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Publisher: Manchester University Press (249 books)

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•  Biographies (5)    •  Encyclopedias (1)    •  Essays (19)    •  Film Reviews (1)    •  Studies (217)    •  Stories (1)    •  Didactic (5)

•  Biographies (0)    •  Encyclopedias (0)    •  Essays (0)    •  Film Reviews (0)    •  Studies (0)    •  Stories (0)    •  Didactic (0)

•  Biographies (5 books)(0 book)

•  Encyclopedias (1 book)(0 book)

•  Essays (19 books)(0 book)

New Basque Gothic:Trauma, screen media and transnationalism

(2025)

Trauma, screen media and transnationalism

by

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Subject: Genre >

Beyond observation:A history of authorship in ethnographic film

(2020)

A history of authorship in ethnographic film

by

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Series: Anthropology, Creative Practice and Ethnography

Subject: Genre >

Why theory?:Cultural critique in film and television

(2017)

Cultural critique in film and television

by

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Subject:

Partners in Suspense:Critical Essays on Bernard Herrmann and Alfred Hitchcock

(2016)

Critical Essays on Bernard Herrmann and Alfred Hitchcock

Dir. and

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Subject: Director >

Classical Hollywood Cinema:Point of View and Communication

(2015)

Point of View and Communication

by

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Subject: Studio >

The Reality of Film:Theories of Filmic Reality

(2010)

Theories of Filmic Reality

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Film Theory:An Introduction

(2006)

An Introduction

by and

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Series: Non-Series
second edition

Subject:

Film Stars:Hollywood and Beyond

(2004)

Hollywood and Beyond

Dir.

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Series: Inside Popular Film

Subject:

The Art of Record:A Critical Introduction

(1996)

A Critical Introduction

by

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Subject: Genre >

•  Film Reviews (1 book)(0 book)

•  Studies (217 books)(0 book)

Folk horror on film:Return of the British repressed

(2025)

Return of the British repressed

Dir. and

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Subject: Genre >

Global London on screen:Visitors, cosmopolitans and migratory cinematic visions of a superdiverse city

(2025)

Visitors, cosmopolitans and migratory cinematic visions of a superdiverse city

Dir. and

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Subject: On Films >

Beyond the BBFC:Local and regional film censorship in the UK

(2025)

Local and regional film censorship in the UK

by

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Subject: Countries >

Screening Sherlock:A Cultural History of the Great Detective on Film and Television

(2025)

A Cultural History of the Great Detective on Film and Television

by

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Series: Multiplexities

Subject: Genre >

Public Information Films:British Government Film Units, 1930-52

(2024)

British Government Film Units, 1930-52

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States of Danger and Deceit:The European Political Thriller in the 1970s

(2024)

The European Political Thriller in the 1970s

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Mothers on American Television:From Here to Maternity

(2023)

From Here to Maternity

by

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Screen Borders:From Calais to Cinéma-Monde

(2023)

From Calais to Cinéma-Monde

by

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Dreams and Atrocity:The Oneiric in Representations of Trauma

(2023)

The Oneiric in Representations of Trauma

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The Art of the Observer:A Personal View of Documentary

(2022)

A Personal View of Documentary

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Subject: Genre >

Sean Connery:Acting, Stardom and National Identity

(2022)

Acting, Stardom and National Identity

by

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Subject: Actor >

Reframing Remembrance:Contemporary French Cinema and the Second World War

(2021)

Contemporary French Cinema and the Second World War

by

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Subject: Countries >

Hammer and Beyond:The British Horror Film

(2021)

The British Horror Film

by and

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Subject: Genre >

The Blunt Affair:Official Secrecy and Treason in Literature, Television and Film, 1980-89

(2020)

Official Secrecy and Treason in Literature, Television and Film, 1980-89

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Charlotte Gainsbourg:Transnational and Transmedia Stardom

(2020)

Transnational and Transmedia Stardom

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Subject: Actress >

Serial Shakespeare:An Infinite Variety of Appropriations in American TV Drama

(2020)

An Infinite Variety of Appropriations in American TV Drama

by

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Subject: Technique >

The Spanish Quinqui Film:Delinquency, Sound, Sensation

(2020)

Delinquency, Sound, Sensation

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Subject: Countries >

British Art Cinema:Creativity, Experimentation and Innovation

(2019)

Creativity, Experimentation and Innovation

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Subject: Countries >

Four from the Forties:Arliss, Crabtree, Knowles and Huntington

(2018)

