Cinema as a Political Media
by Lutz Klinkhammer and Clemens Zimmerman
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
This volume’s transnational, comparative approach seeks to open up a fresh perspective on self-interpretations of the past in Germany and Italy with regards to film production and the cinematographic relationship between the two countries, from 1945 to 1955. In the 12 chapters, the international authors analyse both plot and narrative in significant single film productions, as well as the contexts in which the horrors and traumas of their Nazi and Fascist pasts were discussed in both countries.
See the publisher website: Heidelberg University
> On a related topic:
Transnational German Film at the End of Neoliberalism (2024)
Radical Aesthetics, Radical Politics
Dir. Claudia Breger and Olivia Landry
Cinematically Transmitted Disease (2024)
Eugenics and Film in Weimar and Nazi Germany
Sensitive Subjects (2020)
The Political Aesthetics of Contemporary German and Austrian Cinema
Staging West German Democracy (2020)
Governmental PR Films and the Democratic Imaginary, 1953-1963
by Jan Uelzmann and Imke Meyer
Celluloid Revolt (2019)
German Screen Cultures and the Long 1968
Dir. Christina Gerhardt and Marco Abel
Re-Imagining DEFA (2016)
East German Cinema in its National and Transnational Contexts
Dir. Seán Allan and Sebastian Heiduschke
Politics of the Self (2014)
Feminism and the Postmodern in West German Literature and Film
The Collapse of the Conventional (2010)
German Film and Its Politics at the Turn of the Twenty-First Century
Dir. Brad Prager and Jaimey Fisher