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Political Economy Goes to the Movies

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Type
Studies
Sujet
Mots Clés
politics
Année d'édition
Editeur
Routledge
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback214 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-138-29836-1
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Description de l'ouvrage:
Political Economy Goes to the Movies provides an introduction to political economy using a wide range of popular films and documentaries as the objects of analysis. The work helps readers to understand and analyze the economic and related political, cultural, and ecological relationships depicted in selected films. This is achieved through the lens of past and present economic theories and in the context of debates over the dynamic influence of economics on individual life chances.

Film may have more to teach us about the real world than the abstractions of certain economic theories. A world of income inequality, child labor in mills and mines, local rebellions against land seizures, and wars triggered by economic conflicts provide the context for many films mirroring real world events. Some films depict the interacting and intersecting political, economic, cultural, and ecological contexts within and between variant economic relationships, whereas other films show “catastrophes” such as economic depressions, disruptive social transitions, violent revolutions, and existential environmental degradation – a world in disequilibrium. Films allow us to see a panoply of human social relationships and related problems, even to explore cataclysmic moments in our species life, but not to necessarily see the why of these relationships and problems. Simultaneously, mainstream economics has severe constraints on what can be analyzed. Film exposes this weakness of the mainstream model. Twelve Years a Slave, Trumbo, The Big Short and others are analyzed for their realism by referencing documented historical social events, and behavioral economics provides further data for analyzing the realism of social interaction within the films.

Exploring events and contexts absent from the typical economics text or the basic level economics classes, this work is essential reading for students and scholars of political economy in both economics and politics departments, as well as those of pluralist economics and Marxist economics.

À propos de l'auteur :
Satyananda J. Gabriel is Professor of Economics at Mount Holyoke College, USA.

Revue de Presse:
"This is a superb interdisciplinary book. It contributes original insights into 'economics' drawn from the author's studies of film and critiques of mainstream economic theory. It exposes the ideologically loaded abstractions central to mainstream economics. And it also shows us how films both reflect and shape mainstream economics and its critiques. Brilliant, exceptional work."

—Richard Wolff, Professor at the New School for Social Research and Emeritus Professor at the University of Massachusetts, Amherst, USA. Founder of Democracy at Work

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