Radicalism in American Silent Films, 1909–1929

A Filmography and History

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by Michael Slade Shull

Type: Dictionaries
Subject: Silent Cinema
Keywords: silent cinema, politics, radical
Publishing date: 2011
Publisher: McFarland & Co
Collection: Silent Cinema
1st publishing: 2000
Language: English

Relative size

Physical desc.

Paperback • 355 pages
7 x 10 inches (18 x 25.5 cm)

ISBN

978-0-7864-4247-8

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Book Presentation:
This work identifies 436 American silent films released between 1909 and 1929 that engaged the issues of militant labor and revolutionary radicalism. It begins with an extended introduction and analytical chapters that investigate the ways in which the American motion picture industry portrayed the interrelationships between labor radicals, exploitative capitalists, socialist idealists and Bolsheviks during this critical twenty-year period.

Each entry contains a detailed plot synopsis, citations to primary sources, coding indicating the presence or absence of 14 predominant discernible biases (including anti- and pro-capitalism, socialism, revolution and labor), and subject coding keyed to 64 related terms and concepts (including agitators, Bolshevism, bombs, female radicals, militias, mobs, political refugees, and strikes). These statistical data included in the filmography are presented in a series of charts and are fully integrated into the historical-critical text. Total number and percentage statistics for the instances of these coded biases and traits are given per year, per era, and overall.

About the Author:
Film historian and media propaganda specialist Michael S. Shull currently teaches film history at George Washington University and teaches mass communications at Montgomery College (both in the Washington, D.C., area). He lives in Germantown, Maryland.

Press Reviews:
Choice Outstanding Academic Title

"this painstakingly researched book contains an extensive bibliography and index, as well as a comprehensive filmography with standard production information for individual, thematically coded entries and vital information about surviving film prints and their location. The unique study is valuable…recommended"—Library Journal; "a stunning achievement"—Choice; "fascinating…will be of value"—ARBA; "excellent…a wonderful book"—Film & History; "documents more than 400 American features and short subjects, released between 1909 and 1929, that deal with the issues of militant labor and revolutionary radicalism"—Classic Images.

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