MENU   

Postsocialist Conditions

by

Type
Studies
Subject
Countries
Keywords
China, politics, 1990s, 2000s
Publishing date
Publisher
Brill
Collection
Ideas, History, and Modern China
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover484 pages
6 ¼ x 9 ¼ inches (16 x 23.5 cm)
ISBN
978-90-04-38554-2
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
In Postsocialist Conditions: Idea and History in China's "Independent Cinema," 1988-2008, WANG Xiaoping offers a comprehensive survey and trenchant critique of China's "Independent Cinema" by the sixth-generation auteurs. By showing the multi-valence of the postsocialist conditions in contemporary Chinese society, their films articulate a new cultural-political logic in postsocialist China, which is also the logic of the market in this era of neoliberal transformation, brought about by the forces of marketization since the late 1980s. The directors laudably show the spirits of humanism and the humanitarian concerns of the underclass, yet the shortage and repudiation of class analysis prohibits the artists from exploring the social contradictions and the cause of class restructuration.

About the Author:
WANG Xiaoping, Ph.D. (2010), is Chair Professor of Chinese studies at Huaqiao University and Adjunct Professor of the Institute of Arts and Humanities of Shanghai Jiaotong University, China. He has published more than 100 articles and numerous monographs, including Ideology and Utopia in China’s New Wave Cinema: Globalization and Its Chinese Discontents (Palgrave Macmillan, 2018).

See the

> From the same author:

China in the Age of Global Capitalism:Jia Zhangke's Filmic World

(2021)

Jia Zhangke's Filmic World

by

Subject: Director >

Ideology and Utopia in China's New Wave Cinema:Globalization and Its Chinese Discontents

(2018)

Globalization and Its Chinese Discontents

by

Subject: Countries >

> On a related topic:

Working the System:Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966

(2023)

Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966

by

Subject: Countries >

Chinese Cinema:Identity, Power, and Globalization

(2023)

Identity, Power, and Globalization

Dir. , and

Subject: Countries >

Party Hegemony and Entrepreneurial Power in China:Institutional Change in the Film and Music Industries

(2015)

Institutional Change in the Film and Music Industries

by

Subject: Countries >

Reinventing China:A Generation and Its Films

(2005)

A Generation and Its Films

by

Subject: Countries >

From May Fourth to June Fourth:Fiction and Film in Twentieth-Century China

(1993)

Fiction and Film in Twentieth-Century China

Dir. and

Subject: Countries >

New Chinese Cinema:Challenging Representations

(2002)

Challenging Representations

by and

Subject: Countries >

Adapted For The Screen:The Cultural Politics Of Modern Chinese Fiction And Film

(2010)

The Cultural Politics Of Modern Chinese Fiction And Film

by

Subject: Countries >

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info