MENU   

Genre: Politics (14 books)

Sort order:

•  Studies (14 books)(0 book)

Kartemquin Films:Documentaries on the Frontlines of Democracy

(2024)

Documentaries on the Frontlines of Democracy

by

Publisher:

Subject: Genre >

Challenging the Narrative:Documentary Film as Participatory Practice in Conflict Situations

(2023)

Documentary Film as Participatory Practice in Conflict Situations

by

Publisher:

Subject: Genre >

Italian Political Cinema:Figures of the Long '68

(2023)

Figures of the Long '68

by

Publisher:

Subject: Genre >

Slave Revolt on Screen:The Haitian Revolution in Film and Video Games

(2021)

The Haitian Revolution in Film and Video Games

by

Publisher:

Subject: Genre >

Enduring Images:A Future History of New Left Cinema

(2018)

A Future History of New Left Cinema

by

Publisher:

Subject: Genre >

World Politics on Screen:Understanding International Relations Through Popular Culture

(2014)

Understanding International Relations Through Popular Culture

by

Publisher:

Subject: Genre >

Left of Hollywood:Cinema, Modernism, and the Emergence of U.S. Radical Film Culture

(2010)

Cinema, Modernism, and the Emergence of U.S. Radical Film Culture

by

Publisher:

Subject: Genre >

Hollywood Goes to Washington:American Politics on Screen

(2008)

American Politics on Screen

by

Publisher:

Subject: Genre >


> Other books related to Politics:

Bollypolitics:Popular Hindi Cinema and Hindutva

(2026)

Popular Hindi Cinema and Hindutva

by

Subject: Countries >

Precarious Secrets:A History of the Latin American Political Thriller

(2025)

A History of the Latin American Political Thriller

by

Subject: Genre >

Archipelagic Cinemas:Screening Southeast Asian Modernity

(2025)

Screening Southeast Asian Modernity

by

Subject: Countries >

Romanian Capitalism on Film:Microhistories of Hope, Anxiety and Adaptation

(2025)

Microhistories of Hope, Anxiety and Adaptation

by and

Subject: Countries >

Film Policies in Europe (1945-1980):A Comparative Approach to the History of State Aid for Film

(2025)

A Comparative Approach to the History of State Aid for Film

Dir.

Subject: Countries >

Mainstreaming Palestine:Cinematic Activism and Solidarity Politics in the United States

(2025)

Cinematic Activism and Solidarity Politics in the United States

by

Subject: Countries >

American Politics Film Festival:Understanding US Politics through Film

(2025)

Understanding US Politics through Film

by and

Subject: Countries >

Transnational Arab Stardom:Glamour, Performance and Politics

(2025)

Glamour, Performance and Politics

Dir. and

Subject: Countries >

Radical Reality:Documentary Storytelling and the Global Fight for Social Justice

(2025)

Documentary Storytelling and the Global Fight for Social Justice

by and

Subject:

Toward a More Perfect Rebellion:Multiracial Media Activism Made in L.A.

(2025)

Multiracial Media Activism Made in L.A.

by

Subject:

Transnational Cinema Solidarity:Chilean Exile Film and Video after 1973

(2025)

Chilean Exile Film and Video after 1973

by

Subject: Countries >

Algerian Cinema in Forty Five Lessons:Art, Politics and Social Change

(2025)

Art, Politics and Social Change

by

Subject: Countries >

The New Russian Documentary:Reclaiming Reality in the Age of Authoritarianism

(2025)

Reclaiming Reality in the Age of Authoritarianism

Dir. and

Subject: Countries >

Antifascism and the Avant-Garde:Radical Documentary in the 1960s

(2025)

Radical Documentary in the 1960s

by

Subject: Genre >

Black (Post-)Cinemas:Genealogies, Practices, Aesthetics

(2025)

Genealogies, Practices, Aesthetics

by

Subject: Countries >

The Bondian Cold War:The Transnational Legacy of a Cultural Icon

(2024)

The Transnational Legacy of a Cultural Icon

Dir. , and

Subject: One Film >

Policing Show Business:J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies

(2024)

J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies

by

Subject: Countries >

Revolution in 35mm:Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990

(2024)

Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990

Dir. and

Subject:

The Anti-Enlightenment in Popular Culture:Greed, Hate, Star Wars, and Star Trek

(2024)

Greed, Hate, Star Wars, and Star Trek

by

Subject:

Abraham Lincoln on Screen:Live-Action Portrayals on Film and Television

(2024)

Live-Action Portrayals on Film and Television

by

Subject: On Films >

Thinking through High-Tech Hell:A Theory of the New Media Dystopia

(2024)

A Theory of the New Media Dystopia

by

Subject: Genre >

Documenting Socialism:East German Documentary Cinema

(2024)

East German Documentary Cinema

Dir. and

Subject: Countries >

Resistance in Indian Documentary Film:Aesthetics, Culture and Practice

(2024)

Aesthetics, Culture and Practice

Dir. and

Subject: Countries >

Intermedialities:Political Theory and Cinematic Experience

(2024)

Political Theory and Cinematic Experience

by

Subject:

States of Danger and Deceit:The European Political Thriller in the 1970s

(2024)

The European Political Thriller in the 1970s

Dir. , and

Subject: Genre >

Looking Beyond Neoliberalism:French and Francophone Belgian Cinema and the Crisis

(2024)

French and Francophone Belgian Cinema and the Crisis

by

Subject: Countries >

Politics Go to the Movies:International Relations and Politics in Genre Films and Television

(2024)

International Relations and Politics in Genre Films and Television

by

Subject:

