The American Worker on Film
A Critical History, 1909–1999
de Doyle Greene
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
An examination of the cinematic and cultural discourse surrounding work, the worker, organized labor, and the working class in 20th century America, this book analyzes a number of films within the historical context of labor and politics. Looking at both comedies (Modern Times, Gung Ho, Office Space) and dramas (The Grapes of Wrath, On the Waterfront, F.I.S.T., Blue Collar, Norma Rae, and Matewan), it reveals how these films are not merely products of their times, but also producers of ideological stances concerning the status of capitalism, class struggle, and democracy in America. Common themes among the films include the myth of the noble worker, the shifting status of the American Dream, and the acceptability of reform versus the unacceptability of revolution in affecting economic, political, and social change in America.
À propos de l'auteur :
Independent scholar Doyle Greene is the author of several books and serves on the editorial board of Film Criticism. He lives in Minneapolis, Minnesota.
> Du même auteur :
The Mexican Cinema of Darkness (2007)
A Critical Study of Six Landmark Horror and Exploitation Films, 1969–1988
de Doyle Greene
Mexploitation Cinema (2005)
A Critical History of Mexican Vampire, Wrestler, Ape-Man and Similar Films, 1957–1977
de Doyle Greene
> Sur un thème proche :
Screening Protest (2018)
Visual narratives of dissent across time, space and genre
Dir. Alexa Robertson
Sujet : Sociology
Women Labor Activists in the Movies (2010)
Nine Depictions of Workplace Organizers, 1954–2005
Sujet : Sociology
Algerian Cinema in Forty Five Lessons (2025)
Art, Politics and Social Change
Retour
