The Memory of Tiresias (1998)
Intertextuality and Film
Publisher: University of California Press
Subject: Theory
Visions of the Past (1998)
The Challenge of Film to Our Idea of History
Publisher: Harvard University Press
Subject: Theory
Empty Moments (1998)
Cinema, Modernity, and Drift
by Leo Charney
Publisher: Duke University Press
Subject: Theory
Pretty Pictures (1998)
Production Design and the History Film
Publisher: University of Texas Press
Subject: Theory
The Reality of Illusion (1998)
An Ecological Approach to Cognitive Film Theory
Publisher: Southern Illinois University Press
Subject: Theory
Theory of Film (1997)
The Redemption of Physical Reality
Publisher: Princeton University Press
Subject: Theory
The Image in Dispute (1997)
Art and Cinema in the Age of Photography
by Sally Shafto
Publisher: University of Texas Press
Subject: Theory
Theorizing the Moving Image (1996)
by Noel Carroll
Publisher: Cambridge University Press
Subject: Theory
Post-Theory (1996)
Reconstructing Film Studies
Dir. David Bordwell
Publisher: University of Wisconsin Press
Subject: Theory
Fields of Vision (1995)
Essays in Film Studies, Visual Anthropology, and Photography
by Leslie Devereaux and Roger Hillman
Publisher: University of California Press
Subject: Theory
Narrative Mortality (1994)
Death, Closure, and New Wave Cinemas
Publisher: University of Minnesota Press
Subject: Theory
Modernist Montage (1992)
The Obscurity of Vision in Cinema and Literature
Publisher: Columbia University Press
Subject: Theory
Reflexivity in Film and Culture (1992)
From Don Quixote to Jean-Luc Godard
by Robert Stam
Publisher: Columbia University Press
Subject: Theory
The Address of the Eye (1991)
A Phenomenology of Film Experience
Publisher: Princeton University Press
Subject: Theory
Film and phenomenology (1991)
toward a realist theory of cinematic representation
Publisher: Cambridge University Press
Subject: Theory
Cinema 2 (1989)
The Time-Image
Publisher: University of Minnesota Press
(previous edition)
Subject: Theory
Transcendental Style In Film (1988)
Ozu, Bresson, Dreyer
Publisher: Da Capo Press
(previous edition)
Subject: Theory
Narration in Light (1988)
Studies in Cinematic Point of View
Publisher: Johns Hopkins University Press
Subject: Theory
Nonindifferent nature (1987)
Film and the Structure of Things
Publisher: Cambridge University Press
Subject: Theory
Narrative, Apparatus, Ideology (1986)
A Film Theory Reader
Dir. Philip Rosen
Publisher: Columbia University Press
Subject: Theory
Cinema 1 (1986)
the Movement-Image
Publisher: University of Minnesota Press
(previous edition)
Subject: Theory
Autonomous Image (1981)
Cinematic Narration & Humanism
Publisher: University Press of Kentucky
Subject: Theory
Story and Discourse (1980)
Narrative Structure in Fiction and Film
Publisher: Cornell University Press
Subject: Theory
The World Viewed (1979)
Reflections on the Ontology of Film, Enlarged Edition
Publisher: Harvard University Press
Subject: Theory
> Other books related to Theory:
Catherine Malabou and Contemporary French Literature and Film (2026)
Witnessing Plasticity
Elemental World Cinema (2025)
Cinematic Entanglements of Earth, Fire, Water and Air
Dir. Tiago de Luca and Matilda Mroz
Subject: Sociology
Haunted Soundtracks (2025)
Audiovisual Cultures of Memory, Landscape, and Sound
Dir. Kevin J. Donnelly and Aimee Mollaghan
Taking Back Desire (2025)
A Psychoanalytic Approach to Queerness and Neoliberalism on Screen
Subject: Sociology
Hearing Eyes, Seeing Ears (2025)
Collected Writings on Music in Audiovisual Culture
Comedy in Literature and Popular Culture (2024)
From Aristophanes to Saturday Night Live
Subject: Genre > Comedy/Humor
Autobiographical Reenactment in French and Belgian Film (2024)
Repetition, Memory, Self
Subject: Director > Chantal Akerman, Vincent Dieutre, Boris Lehman, Agnès Varda