Traveling Auteurs:The Geopolitics of Postwar Italian Cinema

(2024)

The Geopolitics of Postwar Italian Cinema

by

Subject: Countries >

Cinematically Transmitted Disease:Eugenics and Film in Weimar and Nazi Germany

(2024)

Eugenics and Film in Weimar and Nazi Germany

by

Subject: Countries >

Impossible Speech:The Politics of Representation in Contemporary Korean Literature and Film

(2024)

The Politics of Representation in Contemporary Korean Literature and Film

by

Subject: Countries >

Tear-Drenched Earth:Cinema and the Partition of India

(2024)

Cinema and the Partition of India

by

Subject: Countries >

Costa-Gavras:Encounters with History

(2024)

Encounters with History

by and

Subject: Director >

Activism and Post-activism:Korean Documentary Cinema, 1981--2022

(2024)

Korean Documentary Cinema, 1981--2022

by

Subject: Countries >

Charlie Chaplin and the Nazis:The Long German Campaign Against the Artist

(2023)

The Long German Campaign Against the Artist

by

Subject: Director >

Films That Work Harder:The Circulation of Industrial Film

(2023)

The Circulation of Industrial Film

Dir. , and

Subject:

Cinema Is the Strongest Weapon:Race-Making and Resistance in Fascist Italy

(2023)

Race-Making and Resistance in Fascist Italy

by

Subject: Countries >

Film Festivals, Ideology and Italian Art Cinema:Politics, Histories and Cultural Value

(2023)

Politics, Histories and Cultural Value

by

Subject:

Eleanor Roosevelt on Screen:The First Lady's Appearances in Film and Television, 1932–1962

(2023)

The First Lady's Appearances in Film and Television, 1932–1962

by

Subject: On Films >

Politicised Cinema:Post-War Film, Cultural Diplomacy and UNESCO

(2023)

Post-War Film, Cultural Diplomacy and UNESCO

by

Subject:

Taking Measures:Usages of Formats in Film and Video Art

(2023)

Usages of Formats in Film and Video Art

Dir. and

Subject:

John–Ghatak–Tarkovsky:Citizens, Filmmakers, Hackers

(2023)

Citizens, Filmmakers, Hackers

by

Subject: Countries >

World Socialist Cinema:Alliances, Affinities, and Solidarities in the Global Cold War

(2023)

Alliances, Affinities, and Solidarities in the Global Cold War

by

Subject:

Resistance, Dissidence, Revolution:Documentary Film Esthetics in the Middle East and North Africa

(2023)

Documentary Film Esthetics in the Middle East and North Africa

by

Subject: Countries >

Screening Social Justice:Brave New Films and Documentary Activism

(2023)

Brave New Films and Documentary Activism

by

Subject: Genre >

Political Pathologies from The Sopranos to Succession:Prestige TV and the Contradictions of the “Liberal” Class

(2023)

Prestige TV and the Contradictions of the “Liberal” Class

by

Subject: Genre >

Working the System:Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966

(2023)

Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966

by

Subject: Countries >

From Outlaw to Rebel:Oppositional documentaries in Contemporary Algeria

(2023)

Oppositional documentaries in Contemporary Algeria

by

Subject: Countries >

Pandemics, Authoritarian Populism, and Science Fiction:Medicine, Military, and Morality in American Film

(2023)

Medicine, Military, and Morality in American Film

by

Subject: Genre >

Chinese Cinema:Identity, Power, and Globalization

(2023)

Identity, Power, and Globalization

Dir. , and

Subject: Countries >

Specworld:Folds, Faults, and Fractures  in Embedded Creator Industries

(2023)

Folds, Faults, and Fractures in Embedded Creator Industries

by

Subject:

Cross-dressing in Turkish Cinema:Politics, Gender and National Trauma

(2022)

Politics, Gender and National Trauma

by

Subject: Countries >

Tracking Loach:Politics ǀ Practices ǀ Production

(2022)

Politics ǀ Practices ǀ Production

by

Subject: Director >

Four Scores and Seven Reels Ago:The U.S. Presidency Through Hollywood Films

(2022)

The U.S. Presidency Through Hollywood Films

by

Subject:

Pepsi and the Pill:Motherhood, Politics and Film in Britain and France, 1958–1969

(2022)

Motherhood, Politics and Film in Britain and France, 1958–1969

by

Subject: Countries >

The Lives of Others:(Das Leben Der Anderen)

(2022)

(Das Leben Der Anderen)

by

Subject: One Film >

Europe in Upheaval:Identity in Politics, Literature and Film

(2022)

Identity in Politics, Literature and Film

Dir. and

Subject: Countries >

Filmspanism:A critical companion to the study of Spanish cinema

(2022)

A critical companion to the study of Spanish cinema

by

Subject: Countries >

Picturing Argentina:Myths, Movies, and the Peronist Vision

(2022)

Myths, Movies, and the Peronist Vision

by

Subject: Countries >

Pasta, Pizza and Propaganda:A Political History of Italian Food TV

(2022)

A Political History of Italian Food TV

by

Subject: Countries >

Cine-Mobility:Twentieth-Century Transformations in Korea's Film and Transportation

(2022)

Twentieth-Century Transformations in Korea's Film and Transportation

by

Subject: Countries >

Walls without Cinema:State Security and Subjective Embodiment in Twenty-First-Century US Filmmaking

(2022)

State Security and Subjective Embodiment in Twenty-First-Century US Filmmaking

by

Subject:

Un-American Dreams:Apocalyptic Science Fiction, Disimagined Community, and Bad Hope in the American Century