Arliss, Crabtree, Knowles and Huntington

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Series: British Film Makers

Subject: Countries >

Screening the Paris Suburbs:From the Silent Era to the 1990s

(2018)

From the Silent Era to the 1990s

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Subject: Countries >

The Playboy and James Bond:007, Ian Fleming and Playboy Magazine

(2018)

007, Ian Fleming and Playboy Magazine

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Subject: One Film >

Decentring France:Multilingualism and Power in Contemporary French Cinema

(2017)

Multilingualism and Power in Contemporary French Cinema

by

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Subject: Countries >

The changing spaces of television acting:From studio realism to location realism in BBC television drama

(2017)

From studio realism to location realism in BBC television drama

by

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Subject: Countries >

Paranoid visions:Spies, conspiracies and the secret state in British television drama

(2017)

Spies, conspiracies and the secret state in British television drama

by

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Subject: Countries >

Shakespeare's Cinema of Love:A Study in Genre and Influence

(2016)

A Study in Genre and Influence

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Subject: Technique >

The Cinema of Oliver Stone:Art, Authorship and Activism

(2016)

Art, Authorship and Activism

by and

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Subject: Director >

Capital and Popular Cinema:The Dollars Are Coming!

(2016)

The Dollars Are Coming!

by

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Regarding the Real:Cinema, Documentary, and the Visual Arts

(2016)

Cinema, Documentary, and the Visual Arts

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Subject: Genre >

Men with Stakes:Masculinity and the Gothic in Us Television

(2016)

Masculinity and the Gothic in Us Television

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Subject: Genre >

Interpreting Rock Movies:Pop Film and Its Critics in Britain

(2014)

Pop Film and Its Critics in Britain

by

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Series: Inside Popular Film

Subject: Technique >

Flesh Cinema PB:The Corporeal Turn in American Avant-Garde Film

(2014)

The Corporeal Turn in American Avant-Garde Film

by

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Series: Rethinking Art's Histories

Subject: Genre >

The Life of Mise-En-Scène:Visual Style and British Film Criticism, 1946-78

(2013)

Visual Style and British Film Criticism, 1946-78

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The Three Amigos:The Transnational Filmmaking of Guillermo Del Toro, Alejandro González Iñárritu, and Alfonso Cuarón

(2013)

The Transnational Filmmaking of Guillermo Del Toro, Alejandro González Iñárritu, and Alfonso Cuarón

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Series: Spanish and Latin American filmmakers

Subject: Director > , ,

Jean Epstein:Corporeal Cinema and Film Philosophy

(2013)

Corporeal Cinema and Film Philosophy

by

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Series: French Film Directors

Subject: Director >

Spanish Cinema 1973-2010:Auteurism, Politics, Landscape and Memory

(2013)

Auteurism, Politics, Landscape and Memory

Dir. and

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Subject: Countries >

The War That Won't Die:The Spanish Civil War in Cinema

(2012)

The Spanish Civil War in Cinema

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Subject: Countries >

Amateur Film:Meaning and Practice, 1927-77

(2012)

Meaning and Practice, 1927-77

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Series: Studies in Popular Culture

Subject:

Negotiating the Auteur:Dominique Cabrera, Noemie Lvovsky, Laetitia Masson and Marion Vernoux

(2012)

Dominique Cabrera, Noemie Lvovsky, Laetitia Masson and Marion Vernoux

by

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Series: French Film Directors

Subject: Director > , , ,

Lukácsian Film Theory and Cinema:A Study of Georg Lukács' Writing on Film 1913-1971

(2012)

A Study of Georg Lukács' Writing on Film 1913-1971

by

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Trash or Treasure:Censorship and the Changing Meanings of the Video Nasties

(2012)

Censorship and the Changing Meanings of the Video Nasties

by

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Series: Inside Popular Film

Subject: Genre >

Watching the World:Screen Documentary and Audiences

(2012)

Screen Documentary and Audiences

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Subject: Genre >

Intersections:Writings on cinema

(2012)

Writings on cinema

by

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Series: Cinema Aesthetics

Subject: Countries >

Five Directors:Auteurism from Assayas to Ozon

(2011)

Auteurism from Assayas to Ozon

Dir.

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Series: French Film Directors

Subject: Countries >

The Continental Connection:German-Speaking Émigrés and British Cinema, 1927-45

(2011)

German-Speaking Émigrés and British Cinema, 1927-45

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Subject: Countries >

Cinesonica:Sounding Film and Video

(2011)

Sounding Film and Video

by

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Subject: Technique >

No Other Way to Tell It:Docudrama on Film and Television

(2011)

Docudrama on Film and Television

by

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Subject: Genre >

Genre and Performance:Film and Television

(2010)

Film and Television

Dir.

