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The American Worker on Film

A Critical History, 1909–1999

de Doyle Greene

Type
Studies
Sujet
Sociology
Mots Clés
politics, social aspects
Année d'édition
2010
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 248 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-7864-4734-3
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Description de l'ouvrage:
An examination of the cinematic and cultural discourse surrounding work, the worker, organized labor, and the working class in 20th century America, this book analyzes a number of films within the historical context of labor and politics. Looking at both comedies (Modern Times, Gung Ho, Office Space) and dramas (The Grapes of Wrath, On the Waterfront, F.I.S.T., Blue Collar, Norma Rae, and Matewan), it reveals how these films are not merely products of their times, but also producers of ideological stances concerning the status of capitalism, class struggle, and democracy in America. Common themes among the films include the myth of the noble worker, the shifting status of the American Dream, and the acceptability of reform versus the unacceptability of revolution in affecting economic, political, and social change in America.

À propos de l'auteur :
Independent scholar Doyle Greene is the author of several books and serves on the editorial board of Film Criticism. He lives in Minneapolis, Minnesota.

Voir le site internet de l'éditeur McFarland & Co

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