Philosophy of Film Without Theory
Sous la direction de Craig Fox et Britt Harrison
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Description de l'ouvrage:
This book challenges the long-standing presumption that serious philosophical engagement with film and television must be theoretical. It demonstrates, by example, how philosophy of film and film studies can move beyond the methodological assumption that understands philosophical to mean theoretical. In seventeen specially commissioned essays, one in-depth interview, and one reprint, leading philosophers and film scholars exploit the approaches, arguments, and insights of Ludwig Wittgenstein, Stanley Cavell, Iris Murdoch, Augustine, Berys Gaut, Noël Carroll, and Ordinary Language Philosophy, in exploring, amongst others, Gravity, Lone Star, The Handmaid’s Tale, Le notti di Cabiria, Dunkirk, L'Année dernière à Marienbad, Visitors, The Night it Rained, Philadelphia Story, Shoah, Mary Magdalene, Psycho, Blue Jasmine, Three Colours: Red, War Games, and Histoire(s) du Cinéma. In so doing, this collection argues forthe power of theory-free philosophy and film studies as a way to expand our humanistic understanding.
À propos des auteurs :
Craig Fox is Professor of Philosophy at Pennsylvania Western University, USA. He teaches courses in logic, aesthetics, and the history of philosophy. Recently, he has been working on pieces of an overall project focused on aesthetics as a path into understanding the significance and relevance of Wittgenstein’s later thought. Britt Harrison is an Independent Scholar with PhDs in philosophy from the University of York, UK, (2022) and the University of Hertfordshire, UK, (2012). She is also a film producer, screenwriter, and script consultant.
Revue de Presse:
"In many ways, this edited collection of eighteen original essays represents both a second wave in post-theory film-thinking, and an entirely new point of departure. … This book follows in the path of titles such as Read and Goodenough’s Film as Philosophy (2005) … as an extremely welcome contribution to the field, whose variety provides much ground for future dialogue." (Alexis Gibbs, Film and Philosophy, Vol. 28, 2024)
> Sur un thème proche :
Jung and Film II (2011)
The Return: Further Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke et Luke Hockley
Sujet : Film Analysis
Jung and Film (2001)
Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke et Ian Alister
Sujet : Film Analysis
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance et R. Barton Palmer
Sujet : Theory
Tuitions and Intuitions (2019)
Essays at the Intersection of Film Criticism and Philosophy
Sujet : Film Analysis
Critical Terms for Media Studies (2010)
Dir. W. J. T. Mitchell et Mark B. N. Hansen
Sujet : Film Analysis
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