Ingmar Bergman at the Crossroads (2024)
Between Theory and Practice
Dir. Maaret Koskinen
Subject: Director > Ingmar Bergman
New Perspectives on Early Cinema History (2024)
Concepts, Approaches, Audiences
Dir. Mario Slugan and Daniel Biltereyst
Subject: Silent Cinema
Ambiguous Cinema (2024)
From Simone de Beauvoir to Feminist Film-Phenomenology
by Kelli Fuery
Subject: Sociology
The Synergy of Music and Image in Audiovisual Culture (2023)
Half-Heard Sounds and Peripheral Visions
How Film Histories Were Made (2023)
Materials, Methods, Discourses
Dir. Malte Hagener and Yvonne Zimmermann
Subject: History of Cinema
Listening Deafly and the Rhetoric of Sound (2023)
Voice, Silence, and Listening in Hollywood Films
The Palgrave Handbook of Screenwriting Studies (2023)
Dir. Rosamund Davies, Paolo Russo and Claus Tieber
Subject: Technique > Scriptwriting
Realist Film Theory and Bicycle Thieves (2023)
by Hilary Neroni and Todd McGowan
Subject: One Film > Bicycle Thieves
Musical Sincerity and Transcendence in Film (2023)
Reflexive Fictions
Constructions of the Real (2023)
Intersections of Documentary-based Film Practice and Theory
Dir. Christine Rogers, Kim Munro and Liz Burke
Subject: Genre > Documentary
Cinema of Exploration (2022)
Essays on an Adventurous Film Practice
Dir. James Leo Cahill and Luca Caminati
Subject: General
What Is Non-fiction Cinema? (2022)
On the Very Idea of Motion Picture Communication
Subject: Genre > Documentary
Affect Poetics of the New Hollywood (2022)
Suspense, Paranoia, and Melancholy
Subject: Countries > United States
Artificial Generation (2021)
Photogenic French Literature and the Prehistory of Cinematic Modernity
Subject: Technique > Adaptation
Emotions, Ethics, and Cinematic Experience (2021)
New Phenomenological and Cognitivist Perspectives
Dir. Robert Sinnerbrink
Subject: Sociology
Cinematic Histospheres (2021)
On the Theory and Practice of Historical Films
Subject: Genre > Historical films
Organic Cinema (2021)
Film, Architecture, and the Work of Béla Tarr
Screening Characters (2020)
Theories of Character in Film, Television, and Interactive Media
Dir. Johannes Riis and Aaron Taylor
Subject: On Films > Characters
What is cinema? / Qu'est-ce que le cinéma ? (2020)
by Germaine Dulac
(in English and French)
Subject: Director > Germaine Dulac
A Dictionary of Film Studies (2020)
by Annette Kuhn and Guy Westwell
Subject: On Films > Guides and dictionaries
Cinematic Corpographies (2020)
Re-Mapping the War Film Through the Body
New Nonfiction Film (2020)
Art, Poetics, and Documentary Theory
by Dara Waldron
Subject: Genre > Documentary
The Object of Comedy (2020)
Philosophies and Performances
Dir. Jamila M. H. Mascat and Gregor Moder
Subject: Genre > Comedy/Humor
Interpreting Cinema (2020)
Adaptations, Intertextualities, Art Movements
by Jasbir Jain
Subject: Film Analysis
Sound Design is the New Score (2019)
Theory, Aesthetics, and Erotics of the Integrated Soundtrack
The Empathic Screen (2019)
Cinema and Neuroscience
by Vittorio Gallese and Michele Guerra Translator Frances Anderson
Subject: Sociology
Documentary Across Platforms (2019)
Reverse Engineering Media, Place, and Politics
Subject: Genre > Documentary
The Structures of the Film Experience by Jean-Pierre Meunier (2019)
Historical Assessments and Phenomenological Expansions
Dir. Julian Hanich and Daniel Fairfax
Subject: Film Analysis
Static in the System (2019)
Noise and the Soundscape of American Cinema Culture
Toward a Philosophy of the Documentarian (2019)
A Prolegomenon
by Dan Geva
Subject: Genre > Documentary
Cognitive Theory and Documentary Film (2018)
Dir. Catalin Brylla and Mette Kramer
Subject: Genre > Documentary
Mysteries of Cinema (2018)
Reflections on Film Theory, History and Culture 1982-2016
Subject: History of Cinema
