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Hollywood Melodrama and the New Deal

Public Daydreams

by Anna Siomopoulos

Type
Studies
Subject
CountriesUnited States
Keywords
american cinema, drama, politics, ideology
Publishing date
2016
Publisher
Routledge
Collection
Routledge Advances in Film Studies
1st publishing
2012
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 156 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-138-68950-3
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Book Presentation:
While many critics have analyzed the influence of the FDR administration on Hollywood films of the era, most of these studies have focused either on New Deal imagery or on studio interactions with the federal government. Neither type of study explores the relationship between film and the ideological principles underlying the New Deal.

This book argues that the most important connections between the New Deal and Hollywood melodrama lie neither in the New Deal iconography of these films, nor in the politics of any one studio executive. Rather, the New Deal figures prominently in Hollywood melodramas of the Depression era because these films engage the political ideas underlying welfare state policies—ideas that extended the reach of government into the private realm. As the author shows, Hollywood melodramas interrogated New Deal principles of liberal empathy—consumer citizenship, the refeudalization of the state, and minimal economic redistribution—only to support welfare-state ideology in the end.

About the Author:
Anna Siomopoulos is Associate Professor of English and Media Studies at Bentley University.

See the publisher website: Routledge

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