(2022)

Apocalyptic Science Fiction, Disimagined Community, and Bad Hope in the American Century

by

Subject: Genre >

Subversive Spanish Cinema:The Politics of Performance

(2022)

The Politics of Performance

by

Subject: Countries >

Picturing Ghosts:Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film

(2022)

Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film

by

Subject: Countries >

The Politics of Fandom:Conflicts That Divide Communities

(2022)

Conflicts That Divide Communities

by

Subject:

Fredric Jameson and Film Theory:Marxism, Allegory, and Geopolitics in World Cinema

(2022)

Marxism, Allegory, and Geopolitics in World Cinema

Dir. , and

Subject:

Unholy Trinity:State, Church, and Film in Mexico

(2022)

State, Church, and Film in Mexico

by

Subject: Countries >

Jews, Nazis and the Cinema of Hungary:The Tragedy of Success, 1929-1944

(2021)

The Tragedy of Success, 1929-1944

by

Subject: Countries >

Screen Captures:Film in the Age of Emergency

(2021)

Film in the Age of Emergency

by

Subject:

The Post-Crash Decade of American Cinema:Wall Street, the “Mancession,” and the Political Construction of Crisis

(2021)

Wall Street, the “Mancession,” and the Political Construction of Crisis

by

Subject:

Elio Petri:Investigation of a Filmmaker

(2021)

Investigation of a Filmmaker

by

Subject: Director >

Transcultural Images in Hollywood Cinema:Debates on Migration, Identity, and Finance

(2021)

Debates on Migration, Identity, and Finance

Dir. and

Subject:

Cinema and Soft Power:Configuring the National and Transnational in Geo-politics

(2021)

Configuring the National and Transnational in Geo-politics

Dir. and

Subject:

Italy through the Red Lens:Italian Politics and Society in Communist Propaganda Films (1946–79)

(2021)

Italian Politics and Society in Communist Propaganda Films (1946–79)

by

Subject: Countries >

Freedom and Vengeance on Film:Precarious Lives and the Politics of Subjectivity

(2021)

Precarious Lives and the Politics of Subjectivity

by

Subject:

Our Fears Made Manifest:Essays on Terror, Trauma and Loss in Film, 1998–2019

(2021)

Essays on Terror, Trauma and Loss in Film, 1998–2019

Dir.

Subject:

Beyond Bias:Conservative Media, Documentary Form, and the Politics of Hysteria

(2021)

Conservative Media, Documentary Form, and the Politics of Hysteria

by

Subject: Genre >

Beyond the Public Sphere:Film and the Feminist Imaginary

(2020)

Film and the Feminist Imaginary

by

Subject:

Egyptian Cinema and the 2011 Revolution:Production, Censorship and Political Economy

(2020)

Production, Censorship and Political Economy

by

Subject: Countries >

Revolutionary Visions:Jewish Life and Politics in Latin American Film

(2020)

Jewish Life and Politics in Latin American Film

by

Subject: Countries >

Insurgent Media from the Front:A Media Activism Reader

(2020)

A Media Activism Reader

Dir. and

Subject:

Sensitive Subjects:The Political Aesthetics of Contemporary German and Austrian Cinema

(2020)

The Political Aesthetics of Contemporary German and Austrian Cinema

by

Subject: Countries >

Power Misses II:Cinema, Asian and Modern

(2020)

Cinema, Asian and Modern

by

Subject: Countries >

The Final Frontier:International Relations and Politics through Star Trek and Star Wars

(2020)

International Relations and Politics through Star Trek and Star Wars

by and

Subject: One Film > ,

American Presidents and Oliver Stone:Kennedy, Nixon, and Bush between History and Cinema

(2020)

Kennedy, Nixon, and Bush between History and Cinema

by

Subject: Director >

Staging West German Democracy:Governmental PR Films and the Democratic Imaginary, 1953-1963

(2020)

Governmental PR Films and the Democratic Imaginary, 1953-1963

by and

Subject: Countries >

Feeling Revolution:Cinema, Genre, and the Politics of Affect under Stalin

(2020)

Cinema, Genre, and the Politics of Affect under Stalin

by

Subject: Countries >

Radical Mainstream:Independent Film, Video and Television in Britain, 1974–90

(2020)

Independent Film, Video and Television in Britain, 1974–90

by

Subject: Countries >

Towards a Political Aesthetics of Cinema:The Outside of Film

(2020)

The Outside of Film

by

Subject:

Southeast Asia on Screen:From Independence to Financial Crisis (1945-1998)

(2020)

From Independence to Financial Crisis (1945-1998)

Dir. , and

Subject: Countries >

The President of the United States on Screen:164 Presidents, 1877 Illustrations, 240 Categories

(2020)

164 Presidents, 1877 Illustrations, 240 Categories

by

Subject: On Films >

American Cinema and Cultural Diplomacy:The Fragmented Kaleidoscope

(2020)

The Fragmented Kaleidoscope

by

Subject:

The Beginning or the End: How Hollywood - and America - Learned to Stop Worrying and Love the Bomb

(2020)

How Hollywood - and America - Learned to Stop Worrying and Love the Bomb

by

Subject: Studio >

Contemporary Radical Film Culture:Networks, Organisations and Activists

(2020)

Networks, Organisations and Activists

Dir. , and

Subject:

Against the Avant-Garde:Pier Paolo Pasolini, Contemporary Art, and Neocapitalism

(2020)

Pier Paolo Pasolini, Contemporary Art, and Neocapitalism

by

Subject: Director >

Unruly Cinema:History, Politics, and Bollywood

(2020)

History, Politics, and Bollywood

by

Subject: Countries >

Sex, Politics, and Comedy:The Transnational Cinema of Ernst Lubitsch

(2020)

The Transnational Cinema of Ernst Lubitsch

by

Subject: Director >

Post-Communist Malaise:Cinematic Responses to European Integration

(2020)

Cinematic Responses to European Integration

by

Subject:

Jordan Peele's Get Out:Political Horror

(2020)

Political Horror

Dir.