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Subject: Technique >

Taking the Long View:A Study of Longitudinal Documentary

(2010)

A Study of Longitudinal Documentary

by

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Subject: Genre >

Adapting Philosophy:Jean Baudrillard and *The Matrix Trilogy*

(2009)

Jean Baudrillard and *The Matrix Trilogy*

by

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Subject: One Film >

Contemporary French Cinema:An Introduction

(2008)

An Introduction

by

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Series: Non-Series
revised edition

Subject: Countries >

The Wounds of Nations:Horror Cinema, Historical Trauma and National Identity

(2008)

Horror Cinema, Historical Trauma and National Identity

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Subject: Genre >

From Perversion to Purity:The Stardom of Catherine Deneuve

(2008)

The Stardom of Catherine Deneuve

Dir. and

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Subject: Actress >

The New Pornographies:Explicit Sex in Recent French Fiction and Film

(2007)

Explicit Sex in Recent French Fiction and Film

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Subject:

Monstrous Adaptations:Generic and Thematic Mutations in Horror Film

(2007)

Generic and Thematic Mutations in Horror Film

Dir. and

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Subject: Genre >

From Silent Screen to Multi-Screen:A History of Cinema Exhibition in Britain Since 1896

(2007)

A History of Cinema Exhibition in Britain Since 1896

by

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Series: Studies in Popular Culture

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The Naval War Film:Genre, History and National Cinema

(2007)

Genre, History and National Cinema

by

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Subject: Genre >

Realist Film Theory and Cinema:The Nineteenth-Century Lukácsian and Intuitionist Realist Traditions

(2006)

The Nineteenth-Century Lukácsian and Intuitionist Realist Traditions

by

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Subject:

Hollywood Romantic Comedy:States of Union, 1934-1965

(2006)

States of Union, 1934-1965

by

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Subject: Genre >

Tears of Laughter:Comedy-Drama in 1990s British Cinema

(2006)

Comedy-Drama in 1990s British Cinema

by

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Subject: Genre >

Reframing Difference:Beur and Banlieue Filmmaking in France

(2005)

Beur and Banlieue Filmmaking in France

by

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Subject: Countries >

Hollywood Behind the Wall:The Cinema of East Germany

(2005)

The Cinema of East Germany

by

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Subject: Countries >

The Dolby Era:Film Sound in Contemporary Hollywood

(2004)

Film Sound in Contemporary Hollywood

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Series: Inside Popular Film

Subject: Technique >

Defining Cult Movies:The Cultural Politics of Oppositional Taste

(2003)

The Cultural Politics of Oppositional Taste

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Series: Inside Popular Film

Subject:

New Soviet Man:Gender and Masculinity in Stalinst Soviet Cinema

(2003)

Gender and Masculinity in Stalinst Soviet Cinema

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Subject: Countries >

Adaptation Revisited:Television and the Classic Novel

(2002)

Television and the Classic Novel

by

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Subject: Technique >

British Stars and Stardom:From Alma Taylor to Sean Connery

(2001)

From Alma Taylor to Sean Connery

Dir.

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Subject: Countries >

Faking It:Mock-Documentary and the Subversion of Factuality

(2001)

Mock-Documentary and the Subversion of Factuality

by and

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Subject: Genre >

Contemporary Korean Cinema:Culture, Identity and Politics

(2001)

Culture, Identity and Politics

by

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Subject: Countries >

Francophone Film:A Struggle for Identity

(2001)

A Struggle for Identity

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Subject: Countries >

100 Years of European Cinema:Entertainment or Ideology?

(2000)

Entertainment or Ideology?

Dir. and

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Subject: Countries >

When Hollywood Loved Britain:The Hollywood 'British' Film 1939-45

(1999)

The Hollywood 'British' Film 1939-45

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•  Stories (1 book)(0 book)

The Documentary Diaries:Working Experiences of a Non-Fiction Filmmaker

(2016)

Working Experiences of a Non-Fiction Filmmaker

by

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Subject: Genre >

•  Didactic (5 books)(0 book)

Film Light:Meaning and Emotion

(2015)

Meaning and Emotion

by

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Subject: Technique >

Cue and Cut:A Practical Approach to Working in Multi-Camera Studios

(2011)

A Practical Approach to Working in Multi-Camera Studios

by

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Subject: Technique >

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