MENU   

Mists of Regret

Culture and Sensibility in Classic French Film

by

Type
Studies
Subject
Countries
Keywords
France, social aspects, 1930s, theory
Publishing date
Publisher
Princeton University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback384 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-691-00883-3
978-0-691-00883-7
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carn , Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made.

Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.

About the Author:
Dudley Andrew is Professor of Film Studies at the University of Iowa and the author of numerous works on film theory and the history of film, including Film in the Aura of Art (Princeton).

See the

> From the same author:

French Cinema:A Very Short Introduction

(2023)

A Very Short Introduction

by

Subject: Countries >

Opening Bazin:Postwar Film Theory and Its Afterlife

(2011)

Postwar Film Theory and Its Afterlife

Dir. and

Subject:

The Gorgon's Gaze:German Cinema, Expressionism, and the Image of Horror

(1991)

German Cinema, Expressionism, and the Image of Horror

by , and

Subject: Genre >

Breathless:Jean-Luc Godard, director

(1988)

Jean-Luc Godard, director

by

Subject: One Film >

> On a related topic:

Mixed Feelings in France:White Femininity and Métissage in French Multicultural Comedy

(2025)

White Femininity and Métissage in French Multicultural Comedy

by

Subject: Countries >

French B Movies:Suburban Spaces, Universalism, and the Challenge of Hollywood

(2023)

Suburban Spaces, Universalism, and the Challenge of Hollywood

by

Subject: Countries >

Bastards at Work:Universal Lessons on Bullying from Contemporary French Storytelling

(2021)

Universal Lessons on Bullying from Contemporary French Storytelling

by

Subject: Countries >

Reframing Difference:Beur and Banlieue Filmmaking in France

(2005)

Beur and Banlieue Filmmaking in France

by

Subject: Countries >

The French Screen Goddess:Film Stardom and the Modern Woman in 1930s France

(2015)

Film Stardom and the Modern Woman in 1930s France

by

Subject: Countries >

16917 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info