Subject: One Film >

From Internationalism to Postcolonialism:Literature and Cinema between the Second and the Third Worlds

(2020)

Literature and Cinema between the Second and the Third Worlds

by

Subject:

Hollywood Diplomacy:Film Regulation, Foreign Relations, and East Asian Representations

(2020)

Film Regulation, Foreign Relations, and East Asian Representations

by

Subject:

Re-Viewing the Past:The Uses of History in the Cinema of Imperial Japan

(2020)

The Uses of History in the Cinema of Imperial Japan

by

Subject: Countries >

Cinema and Unconventional Warfare in the Twentieth Century:Insurgency, Terrorism and Special Operations

(2020)

Insurgency, Terrorism and Special Operations

by

Subject:

After Authority:Global Art Cinema and Political Transition

(2020)

Global Art Cinema and Political Transition

by

Subject:

Spanish Cinema Against Itself:Cosmopolitanism, Experimentation, Militancy

(2020)

Cosmopolitanism, Experimentation, Militancy

by

Subject: Countries >

Anecdotal Evidence:Ecocritiqe from Hollywood to the Mass Image

(2020)

Ecocritiqe from Hollywood to the Mass Image

by

Subject:

Allegories of the End of Capitalism:Six Films on the Revolutions of Our Times

(2020)

Six Films on the Revolutions of Our Times

by

Subject: On Films >

Rumble and Crash:Crises of Capitalism in Contemporary Film

(2020)

Crises of Capitalism in Contemporary Film

by

Subject:

Martial Law Melodrama:Lino Brocka's Cinema Politics

(2020)

Lino Brocka's Cinema Politics

by

Subject: Director >

Transnational Korean Cinema:Cultural Politics, Film Genres, and Digital Technologies

(2019)

Cultural Politics, Film Genres, and Digital Technologies

by

Subject: Countries >

The Cinematic Political:Film Composition as Political Theory

(2019)

Film Composition as Political Theory

by

Subject:

Seeing through the Screen:Interpreting American Political Film

(2019)

Interpreting American Political Film

by

Subject:

Civil Servants on the Silver Screen:Hollywood's Depiction of Government and Bureaucrats

(2019)

Hollywood's Depiction of Government and Bureaucrats

by

Subject:

Documentary Resistance:Social Change and Participatory Media

(2019)

Social Change and Participatory Media

by

Subject: Genre >

The Mexican Revolution on the World Stage:Intellectuals and Film in the Twentieth Century

(2019)

Intellectuals and Film in the Twentieth Century

by

Subject: Countries >

Screening Communities:Negotiating Narratives of Empire, Nation, and the Cold War in Hong Kong Cinema

(2019)

Negotiating Narratives of Empire, Nation, and the Cold War in Hong Kong Cinema

by

Subject: Countries >

Celluloid Revolt:German Screen Cultures and the Long 1968

(2019)

German Screen Cultures and the Long 1968

Dir. and

Subject: Countries >

Persistently Postwar:Media and the Politics of Memory in Japan

(2019)

Media and the Politics of Memory in Japan

Dir. , and

Subject: Countries >

The Subversive Screen:Communist Influence in Hollywood's Golden Age

(2019)

Communist Influence in Hollywood's Golden Age

by

Subject:

Crosscurrents:How film policy developed in Quebec 1960-1983

(2019)

How film policy developed in Quebec 1960-1983

by

Subject: Countries >

Hollywood in Havana:US Cinema and Revolutionary Nationalism in Cuba before 1959

(2019)

US Cinema and Revolutionary Nationalism in Cuba before 1959

by

Subject: Countries >

The Divo and the Duce:Promoting Film Stardom and Political Leadership in 1920s America

(2019)

Promoting Film Stardom and Political Leadership in 1920s America

by

Subject: Actor >

Screening Protest:Visual narratives of dissent across time, space and genre

(2018)

Visual narratives of dissent across time, space and genre

Dir.

Subject:

Architectures of Revolt:The Cinematic City circa 1968

(2018)

The Cinematic City circa 1968

Dir.

Subject:

Excavating the Future:Archaeology and Geopolitics in Contemporary North American Science Fiction Film and Television

(2018)

Archaeology and Geopolitics in Contemporary North American Science Fiction Film and Television

by

Subject: Genre >

Politics Goes to the Movies:Hollywood, Europe, and Beyond

(2018)

Hollywood, Europe, and Beyond

by

Subject:

Montage:Life, Politics, Cinema

(2018)

Life, Politics, Cinema

by

Subject: Director >

Political Fellini:Journey to the End of Italy

(2018)

Journey to the End of Italy

by

Subject: Director >

A Dark California:Essays on Dystopian Depictions in Popular Culture

(2018)

Essays on Dystopian Depictions in Popular Culture

Dir. and

Subject: Genre >

The Screen Is Red:Hollywood, Communism, and the Cold War

(2018)

Hollywood, Communism, and the Cold War

by

Subject: Countries >

Media Independence:Working with Freedom or Working for Free?

(2018)

Working with Freedom or Working for Free?

