Books in French are on www.livres-cinema.info
Popular Cinema of the Third Reich
by Sabine Hake
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years.
Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.
About the Author:
Sabine Hake is Professor of German at the University of Pittsburgh.
Press Reviews:
This is an immaculately researched, sophisticatedly argued investigation into the richly varied aspects of popular cinema during the Third Reich. . . . The result is an impressive, highly informative, and insightful book. - Alice Kuzniar
See the publisher website: University of Texas Press
> From the same author:
Turkish German Cinema in the New Millennium (2014)
Sites, Sounds, and Screens
Dir. Sabine Hake and Barbara Mennel
Passions and Deceptions (1992)
The Early Films of Ernst Lubitsch
by Sabine Hake
Subject: Director > Ernst Lubitsch
> On a related topic:
Politicking and Emergent Media (2016)
US Presidential Elections of the 1890s
Subject: History of Cinema
Cinematically Transmitted Disease (2024)
Eugenics and Film in Weimar and Nazi Germany
Charlie Chaplin and the Nazis (2023)
The Long German Campaign Against the Artist
Subject: Director > Charlie Chaplin
Continental Films (2022)
French Cinema Under German Control
by Christine Leteux and Bertrand Taverneir
Subject: History of Cinema
Cine-Mobility (2022)
Twentieth-Century Transformations in Korea's Film and Transportation
by Han Sang Kim
Unruly Cinema (2020)
History, Politics, and Bollywood
Left of Hollywood (2010)
Cinema, Modernism, and the Emergence of U.S. Radical Film Culture
by Chris Robé
Back
