MENU   

The Film Handbook

by and

Type
Studies
Subject
Technique
Keywords
digital, technique, theory
Publishing date
Publisher
Routledge
Collection
Media Practice
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback352 pages
6 ¾ x 9 ½ inches (17 x 24 cm)
ISBN
978-0-415-55761-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today’s ‘digital film’ productions. It reflects on how critical analysis’ of film underpins practice and story, and how developing an autonomous ‘vision’ will best aid student creativity. The Film Handbook offers practical guidance on a range of traditional and independent ‘guerrilla’ film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms.


The Film Handbook
relates theory to the filmmaking process and includes:

• documentary, narrative and experimental forms, including deliberations on ‘reading the screen’, genre, mise-en-scène, montage, and sound design

• new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music

• the short film form, theories of transgressive and independent ‘guerrilla’ filmmaking, the avant-garde and experimental as a means of creative expression

• preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work.

About the authors:
Dr. Mark de Valk is Senior Lecturer in Film & Television Studies at Southampton Solent University. He specialises in guerrilla/indie-filmmaking processes and continues to produce, direct and write productions in documentary, drama, and experimental formats. Dr. Sarah Arnold is Lecturer in Film & Digital Media at University College Falmouth and is author of Maternal Horror Film: Melodrama and Motherhood (2013).

See the

> From the same authors:

Screening the Tortured Body:The Cinema as Scaffold

(2016)

The Cinema as Scaffold

Dir.

Subject:

Maternal Horror Film:Melodrama and Motherhood

(2013)

Melodrama and Motherhood

by

Subject: Genre >

> On a related topic:

Moving Image Technology:from zoetrope to digital

(2005)

from zoetrope to digital

by

Subject: Technique >

The Morph-Image:The Subjunctive Synthesis of Time

(2024)

The Subjunctive Synthesis of Time

by

Subject:

The Digital Image and Reality:Affect, Metaphysics and Post-Cinema

(2019)

Affect, Metaphysics and Post-Cinema

by

Subject:

The Heretical Archive:Digital Memory at the End of Film

(2013)

Digital Memory at the End of Film

by

Subject:

Memory and the Moving Image:French Film in the Digital Era

(2010)

French Film in the Digital Era

by

Subject:

Framed Time:Toward a Postfilmic Cinema

(2008)

Toward a Postfilmic Cinema

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info