Dir. and

Subject:

Iranian Cinema in a Global Context:Policy, Politics, and Form

(2018)

Policy, Politics, and Form

Dir. and

Subject: Countries >

Rebel Video:The Video Movement of the 1970s and 1980s London – Bern – Lausanne – Zurich—Basel

(2018)

The Video Movement of the 1970s and 1980s London – Bern – Lausanne – Zurich—Basel

Dir.

Subject:

Marxism and Film Activism:Screening Alternative Worlds

(2018)

Screening Alternative Worlds

Dir. and

Subject:

Political Theory and Film:From Adorno to Žižek

(2018)

From Adorno to Žižek

by

Subject:

Cinema in the Cold War:Political Projections

(2018)

Political Projections

Dir.

Subject:

The American President in Film and Television:Myth, Politics and Representation

(2017)

Myth, Politics and Representation

by

Subject: On Films >

Politics, Hollywood Style:American Politics in Film from Mr. Smith to Selma

(2017)

American Politics in Film from Mr. Smith to Selma

by

Subject:

Popular Cinema and Politics in South India:The Films of MGR and Rajinikanth

(2017)

The Films of MGR and Rajinikanth

by

Subject: Countries >

Beyond Free Speech and Propaganda:The Political Development of Hollywood, 1907–1927

(2017)

The Political Development of Hollywood, 1907–1927

by

Subject:

Producer of Controversy:Stanley Kramer, Hollywood Liberalism, and the Cold War

(2017)

Stanley Kramer, Hollywood Liberalism, and the Cold War

by

Subject: Director >

Cinema and the Wealth of Nations:Media, Capital, and the Liberal World System

(2017)

Media, Capital, and the Liberal World System

by

Subject:

The Tunnel at the End of the Light:Essays on Movies and Politics

(2017)

Essays on Movies and Politics

by

Subject:

Other Cinemas:Politics, Culture and Experimental Film in the 1970s

(2017)

Politics, Culture and Experimental Film in the 1970s

Dir. and

Subject: On Films >

Projecting the World:Representing the

(2017)

Representing the "Foreign" in Classical Hollywood

Dir. and

Subject:

Activist Film Festivals:Towards a Political Subject

(2017)

Towards a Political Subject

Dir. and

Subject:

Arresting Cinema:Surveillance in Hong Kong Film

(2017)

Surveillance in Hong Kong Film

by

Subject: Countries >

Reconstructing Strangelove:Inside Stanley Kubrick's

(2017)

Inside Stanley Kubrick's "Nightmare Comedy"

by

Subject: One Film >

Politics, Theory, and Film:Critical Encounters with Lars von Trier

(2016)

Critical Encounters with Lars von Trier

Dir. and

Subject:

Reform Cinema in Iran:Film and Political Change in the Islamic Republic

(2016)

Film and Political Change in the Islamic Republic

by

Subject: Countries >

Hollywood and the Great Depression:American Film, Politics and Society in the 1930s

(2016)

American Film, Politics and Society in the 1930s

Dir. and

Subject:

Politicking and Emergent Media:US Presidential Elections of the 1890s

(2016)

US Presidential Elections of the 1890s

by

Subject:

Re-Imagining DEFA:East German Cinema in its National and Transnational Contexts

(2016)

East German Cinema in its National and Transnational Contexts

Dir. and

Subject: Countries >

Politics and Film:The Political Culture of Television and Movies

(2016)

The Political Culture of Television and Movies

by

Subject:

Of Elephants and Toothaches:Ethics, Politics, and Religion in Krzysztof Kieslowski's 'Decalogue'

(2016)

Ethics, Politics, and Religion in Krzysztof Kieslowski's 'Decalogue'

by and

Subject: One Film >

Cinéma Militant:Political Filmmaking and May 1968

(2016)

Political Filmmaking and May 1968

by

Subject:

Lincoln Before Lincoln:Early Cinematic Adaptations of the Life of America's Greatest President

(2016)

Early Cinematic Adaptations of the Life of America's Greatest President

by

Subject: On Films >

Red Alert:Marxist Approaches to Science Fiction Cinema

(2016)

Marxist Approaches to Science Fiction Cinema

Dir. and

Subject: Genre >

Italian Political Cinema:Public Life, Imaginary, and Identity in Contemporary Italian Film

(2016)

Public Life, Imaginary, and Identity in Contemporary Italian Film

Dir. and

Subject: Countries >

Poli Sci Fi:An Introduction to Political Science through Science Fiction

(2016)

An Introduction to Political Science through Science Fiction

Dir. and

Subject: Genre >

The CIA in Hollywood:How the Agency Shapes Film and Television

(2016)

How the Agency Shapes Film and Television

by

Subject:

Deforming American Political Thought:Challenging the Jeffersonian Legacy

(2016)

Challenging the Jeffersonian Legacy

by

Subject:

Dirty Harry's America:Clint Eastwood, Harry Callahan, and the Conservative Backlash

(2016)

Clint Eastwood, Harry Callahan, and the Conservative Backlash

by

Subject: One Film >

Ambiguous Borderlands:Shadow Imagery in Cold War American Culture

(2016)

Shadow Imagery in Cold War American Culture

by

Subject:

American Political Movies:An Annotated Filmography of Feature Films

(2016)

An Annotated Filmography of Feature Films

by

Subject: Countries >

Film Propaganda and American Politics:An Analysis and Filmography

(2015)

An Analysis and Filmography

by and

Subject:

Movies and Politics:The Dynamic Relationship

(2015)

The Dynamic Relationship

Dir.

