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Film Theory and Contemporary Hollywood Movies
Sous la direction de Warren Buckland
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Description de l'ouvrage:
Film theory no longer gets top billing or plays a starring role in film studies today, as critics proclaim that theory is dead and we are living in a post-theory moment. While theory may be out of the limelight, it remains an essential key to understanding the full complexity of cinema, one that should not be so easily discounted or discarded.
In this volume, contributors explore recent popular movies through the lens of film theory, beginning with industrial-economic analysis before moving into a predominately aesthetic and interpretive framework. The Hollywood films discussed cover a wide range from 300 to Fifty First Dates, from Brokeback Mountain to Lord of the Rings, from Spider-Man 3 to Fahrenheit 9/11, from Saw to Raiders of the Lost Ark, and much more. Individual essays consider such topics as the rules that govern new blockbuster franchises, the ‘posthumanist realism’ of digital cinema, video game adaptations, increasingly restricted stylistic norms, the spatial stories of social networks like YouTube, the mainstreaming of queer culture, and the cognitive paradox behind enjoyable viewing of traumatic events onscreen.
With its cast of international film scholars, Film Theory and Contemporary Hollywood Movies demonstrates the remarkable contributions theory can offer to film studies and moviegoers alike.
À propos de l'auteur :
Warren Buckland is Senior Lecturer in Film Studies at Oxford Brookes University. His authored and edited books include Puzzle Films, Directed by Steven Spielberg, Studying Contemporary American Film (with Thomas Elsaesser), and The Cognitive Semiotics of Film. He also edits the New Review of Film and Television Studies.
Revue de Presse:
"this is an audacious, thoughtful volume that demands close attention...Highly recommended." -CHOICE
Voir le site internet de l'éditeur Routledge
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Selected Interviews on Film Theory
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The Routledge Encyclopedia of Film Theory (2015)
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> Sur un thème proche :
Special Affects (2014)
Cinema, Animation and the Translation of Consumer Culture
de Eric Jenkins
Sujet : Theory
Looking Past the Screen (2007)
Case Studies in American Film History and Method
Dir. Jon Lewis et Eric Smoodin
Sujet : Countries > United States
Taking Fiction Film Seriously (2025)
A Philosophical Approach to Cinema Studies
de Mario Slugan
Sujet : Theory
The Attractions of the Moving Image (2025)
Essays on History, Theory, and the Avant-Garde
de Tom Gunning
Sujet : Theory
Contemporary Screen Ethics (2025)
Absences, Identities, Belonging, Looking Anew
Dir. Lucy Bolton, David Martin-Jones et Robert Sinnerbrink
Sujet : Theory
Towards a Film Theory from Below (2025)
Archival Film and the Aesthetics of the Crack-Up
de Jiri Anger
Sujet : Theory
Cinecepts, Deleuze, and Godard-Miéville (2025)
Developing Philosophy through Audiovisual Media
Sujet : Theory
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