Books in French are on www.livres-cinema.info
Russian Critics on the Cinema of Glasnost
Edited by Michael Brashinsky, Andrew Horton and William Rothman
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
This collection brings together twenty-three essays by some of Russia's most astute commentators on film and culture, written during the 1980s and published here in English for the first time. Included are reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments illuminate important aspects of Russian filmmaking during this decade and capture a sense of a society in flux during the waning years of communism, as well as conveying the larger context within which Glasnost cinema and culture developed.
See the publisher website: Cambridge University Press
> From the same authors:
Play It Again, Sam (2022)
Retakes on Remakes
Dir. Andrew Horton and Stuart Y. McDougal
Subject: Economics
Tuitions and Intuitions (2019)
Essays at the Intersection of Film Criticism and Philosophy
Subject: Film Analysis
Looking with Robert Gardner (2016)
Dir. Rebecca Meyers, William Rothman and Charles Warren
Subject: Director > Robert Gardner
Must We Kill the Thing We Love? (2014)
Emersonian Perfectionism and the Films of Alfred Hitchcock
Subject: Director > Alfred Hitchcock
Three Documentary Filmmakers (2009)
Errol Morris, Ross McElwee, Jean Rouch
Dir. William Rothman
Subject: Genre > Documentary
Screenwriting for a Global Market (2004)
Selling Your Scripts from Hollywood to Hong Kong
Subject: Technique > Scriptwriting
Reading Cavell's the World Viewed (2000)
A Philosophical Perspective on Film
by Marian Keane and William Rothman
Subject: Theory
Writing the Character-Centered Screenplay (2000)
Updated and Expanded edition
Subject: Technique > Scriptwriting
Three More Screenplays by Preston Sturges (1998)
The Power and the Glory, Easy Living, and Remember the Night
by Preston Sturges and Andrew Horton
Subject: One Film > Remember the Night, The Power and the Glory, Easy Living
The Zero Hour (1992)
Glasnost and Soviet Cinema in Transition
by Andrew Horton and Michael Brashinsky
Subject: Countries > Russia / USSR
The Gorgon's Gaze (1991)
German Cinema, Expressionism, and the Image of Horror
by Paul Coates, William Rothman and Dudley Andrew
> On a related topic:
The New Russian Documentary (2025)
Reclaiming Reality in the Age of Authoritarianism
Dir. Masha Shpolberg and Anastasia Kostina
Subject: Countries > Russia / USSR
Cinemasaurus (2020)
Russian Film in Contemporary Context
Dir. Nancy Condee, Alexander Prokhorov and Elena Prokhorova
Subject: Countries > Russia / USSR
Postcommunist Film - Russia, Eastern Europe and World Culture (2013)
Moving Images of Postcommunism
Dir. Lars Kristensen
Subject: Countries > Russia / USSR
Glasnost-Soviet Cinema Responds (1991)
by Nicholas Galichenko and Robert Allington
Subject: Countries > Russia / USSR
Learn Russian through Contemporary Short Film (2024)
Subject: Countries > Russia / USSR
Modern Russian Cinema as a Battleground in Russia's Information War (2024)
Dir. Alexander Rojavin and Helen Haft
Subject: Countries > Russia / USSR
Designing Russian Cinema (2024)
The Production Artist and the Material Environment in Silent Era Film
by Eleanor Rees
Subject: Countries > Russia / USSR
Soviet Science Fiction Cinema and the Space Age (2023)
Memorable Futures
Subject: Countries > Russia / USSR
Caught In-Between (2020)
Intermediality in Contemporary Eastern European and Russian Cinema
Dir. Agnes Petho
Subject: Countries > Russia / USSR
Memory Politics in Contemporary Russia (2020)
Television, Cinema and the State
Subject: Countries > Russia / USSR
Back