Subject:

Mussolini's Dream Factory:Film Stardom in Fascist Italy

(2015)

Film Stardom in Fascist Italy

by

Subject: Countries >

Bread Beauty Revolution:Khwaja Ahmad Abbas, 1914-1987

(2015)

Khwaja Ahmad Abbas, 1914-1987

by and

Subject: Director >

Party Hegemony and Entrepreneurial Power in China:Institutional Change in the Film and Music Industries

(2015)

Institutional Change in the Film and Music Industries

by

Subject: Countries >

Realism as Protest:Kluge, Schlingensief, Haneke

(2015)

Kluge, Schlingensief, Haneke

by

Subject:

Politics in Popular Movies:Rhetorical Takes on Horror, War, Thriller, and Sci-Fi Films

(2015)

Rhetorical Takes on Horror, War, Thriller, and Sci-Fi Films

by

Subject:

Film and Politics in America:A Social Tradition

(2015)

A Social Tradition

by

Subject:

Film and Politics in India:Cinematic Charisma as a Gateway to Political Power

(2015)

Cinematic Charisma as a Gateway to Political Power

by

Subject: Countries >

Cuban Cinema After the Cold War:A Critical Analysis of Selected Films

(2015)

A Critical Analysis of Selected Films

by

Subject: Countries >

Projecting Politics:Political Messages in American Films

(2015)

Political Messages in American Films

by , and

Subject:

Politics in Fantasy Media:Essays on Ideology and Gender in Fiction, Film, Television and Games

(2014)

Essays on Ideology and Gender in Fiction, Film, Television and Games

Dir. and

Subject: Genre >

Totalitarianism on Screen:The Art and Politics of the Lives of Others

(2014)

The Art and Politics of the Lives of Others

Dir. and

Subject: One Film >

The Politics of Big Fantasy:The Ideologies of Star Wars, The Matrix and The Avengers

(2014)

The Ideologies of Star Wars, The Matrix and The Avengers

by

Subject: One Film > , ,

Fascism in Film:The Italian Commercial Cinema, 1931-1943

(2014)

The Italian Commercial Cinema, 1931-1943

by

Subject: Countries >

Politics of the Self:Feminism and the Postmodern in West German Literature and Film

(2014)

Feminism and the Postmodern in West German Literature and Film

by

Subject: Countries >

Identity and Pleasure:The Politics of Indonesian Screen Culture

(2014)

The Politics of Indonesian Screen Culture

by

Subject: Countries >

Citizen Hollywood:How the Collaboration between LA and DC Revolutionized American Politics

(2014)

How the Collaboration between LA and DC Revolutionized American Politics

by

Subject:

Schooling in Modernity:The Politics of Sponsored Films in Postwar Italy

(2014)

The Politics of Sponsored Films in Postwar Italy

by

Subject: Countries >

Concentrationary Cinema:Aesthetics as Political Resistance in Alain Resnais's Night and Fog

(2014)

Aesthetics as Political Resistance in Alain Resnais's Night and Fog

Dir. and

Subject: One Film >

Rethinking Occupied Ireland:Gender and Incarceration in Contemporary Irish Film

(2014)

Gender and Incarceration in Contemporary Irish Film

by

Subject: Countries >

Marxism and the Movies:Critical Essays on Class Struggle in the Cinema

(2013)

Critical Essays on Class Struggle in the Cinema

Dir. and

Subject:

Dream West:Politics and Religion in Cowboy Movies

(2013)

Politics and Religion in Cowboy Movies

by

Subject: Genre >

Hollywood Left and Right:How Movie Stars Shaped American Politics

(2013)

How Movie Stars Shaped American Politics

by

Subject: Countries >

Neoliberalism and Global Cinema:Capital, Culture, and Marxist Critique

(2013)

Capital, Culture, and Marxist Critique

Dir. and

Subject:

Our Nazis:Representations of Fascism in Contemporary Literature and Film

(2013)

Representations of Fascism in Contemporary Literature and Film

by

Subject:

A Portrait of the Artist as a Political Dissident:The Life and Work of Aleksandar Petrovic

(2013)

The Life and Work of Aleksandar Petrovic

by

Subject: Director >

Vital Crises in Italian Cinema:Iconography, Stylistics, Politics

(2013)

Iconography, Stylistics, Politics

by

Subject: Countries >

Post-Revolution Nonfiction Film:Building the Soviet and Cuban Nations

(2013)

Building the Soviet and Cuban Nations

by

Subject: Genre >

The Invisible Hand in Popular Culture:Liberty vs. Authority in American Film and TV

(2012)

Liberty vs. Authority in American Film and TV

by

Subject:

Nixon at the Movies:A Book about Belief

(2012)

A Book about Belief

by

Subject:

The Leading Man:Hollywood and the Presidential Image

(2012)

Hollywood and the Presidential Image

by

Subject: Countries >

Un-American Psycho:Brian De Palma and the Political Invisible

(2012)

Brian De Palma and the Political Invisible

by

Subject: Director >

Transition Cinema:Political Filmmaking and the Argentine Left since 1968

(2012)

Political Filmmaking and the Argentine Left since 1968

by

Subject: Countries >

Hollywood Westerns and American Myth:The Importance of Howard Hawks and John Ford for Political Philosophy

(2012)

The Importance of Howard Hawks and John Ford for Political Philosophy

by

Subject: Genre >

Glimpses of Freedom:Independent Cinema in Southeast Asia

(2012)

Independent Cinema in Southeast Asia

Dir. and

Subject: Countries >

The Presidents on Film:A Comprehensive Filmography of Portrayals from George Washington to George W. Bush

