Social and Political Change in Literature and Film

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Sous la direction de Richard Chapple

Type

Essays

Sujet

General

Mots Clés

politics, sociology, literature

Année d'édition

1994

Editeur

University Press of Florida

Langue

anglais

Taille du livre

Format

Paperback • 136 pages
5 ½ x 8 ¼ inches (14 x 21 cm)

ISBN-10
ISBN-13

0-8130-1286-4
978-0-8130-1286-5

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À propos de l'auteur :
Richard L. Chapple is professor and chair of the Department of Modern Languages and Linguistics at Florida State University.

Sommaire:
Wim Wender's Euro-American Construction Site: Paris, Texas or Texas, Paris, by Duco van Oostrum
Double Vision: Scorsese and Hitchcock, by Barbara Odabashian

Transformations of Terror: Reading Changes in Social Attitudes Through Film and Television Adaptations of Stevenson's Dr. Jekyll and Mr. Hyde, by Brian Rose

Decentering the Subject: David Hare's Wetherby, by Nicholas O. Pagan

Repercussions of the Civil War in the Canary Islands, by Margarita M. Lezcano

Cinema with a Future: The Development of Film in Quebec as an Authentic Expression of Québecois Culture, by Philip Reines

The Crack in the Facade: Social Aftershocks of Mexico's 1985
Earthquake, by Mary Tyler

Fiction into Film: "Is Dying Hard Daddy?" Hemingway's "Indian Camp," by H.R. Stoneback

Rear Window's Lisa Freemont: Masochistic Female Spectator or Post-War Socioeconomic Threat?, by Carol Mason

Revolution as Theme in John Oliver Killens' Youngblood by Charles Wilson, Jr.

Richard L. Chapple is professor and chair of the Department of Modern Languages and Linguistics at Florida State University.

Voir le site internet de l'éditeur University Press of Florida