A Body of Vision
Representations of the Body in Recent Film and Poetry
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Book Presentation:
Elder examines how artists such as Brakhage, Artaud, Schneemann, Cohen and others have tried to recognize and to convey primordial forms of experiences. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.
Press Reviews:
Elder is undoubtedly one of the most stimulating thinkers I have ever encountered'' (translated from the Italian)
- Antonio Bisaccia, author of Effetto Snow andart reviewer for Manifesto, Il Manifesto andArtleader
... each of the book's principal parts is exemplary of the kind of criticism film studies needs and should have a great deal more of.
- Bart Testa, University of Toronto Quarterly
The scope of this volume is truly astonishing.
- M. Wayne Cunningham, Canadian Book Review Annual
> From the same author:
Harmony and Dissent (2010)
Film and Avant-garde Art Movements in the Early Twentieth Century
Subject: Silent Cinema
Image and Identity (2006)
Reflections on Canadian Film and Culture
> On a related topic:
Cultures of Representation (2016)
Disability in World Cinema Contexts
Dir. Benjamin Fraser
Subject: Sociology
Mediatic Handology (2025)
Shaping Images, Interacting, Magicking
Dir. Ada Ackerman, Barbara Grespi and Andrea Pinotti
Subject: Theory
On the Figure in General and the Body in Particular (2023)
Figurative Invention in Cinema
Subject: Theory
Cinema's Baroque Flesh (2016)
Film, phenomenology and the art of entanglement
by Saige Walton
Subject: Theory
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