(2011)

A Comprehensive Filmography of Portrayals from George Washington to George W. Bush

by and

Subject: On Films >

War, Politics and Superheroes:Ethics and Propaganda in Comics and Film

(2011)

Ethics and Propaganda in Comics and Film

by

Subject: Genre >

Neither God Nor Master:Robert Bresson and Radical Politics

(2011)

Robert Bresson and Radical Politics

by

Subject: Director >

The Left Side of the Screen:Communist and Left-Wing Ideology in Hollywood, 1929–2009

(2011)

Communist and Left-Wing Ideology in Hollywood, 1929–2009

by

Subject: Countries >

Screen Enemies of the American Way:Political Paranoia About Nazis, Communists, Saboteurs, Terrorists and Body Snatching Aliens in Film and Television

(2010)

Political Paranoia About Nazis, Communists, Saboteurs, Terrorists and Body Snatching Aliens in Film and Television

by

Subject: Genre >

Guy Debord:Revolution in the Service of Poetry

(2010)

Revolution in the Service of Poetry

by

Subject: Director >

Women Labor Activists in the Movies:Nine Depictions of Workplace Organizers, 1954–2005

(2010)

Nine Depictions of Workplace Organizers, 1954–2005

by

Subject:

Paul Robeson:Film Pioneer

(2010)

Film Pioneer

by

Subject: Actor >

Screening Cuba:Film Criticism As Political Performance During the Cold War

(2010)

Film Criticism As Political Performance During the Cold War

by

Subject: Countries >

The American Worker on Film:A Critical History, 1909–1999

(2010)

A Critical History, 1909–1999

by

Subject:

The Collapse of the Conventional:German Film and Its Politics at the Turn of the Twenty-First Century

(2010)

German Film and Its Politics at the Turn of the Twenty-First Century

Dir. and

Subject: Countries >

The Un-Americans:Jews, the Blacklist, and Stoolpigeon Culture

(2009)

Jews, the Blacklist, and Stoolpigeon Culture

by

Subject:

The Politics of Iranian Cinema:Film and Society in the Islamic Republic

(2009)

Film and Society in the Islamic Republic

by

Subject: Countries >

Burning Darkness:A Half Century of Spanish Cinema

(2009)

A Half Century of Spanish Cinema

Dir.

Subject: Countries >

The New Face of Political Cinema:Commitment in French Film since 1995

(2009)

Commitment in French Film since 1995

by

Subject: Countries >

Mourning the Nation:Indian Cinema in the Wake of Partition

(2009)

Indian Cinema in the Wake of Partition

by

Subject: Countries >

Hollywood and Anticommunism:HUAC and the Evolution of the Red Menace, 1935-1950

(2009)

HUAC and the Evolution of the Red Menace, 1935-1950

by

Subject: Countries >

Indianizing Film:Decolonization, the Andes, and the Question of Technology

(2009)

Decolonization, the Andes, and the Question of Technology

by

Subject: Countries >

Film Actors Organize:Union Formation Efforts in America, 1912–1937

(2009)

Union Formation Efforts in America, 1912–1937

by

Subject:

Chavez:The Revolution Will Not Be Televised:A Case Study of Politics and the Media

(2009)

The Revolution Will Not Be Televised:A Case Study of Politics and the Media

by

Subject: Genre >

Film, Politics & Education:Cinematic Pedagogy Across the Disciplines

(2008)

Cinematic Pedagogy Across the Disciplines

Dir.

Subject:

Crowd Scenes:Movies and Mass Politics

(2008)

Movies and Mass Politics

by

Subject:

The Marxist and the Movies:A Biography of Paul Jarrico

(2007)

A Biography of Paul Jarrico

by

Subject: Others persons >

Actors Organize:A History of Union Formation Efforts in America, 1880–1919

(2007)

A History of Union Formation Efforts in America, 1880–1919

by

Subject:

Dalton Trumbo, Hollywood Rebel:A Critical Survey and Filmography

(2007)

A Critical Survey and Filmography

by

Subject: Others persons >

Filming Politics:Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46

(2007)

Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46

by

Subject: Countries >

From Box Office to Ballot Box:The American Political Film

(2007)

The American Political Film

by

Subject:

Cinema Taiwan:Politics, Popularity and State of the Arts

(2007)

Politics, Popularity and State of the Arts

Dir. and

Subject: Countries >

Fires Were Started:British Cinema and Thatcherism, second edition

(2007)

British Cinema and Thatcherism, second edition

Dir.

Subject: Countries >

The Cinematic Tango:Contemporary Argentine Film

(2006)

Contemporary Argentine Film

by

Subject: Countries >

The Cinematic Mode of Production:Attention Economy and the Society of the Spectacle

(2006)

Attention Economy and the Society of the Spectacle

by

Subject:

What Have They Built You to Do?:The Manchurian Candidate And Cold War America

(2006)

The Manchurian Candidate And Cold War America

by and

Subject: One Film >

The Artist As Monster:The Cinema of David Cronenberg

(2006)

The Cinema of David Cronenberg

by

Subject: Director >

Reinventing China:A Generation and Its Films

(2005)

A Generation and Its Films

by

Subject: Countries >

The Politics of James Bond:From Fleming's Novels to the Big Screen

(2005)

From Fleming's Novels to the Big Screen

by

Subject: One Film >

Hollywood's White House:The American Presidency in Film and History

(2005)

The American Presidency in Film and History

Dir. and

Subject: Genre >

Keeping It Real:Irish Film and Television

(2005)

