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British Cinema in the Fifties

Gender, Genre and the 'New Look'

by Christine Geraghty

Type
Essays
Subject
CountriesGreat Britain
Keywords
Great Britain, 1950s, genre, theory
Publishing date
2000
Publisher
Routledge
Collection
Communication and Society
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 240 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN-10
ISBN-13
0-415-17158-X
978-0-415-17158-8
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Book Presentation:
In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children.
Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.

About the Author:
Christine Geraghty is a Senior Lecturer in Media and Communications at Goldsmiths College, University of London. She is the author of Women and Soap Opera (Polity, 1991), the co-editor of The Television Studies Book (Arnold, 1998) and has contributed essays on British cinema to a number of important collections.

Press Reviews:
'In this serious but approachable tome, Christine Geraghty examines not only the industry's output, but also what it was like to visit the pictures in the middle of the last century.' - Film Review

See the publisher website: Routledge

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