollywood:How 1940s Filmmakers Changed Movie Storytelling

(2017)

How 1940s Filmmakers Changed Movie Storytelling

by

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Warhol's Working Class:Pop Art and Egalitarianism

(2017)

Pop Art and Egalitarianism

by

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Subject: Director >

Representing Talent:Hollywood Agents and the Making of Movies

(2017)

Hollywood Agents and the Making of Movies

by

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The Bond of the Furthest Apart:Essays on Tolstoy, Dostoevsky, Bresson, and Kafka

(2017)

Essays on Tolstoy, Dostoevsky, Bresson, and Kafka

by

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Subject: Director >

Documenting the World:Film, Photography, and the Scientific Record

(2016)

Film, Photography, and the Scientific Record

Dir. and

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Subject: Genre >

From Reverence to Rape:The Treatment of Women in the Movies

(2016)

The Treatment of Women in the Movies

by

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Series: Non-Series
Third Edition

Subject:

Nollywood:The Creation of Nigerian Film Genres

(2016)

The Creation of Nigerian Film Genres

by

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Subject: Countries >

A Place for Us:“West Side Story” and New York

(2016)

“West Side Story” and New York

by

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Subject: One Film >

House Full:Indian Cinema and the Active Audience

(2016)

Indian Cinema and the Active Audience

by

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Series: Fieldwork Encounters and Discoveries

Subject: Countries >

The Rhapsodes:How 1940s Critics Changed American Film Culture

(2016)

How 1940s Critics Changed American Film Culture

by

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Preserving the Spell:Basile's

(2015)

Basile's "The Tale of Tales" and Its Afterlife in the Fairy-Tale Tradition

by

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Subject: Genre >

Off-Screen Cinema:Isidore Isou and the Lettrist Avant-Garde

(2015)

Isidore Isou and the Lettrist Avant-Garde

by

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Subject: Genre >

Closed Circuits:Screening Narrative Surveillance

(2015)

Screening Narrative Surveillance

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An Archaeology of Sympathy:The Sentimental Mode in Literature and Cinema

(2013)

The Sentimental Mode in Literature and Cinema

by

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It's Alive!:The Science of B-Movie Monsters

(2013)

The Science of B-Movie Monsters

by

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Series: Chicago Shorts

Subject: On Films >

Conjugations:Marriage and Form in New Bollywood Cinema

(2012)

Marriage and Form in New Bollywood Cinema

by

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Series: South Asia Across the Disciplines

Subject: Countries >

Minding Movies:Observations on the Art, Craft, and Business of Filmmaking

(2011)

Observations on the Art, Craft, and Business of Filmmaking

by and

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The Adventure of the Real:Jean Rouch and the Craft of Ethnographic Cinema

(2010)

Jean Rouch and the Craft of Ethnographic Cinema

by

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Subject: Director >

A Grammar of Murder:Violent Scenes and Film Form

(2009)

Violent Scenes and Film Form

by

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The Resurrection of the Body:Pier Paolo Pasolini from Saint Paul to Sade

(2009)

Pier Paolo Pasolini from Saint Paul to Sade

by

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Subject: Director >

Framed Time:Toward a Postfilmic Cinema

(2008)

Toward a Postfilmic Cinema

by

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Series: Cinema and Modernity

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Possessed:Hypnotic Crimes, Corporate Fiction, and the Invention of Cinema

(2008)

Hypnotic Crimes, Corporate Fiction, and the Invention of Cinema

by

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Series: Cinema and Modernity

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Screening Modernism:European Art Cinema, 1950-1980

(2008)

European Art Cinema, 1950-1980

by

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Series: Cinema and Modernity

Subject: Countries >

It's So French!:Hollywood, Paris, and the Making of Cosmopolitan Film Culture

(2007)

Hollywood, Paris, and the Making of Cosmopolitan Film Culture

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Mel Gibson's Bible:Religion, Popular Culture, and

(2005)

Religion, Popular Culture, and "The Passion of the Christ"

Dir. and

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Series: Afterlives of the Bible

Subject: One Film >

The Big Tomorrow:Hollywood and the Politics of the American Way

(2002)

Hollywood and the Politics of the American Way

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Fire and Desire:Mixed-Race Movies in the Silent Era

(2001)

Mixed-Race Movies in the Silent Era

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Picturing Culture:Explorations of Film and Anthropology

(2000)

Explorations of Film and Anthropology

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Between Film and Screen:Modernism's Photo Synthesis

(2000)

Modernism's Photo Synthesis

by

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Cop Knowledge:Police Power and Cultural Narrative in Twentieth-Century America

(2000)

Police Power and Cultural Narrative in Twentieth-Century America

by

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A Thousand Screenplays:The French Imagination in a Time of Crisis

(1999)

The French Imagination in a Time of Crisis

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Public Enemies, Public Heroes:Screening the Gangster from Little Caesar to Touch of Evil

(1999)

Screening the Gangster from Little Caesar to Touch of Evil

by

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Subject: Genre >

Early Cinema in Russia:and Its Cultural Reception

(1998)

and Its Cultural Reception

by

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Subject: Countries >

Westerns:Making the Man in Fiction and Film

(1998)

Making the Man in Fiction and Film

by

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Subject: Genre >

Contesting Tears:The Hollywood Melodrama of the Unknown Woman

(1997)

The Hollywood Melodrama of the Unknown Woman

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Jammin' at the Margins:Jazz and the American Cinema

(1996)

Jazz and the American Cinema

by

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Subject: Technique >

Picturing Time:The Work of Etienne-Jules Marey (1830-1904)

(1995)

The Work of Etienne-Jules Marey (1830-1904)

by

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Before Mickey:The Animated Film 1898-1928

(1993)

The Animated Film 1898-1928

by

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Subject: Genre >

Innovation in Ethnographic Film:From Innocence to Self-Consciousness, 1955-1985

(1993)

From Innocence to Self-Consciousness, 1955-1985

by

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Subject: Genre >

The Cinematic Griot:The Ethnography of Jean Rouch

(1992)

The Ethnography of Jean Rouch

by

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Subject: Director >

Film Language:A Semiotics of the Cinema

(1990)

A Semiotics of the Cinema

by

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Novel and Film:Essays in Two Genres

(1985)

Essays in Two Genres

by

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Screening Out the Past:The Birth of Mass Culture and the Motion Picture Industry

(1983)

The Birth of Mass Culture and the Motion Picture Industry

by

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The Comic Mind:Comedy and the Movies

(1979)

Comedy and the Movies

by

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(previous edition)

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•  Interviews (1 book)(0 book)

•  Stories (4 books)(0 book)

Nixon at the Movies:A Book about Belief

(2012)

A Book about Belief

by

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In Excess:Sergei Eisenstein's Mexico

(2009)

Sergei Eisenstein's Mexico

by

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Series: Cinema and Modernity

Subject: One Film >

Shoot!:The Notebooks of Serafino Gubbio, Cinematograph Operator

(2006)

The Notebooks of Serafino Gubbio, Cinematograph Operator

by

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Series: Cinema and Modernity

Subject: Technique >

•  Photos (1 book)(0 book)

Still:American Silent Motion Picture Photography

(2013)

American Silent Motion Picture Photography

by

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•  Didactic (1 book)(0 book)

The World in a Frame:What We See in Films, 25th Anniversary Edition

(2002)

What We See in Films, 25th Anniversary Edition

by

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Subject: Countries >

•  Filmmakers' writings (1 book)(0 book)

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