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The Major Realist Film Theorists

A Critical Anthology

Edited by

Type
Studies
Subject
Keywords
theory, John Grierson, Siegfried Kracauer, André Bazin, Georg Lukács
Publishing date
Publisher
Edinburgh University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover240 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-4744-0221-7
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Book Presentation:
A critical re-examination of four major realist film theorists

From the 1910s to the emergence of structuralism and post-structuralism in the 1960s, the writings of John Grierson, Siegfried Kracauer, André Bazin and Georg Lukács dominated realist film theory. In this critical anthology, the first collection to address their work in one volume, a wide range of international scholars explore the interconnections between their ideas and help generate new understandings of this important, if neglected, field. Challenging preconceptions about ‘classical’ theory and the nature of realist representation, and in the process demonstrating how this body of work can be seen as a cohesive theoretical model, this invaluable collection will help return the realist paradigm of film theory to the forefront of academic enquiry.

Contributors include
• Ian Aitken, Hong Kong Baptist University
• Scott Anthony, Nanyang Technological University, Singapore
• Gary Evans, University of Ottawa
• Tara Forrest, University of Technology, Sydney
• Ramona Fotiade, University of Glasgow
• Angelos Koutsourakis, University of Queensland
• Henry K. Miller, Cambridge University
• Seung-hoon Jeong, New York University, Abu Dhabi
• Pierre Sorlin, Sorbonne University, Paris
• Temenuga Trifonova, York University, Toronto
• Tyson Wils, RMIT University, Melbourne, Australia
• Xu Yaping, China University of Political Science and Law

About the Author:
Ian Aitken is Professor of Film Studies at the School of Communication, Hong Kong Baptist University. His publications include Hong Kong Documentary Film (2014), Lukácsian Film Theory and Cinema: An Analysis of Georg Lukács’ Writings on Film 1913-1971 (2012), The Major Realist Film Theorists, (2016), Colonial Documentary Film in South and South-East Asian (2016) and Cinematic Realism (2020).

See the

> From the same author:

Cinematic Realism:Lukács, Kracauer and Theories of the Filmic Real

(2020)

Lukács, Kracauer and Theories of the Filmic Real

by

Subject:

The British Official Film in South-East Asia:Malaya/Malaysia, Singapore and Hong Kong

(2016)

Malaya/Malaysia, Singapore and Hong Kong

by

Subject: Countries >

Film and Reform:John Grierson and the Documentary Film Movement

(2016)

John Grierson and the Documentary Film Movement

by

Subject: Director >

Lukácsian Film Theory and Cinema:A Study of Georg Lukács' Writing on Film 1913-1971

(2012)

A Study of Georg Lukács' Writing on Film 1913-1971

by

Subject:

Realist Film Theory and Cinema:The Nineteenth-Century Lukácsian and Intuitionist Realist Traditions

(2006)

The Nineteenth-Century Lukácsian and Intuitionist Realist Traditions

by

Subject:

European Film Theory and Cinema:A Critical Introduction

(2001)

A Critical Introduction

by

Subject: Countries >

European Film Theory and Cinema:A Critical Introduction

(2001)

A Critical Introduction

by

Subject: Countries >

> On a related topic:

The Major Film Theories:An Introduction

(1976)

An Introduction

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Subject:

Cinema and Experience:Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno

(2011)

Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno

Dir.

Subject:

Theory of Film:The Redemption of Physical Reality

(1997)

The Redemption of Physical Reality

by

Subject:

Siegfried Kracauer:An Introduction

(2000)

An Introduction

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Subject:

The Practical Critic:André Bazin on Film, 1945-1958

(2023)

André Bazin on Film, 1945-1958

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Subject:

André Bazin's Film Theory:Art, Science, Religion

(2020)

Art, Science, Religion

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Subject:

Opening Bazin:Postwar Film Theory and Its Afterlife

(2011)

Postwar Film Theory and Its Afterlife

Dir. and

Subject:

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