The Political Economy of Local Cinema
A Critical Introduction
Edited by Anne Rajala, Daniel Lindblom and Matteo Stocchetti
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
The globalization and digitalization of cultural markets presents formidable challenges for local cinema and storytelling. The essays in this collection address some of these challenges from the perspective of a critical political economy of local cinema. Inspiring these contributions is the effort of supporting local cinema as a form of valuable storytelling that is at risk of market-driven extinction because of the greater commercial viability of global or Hollywood cinema and national cinema.
About the authors:
Anne Lill Rajala is a research assistant in the Media and Education in the Digital Age - MEDA research programme at Arcada University of Applied Sciences, Helsinki, Finland. She holds a bachelor degree in Culture and Arts (film & television) and is currently completing a master degree in social sciences (University of Helsinki) with communication as main discipline. Her BA thesis dealt with documentary film as a form of truth-telling and she continues exploring the topic further in her master thesis. Rajala has been involved in artistic productions for more than 15 years through e.g. theater, photography and filmmaking. Additionally Rajala has a strong passion for music, and pursues her artistic ambitions in the critically acclaimed theatrical metal band Lost in Grey.Daniel Lindblom is a freelance journalist, screenwriter and a researcher. He holds a bachelor degree in Culture and Arts (film & television) and is currently completing a master program in journalism at University of Helsinki, Finland. He is research assistant in the programme Media and education in the Digital Age – MEDA, based at Arcada University of Applied Sciences in Helsinki. His research deals with local cinema, especially Finnish Swedish cinema, and local storytelling. Matteo Stocchetti (PhD) is Docent in Political Communication at Åbo Academy, Docent in Media and Communication at the University of Helsinki and Principal Lecturer in Critical Media Analysis at Arcada University of Applied Sciences. He is the initiator and main coordinator of the program Media and Education in the Digital Age – MEDA. (https://rdi.arcada.fi/meda/en/). His main research interests include critical social theory applied to politics, education and the media.
See the publisher website: Peter Lang
> On a related topic:
Films That Work Harder (2023)
The Circulation of Industrial Film
Dir. Vinzenz Hediger, Florian Hoof and Yvonne Zimmermann
Subject: Economics
Media Independence (2018)
Working with Freedom or Working for Free?
Dir. James Bennett and Niki Strange
Subject: Economics
Cinema and the Festivalization of Capitalism (2023)
The Experience-makers
by Ann Vogel
Subject: Festivals
The Post-Crash Decade of American Cinema (2021)
Wall Street, the “Mancession,” and the Political Construction of Crisis
by Ewa Kowal
Subject: Sociology
Romanian Capitalism on Film (2025)
Microhistories of Hope, Anxiety and Adaptation
Film Policies in Europe (1945-1980) (2025)
A Comparative Approach to the History of State Aid for Film
Dir. Francesco Di Chiara
Chinese Cinema (2023)
Identity, Power, and Globalization
Dir. Jeff Kyong-McClain, Russell Meeuf and Jing Jing Chang
Southeast Asia on Screen (2020)
From Independence to Financial Crisis (1945-1998)
Dir. Gaik Cheng Khoo, Thomas Barker and Mary Ainslie
Subject: Countries > Southeast Asia