Irish Film and Television

Dir. and

Subject: Countries >

Policing Cinema:Movies and Censorship in Early-Twentieth-Century America

(2004)

Movies and Censorship in Early-Twentieth-Century America

by

Subject:

Cinema and the Sandinistas:Filmmaking in Revolutionary Nicaragua

(2003)

Filmmaking in Revolutionary Nicaragua

by

Subject: Countries >

Hollywood from Vietnam to Reagan . . . and Beyond:A Revised and Expanded Edition of the Classic Text

(2003)

A Revised and Expanded Edition of the Classic Text

by

Subject: Studio >

Celluloid Nationalism and Other Melodramas:From Post-Revolutionary Mexico to fin de siglo Mexamerica

(2003)

From Post-Revolutionary Mexico to fin de siglo Mexamerica

by

Subject: Countries >

The Big Tomorrow:Hollywood and the Politics of the American Way

(2002)

Hollywood and the Politics of the American Way

by

Subject:

The Flash of Capital:Film and Geopolitics in Japan

(2002)

Film and Geopolitics in Japan

by

Subject: Countries >

A Very Dangerous Citizen:Abraham Lincoln Polonsky and the Hollywood Left

(2002)

Abraham Lincoln Polonsky and the Hollywood Left

by and

Subject: Director >

Consuming Youth:Vampires, Cyborgs, and the Culture of Consumption

(2002)

Vampires, Cyborgs, and the Culture of Consumption

by

Subject:

Hearst Over Hollywood:Power, Passion, and Propaganda in the Movies

(2002)

Power, Passion, and Propaganda in the Movies

by

Subject: Studio >

Hollywood's Film Wars With France:Film-Trade Diplomacy and the Emergence of the French Film Quota Policy

(2001)

Film-Trade Diplomacy and the Emergence of the French Film Quota Policy

by

Subject:

Alternative Empires:European Modernist Cinemas and Cultures of Imperialism

(2000)

European Modernist Cinemas and Cultures of Imperialism

by

Subject: Countries >

The Suppression of Salt of the Earth:How Hollywood, Big Labor, and Politicians Blacklisted a Movie in the American Cold War

(1999)

How Hollywood, Big Labor, and Politicians Blacklisted a Movie in the American Cold War

by

Subject: One Film >

Cinematic Political Thought:Narrating Race, Nation and Gender

(1999)

Narrating Race, Nation and Gender

by

Subject:

Hollywood and Broadcasting:From Radio to Cable

(1999)

From Radio to Cable

by

Subject:

So Close to the States:The Emergence of Canadian Feature Film Policy

(1998)

The Emergence of Canadian Feature Film Policy

by

Subject: Countries >

The Folklore of Consensus:Theatricality in the Italian Cinema, 1930-1943

(1998)

Theatricality in the Italian Cinema, 1930-1943

by

Subject: Countries >

Allegories of Underdevelopment:Aesthetics and Politics in Modern Brazilian Cinema

(1997)

Aesthetics and Politics in Modern Brazilian Cinema

by

Subject: Countries >

Flatlining on the Field of Dreams:Cultural Narratives in the Films of President Reagan's America

(1997)

Cultural Narratives in the Films of President Reagan's America

by

Subject: On Films >

From Mouse to Mermaid:The Politics of Film, Gender, and Culture

(1995)

The Politics of Film, Gender, and Culture

Dir. , and

Subject: Studio >

Contemporary Italian Filmmaking:Strategies of Subversion : Pirandello, Fellini, Scola, and the Directors of the New Generation

(1995)

Strategies of Subversion : Pirandello, Fellini, Scola, and the Directors of the New Generation

by

Subject: Countries >

Images of the Algerian War:French Fiction and Film, 1954-1992

(1994)

French Fiction and Film, 1954-1992

by

Subject: Countries >

Shadows on the past:studies in the historical fiction film

(1994)

studies in the historical fiction film

by

Subject: Genre >

Ronald Reagan in Hollywood:Movies and Politics

(1994)

Movies and Politics

by

Subject: Actor >

Inside Soviet film satire:Laughter with a lash

(1993)

Laughter with a lash

by

Subject: Countries >

From May Fourth to June Fourth:Fiction and Film in Twentieth-Century China

(1993)

Fiction and Film in Twentieth-Century China

Dir. and

Subject: Countries >

Animating Culture:Hollywood Cartoons from the Sound Era

(1993)

Hollywood Cartoons from the Sound Era

by

Subject: Genre >

The Red Screen:Politics, Society, Art in Soviet Cinema

(1992)

Politics, Society, Art in Soviet Cinema

Dir.

Subject: Countries >

African Cinema:Politics & Culture

(1992)

Politics & Culture

by

Subject: Countries >

In the National Interest:A Chronicle of the National Film Board of Canada from 1949-1989

(1991)

A Chronicle of the National Film Board of Canada from 1949-1989

by

Subject: Countries >

Camera Politica:The Politics and Ideology of Contemporary Hollywood Film

(1988)

The Politics and Ideology of Contemporary Hollywood Film

by and

Subject:

Cinema Engage:Film in the Popular Front

(1988)

Film in the Popular Front

by

Subject: Countries >

La vie est à nous:French Cinema of the Popular Front 1935-1938

(1986)

French Cinema of the Popular Front 1935-1938

Dir. and

Subject: Countries >

The Hollywood Social Problem Film:Madness, despair, and politics from the Depression to the fifties

(1981)

Madness, despair, and politics from the Depression to the fifties

by and

Subject: Countries >


> See books in French on subject: Politics

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info