Cinema Between Media (2018)
An Intermediality Approach
by Jørgen Bruhn and Anne Gjelsvik
Subject: General
The Image in Early Cinema (2018)
Form and Material
by Scott Curtis, Tom Gunning, Philippe Gauthier and Joshua Yumibe
Subject: Silent Cinema
Between Film, Video, and the Digital (2018)
Hybrid Moving Images in the Post-Media Age
by Jihoon Kim
Subject: Genre > Experimental
Comedies of Nihilism (2018)
The Representation of Tragedy Onscreen
by Amir Khan
Subject: Genre > Comedy/Humor
Editing and Montage in International Film and Video (2017)
Theory and Technique
Postmodern Theory and Blade Runner (2017)
Subject: One Film > Blade Runner (1982)
Pixar and the Aesthetic Imagination (2017)
Animation, Storytelling, and Digital Culture
by Eric Herhuth
The Philosophy of Documentary Film (2016)
Image, Sound, Fiction, Truth
Dir. David LaRocca
Subject: Genre > Documentary
The Documentary Film Reader (2016)
History, Theory, Criticism
Dir. Jonathan Kahana
Subject: Genre > Documentary
Beyond Spatial Montage (2016)
Windowing, or the Cinematic Displacement of Time, Motion, and Space
Film Theory and Criticism (2016)
Introductory Readings
Dir. Leo Braudy and Marshall Cohen
Subject: Film Analysis
Film Essays and a Lecture (2014)
by Sergei Eisenstein and Jay Leyda
Subject: Director > Sergei Eisenstein
Australian Film Theory and Criticism (2013)
Volume 1: Critical Positions
Acting and Performance in Moving Image Culture (2012)
Bodies, Screens, Renderings. With a Foreword by Lesley Stern
Dir. Jörg Sternagel, Deborah Levitt and Dieter Mersch
Polanski and Perception (2012)
The Psychology of Seeing and the Cinema of Roman Polanski
Subject: Director > Roman Polanski
When Stories Travel (2012)
Cross-Cultural Encounters Between Fiction and Film
Subject: Technique > Adaptation
Eye for Music (2011)
Popular Music and the Audiovisual Surreal
Hitchcock and the Cinema of Sensations (2011)
Embodied Film Theory and Cinematic Reception
by Paul Elliott
Subject: Director > Alfred Hitchcock
Jung and Film II (2011)
The Return: Further Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke and Luke Hockley
Subject: Film Analysis
Cinema Beyond Film (2010)
Media Epistemology in the Modern Era
Dir. François Albera and Maria Tortajada
Subject: Silent Cinema
Looking Past the Screen (2007)
Case Studies in American Film History and Method
Dir. Jon Lewis and Eric Smoodin
Subject: Countries > United States
Screen Methods (2006)
Comparative Readings in Film Studies
Dir. Jacqueline Furby and Karen Randell
Subject: Film Analysis
Image and Identity (2006)
Reflections on Canadian Film and Culture
Cinema And Semiotic (2005)
Peirce And Film Aesthetics, Narration, And Representation
Subject: Film Analysis
Cinema's Conversion to Sound (2005)
Technology and Film Style in France and the U.S.
Subject: History of Cinema
Jung and Film (2001)
Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke and Ian Alister
Subject: Film Analysis
British Cinema in the Fifties (2000)
Gender, Genre and the 'New Look'
Subject: Countries > Great Britain
The Crisis of Political Modernism (1995)
Criticism and Ideology in Contemporary Film Criticism
Subject: Film Analysis
Mists of Regret (1995)
Culture and Sensibility in Classic French Film
A Certain Realism (1993)
Making Use of Pasolini's Film Theory and Practice
Subject: Director > Pier Paolo Pasolini
Terminal identity (1993)
the virtual subject in postmodern science fiction
Subject: Genre > Science Fiction
New Vocabularies in Film Semiotics (1992)
Structuralism, post-structuralism and beyond
Dir. Robert Stam
Subject: Film Analysis
Beyond the Stars 2 (1991)
Plot Conventions in American Popular Film
Dir. Paul Loukides and Linda K. Fuller
Subject: Technique > Scriptwriting
> See books in French on subject: Theory
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